J.R.R. Tolkien’s Magic Ring

Sauron’s Ring

Ash nazg durbatulûk, ash nazg gimbatul, ash nazg thrakatulûk agh burzum-ishi krimpatul.

The One Ring

Introduction

The most famous magical ring in the past century is without a doubt a fictional one; Sauron’s ring in Tolkien’s popular Middle Earth series, starting with The Hobbit, and then The Lord of the Rings trilogy. If you haven’t read the books you’ve probably seen the movies, or at least the trailers.

Tolkien based this artifact and plot device on several legends of magical rings from different cultures, but there is some circumstantial evidence that a hitherto undiscovered influence comes from the canon of Scholastic Image Magic which Tolkien would have been familiar with; directly or indirectly, through close colleagues.

It has been an ambition of mine to create a series of rings using the formula that probably inspired Tolkien, and this is the first of a sequence of blog entries which will cover my creation of two sets of rings of this type and a third which is closely related and was created along with the second and arguably superior election.

One Ring To Rule Them All

John Ronald Reuel Tolkien

John Ronald Reuel Tolkien

Tolkien’s notion of The One Ring and similar magical artifacts evolved over time, so that Gollum’s lost “precious” ring of invisibility is portrayed differently than in The Lord of the Rings trilogy. It evolved from a simple ring of invisibility to an intelligent shapeshifting talismanic repository of the spirit of the dark lord Sauron; capable of making the wearer mighty and swaying nations, extending life in a variety of unnatural manners, and revealing a shadow plane where monsters dwelt. It also had the power to command the wearers of lesser rings whose manufacture Sauron had perverted, most memorably those which belonged to the nine Nazgûl, or Ringwraiths. It is clear that he drew from numerous mythic and fictional sources for its powers and origins, two of which deserve some special attention.

Antecedents to Tolkien’s Ring

The ring of Gyges from an edition of Plato's Republic

The ring of Gyges from an edition of Plato’s Republic

The nigh-archetypical ring of invisibility appears in Plato’s Republic, where the story of an ancestor of Gyges, a Lydian shepherd, is recounted. In the midst of a discussion about justice and incentives, Plato’s brother Glaucon tells a story of how in the absence of accountability both normally good and bad people would choose to behave unjustly. While tending his flock, the anonymous shepherd discovered a tomb in a mountainside after a violent thunderstorm had opened a chasm. In it he found a bronze sarcophagus in the shape of a horse, which when opened revealed a body of a giant with a golden ring on its finger. He took the ring as a prize, and later discovered that when he turned the collet towards his palm he became unseen, and when facing it outward he became visible again. In short order, he exploited this power to seduce the queen and usurp the king and establish a great dynasty of his own. In this story we see for the first time a ring that endows invisibility and rulership; however, the rulership here is described as an unfolding of the abuse of the ring’s power rather than a power in and of itself. The ring has some kind of signet or gem, unlike Sauron’s ring.

A scene from Wagner’s Der Ring des Nibelungen

A scene from Wagner’s Der Ring des Nibelungen

Another obvious influence comes from Wagner’s Der Ring des Nibelungen. In this cycle of music dramas, a villainous dwarf named Alberich steals gold from the Rhine maidens and crafts it into a magic ring with the power to rule the world. Gods, giants and heroes fight over the possession of the ring for the rest of the story leading to epic tragedies, until escalating mayhem finally leads to the destruction of Valhalla and the death of all of the gods. The conflict on a cosmic scale definitely echoes The Lord of the Rings. The ring itself does not have the power of invisibility, but the cycle is based somewhat loosely on the Middle High German text the Nibelungenleid where a cloak of great might and invisibility is a plot element and the fate of an (unenchanted) ring leads to the tragic death of many heroes. However, reminiscent of Sauron’s ring, the power of Alberich’s ring in Wagner comes from rune-magic or taufr, which is sometimes translated as talisman. When touched by flame, Sauron’s ring reveals a verse in the language of Mordor describing the powers of the ring. “One Ring to rule them all, One Ring to find them; One Ring to bring them all and in the darkness bind them.” Though this verse does not endow the ring with power, it is conspicuous to its appearance. Certainly, the ring of power in Der Ring des Nibelungen looks a lot more like Tolkien’s ring than the one in Plato. Mystical inscriptions are important; in Plato they are absent.

There are surely additional sources which inspired the fictional ring which I do not know about or do not have the time to cover here.

Agrippa’s Solar Ring

Henry Cornelius Agrippa

Henry Cornelius Agrippa

An additional inspiration which I believe has been overlooked are the instructions for a magical ring suspiciously similar to Tolkien’s fictive talisman in one of the most influential books of magic in history; Three Books of Occult Philosophy of Henry Cornelius Agrippa, in a chapter on the things falling under the hierarchy of the Sun. One reason why it has been overlooked is that the widespread translation from Latin into English by the anonymous J.F. in 1651 is fairly bad, and uses antiquated English that is hard for modern readers to penetrate.

First, here is the passage in the popular translation:

“Also the Stone Heliotropion green like the Jasper, or Emrald, beset with red specks, makes a man constant, renowned, and famous, also it conduceth to long life: And the vertue of it indeed is most wonderfull upon the beams of the Sun, which it is said to turn into blood, to appear of the colour of blood, as if the Sun were eclypsed, viz. When it is joyned to the juice of a Hearb of the same name, and be put into a vessell of Water: There is also another vertue of it more wonderfull, and that is upon the eyes of men, whose sight it doth so dim, and dazel, that it doth not suffer him that carries it to see it, & this it doth not do without the help of the Hearb of the same name, which also is called Heliotropium, following the Sun. These vertues doth Albertus Magnus, and William of Paris confirm in their writings.”

A few years ago, my friend Eric Purdue completed a new translation of Agrippa from Latin to remedy the shortcomings of the J.F. translation and document all of its sources. Here is the new, clearer version of the relevant passage:

“Likewise the stone heliotrope, green in the manner of jasper or emerald with starry red drops, makes one constant, glorious and famous, and brings long life. It also has a wonderful virtue that if it is in the Sun’s rays, it is said to change into blood; that is, it appears to be like blood as if the Sun suffered an eclipse—evidently when it is anointed with the juice of the herb of the same name and is placed in a vessel of water filled with water. There is another more wonderful virtue in the eyes of men, which offends the sight and blinds the vision so that it will not permit men to see those who bear it; yet it doesn’t happen without the help of the herb of the same name, which is also called heliotrope, that is, following the Sun. These virtues are confirmed in the writings of Albertus Magnus and William of Auvergne.”

In the new translation of Agrippa, it is far clearer that this recipe for a talisman endows three powers which seldom coincide in any literature; the power of rulership, longevity, and invisibility.

Pliny the Elder

Pliny the Elder

Most of the properties listed originally come from Pliny the Elder’s The Natural History including its pairing with the herb of the same name. The associations with it preserving health and youth come from Damigeron in his De Virtutibus Lapidum. This stone’s power of invisibility is cited later in Boccaccio’s Decameron. It all comes together in Agrippa.

Within the context of Agrippa, it is strongly implied that the gemstone’s power is especially activated if made into an elected astrological talisman. If made into a magical ring, the band would naturally be made of gold; the metal with the greatest sympathy to the Sun.

In spite of featuring a gemstone, this magical ring would otherwise be such a close match for Sauron’s ring that it cannot be a coincidence.

 

The Inklings

The Inklings

 

The next question is whether J.R.R. Tolkien would have been familiar with the writings of Cornelius Agrippa. He probably was, but he may not have needed to. He was a member of a prestigious Oxford literary society called the Inklings, devoted to the popularization of fantasy literature. What made this group interesting in our context is that at least three of its prominent members were either practicing magicians or were deeply invested in the literature of Neoplatonic magic. Charles Williams, C.S. Lewis, and Evelyn Underhill would all have been familiar with Agrippa—possibly even the Latin version– and probably would have cited the passage to Tolkien if he had not already found it himself.

Creating Agrippa’s Ring

A bloodstone ring with a gold setting

A bloodstone ring with a gold setting

Now that we have established that the Solar talisman in Agrippa is a close match for Sauron’s ring, we have to dig into the details in order to discern how it might be created in real life.

It has been a long-standing fascination of mine to attempt to reconstruct magics from ancient times which have spectacular, even miraculous effects. I believe that there are many reasons why modern magic seldom produces radical transformations and manifestations, like turning lead into gold, flying carpets, monstrous apparitions, and changes of form. Generally, it is because a number of key elements in the practice of magic degenerated or were hastily purged from the practice of magic from the Renaissance on to the Industrial Revolution. One of the most conspicuous deletions was the usage of traditional electional astrology, and another was the emphasis on the occult properties of herbal, mineral and animal materials. This experiment attempts to restore two of these components in a harmonious and highly intriguing way.

Most scholars agree that the stone Agrippa refers to is modern bloodstone. It is a green jasper with red spots that resemble blood. What is more contentious is the herb; there is a variety of flower called heliotrope today, but Claude Lecouteax believes it corresponds to modern chicory in his Lapidary of Sacred Stones—without explaining his rationale in detail. In the Quindecim Stellis, heliotrope flowers are an ingredient in talismans of Procyon while chicory is an ingredient in talismans of Alkaid. They are distinct. This compact grimoire is roughly from the fifteenth century and is probably from England; it precedes Agrippa by at least a generation. It’s not absolutely clear what herb Pliny the Elder meant, but Agrippa probably believed it was modern heliotrope and not chicory.

Chicory flowers

Chicory flowers

Heliotrope flowers

Heliotrope flowers

That is fortunate for me, being that I recently grew and harvested a bag full of dried heliotrope flowers for my Procyon rings and had quite a bit left over. When reading this passage in Agrippa a few months ago, I realized that I could easily obtain the materials required for the creation of these talismanic rings, and set forth to seek viable elections. I found two.

First Sun in Aries Talismanic Election

Horoscope of Sun Exalted Talismans on April 4th 2018

Horoscope of Sun Exalted Talismans on April 4th 2018

 

Reference talismanic Image of a baron on a four-horse chariot holding a mirror in his right hand and a shield in his left.

Reference talismanic Image of a baron on a chariot from Picatrix.

 

The first election on April 4, 2018 featured the Sun in exaltation in Aries, which is the preferred configuration for fame and elevation into high honors according to Picatrix. There hasn’t been a good one in several years, and I’ve definitely been looking. The Sun was also in triplicity as this was a diurnal election.

The Sun was unafflicted and culminating in his planetary Hour. The Ascendant was Cancer so the Moon served as secondary and tertiary significators. The Moon was slow, but not prohibitively, and applying to a trine of Mercury and a far looser trine with the Sun. The Moon was also in the Fifth House, which is a very favorable House, adding accidental dignity. The Sign of the Moon is her own, so she cannot be cadent and thus render the long term outcome unfortunate.

Four bloodstone rings in gold bands were used, with marjoram and heliotrope flowers glued beneath the cabochon. An ymage of a baron in a chariot drawn by four horses, holding a mirror in the right hand a shield in the left, was selected from Picatrix. The suffumigation was cloves. The smallest ring provided too little surface area for the baronial ymage, so I used the sigils of the Sun, the word “SUN” and the sigil of the Intelligence of the Sun (Nakhiel) above the rest. One was claimed for myself and three are available for friends and clients.

Second Sun in Aries Talismanic Election

Horoscope of Sun Exalted Talismans on April 13th 2018

Horoscope of Sun Exalted Talismans on April 13th 2018

 

Reference image for the sigil of Nakhiel over the common sigil of the Sun.

Reference image for the sigil of Nakhiel over the common sigil of the Sun.

 

The second election on April 13, 2018 featured the Sun in exaltation again, but Ascending before dawn in the Hour of the Sun. The Sun again was unafflicted. The Moon was slow and cadent, but in a configuration that I call “triumphing” that is the reverse of besiegement by the Malefics. The Moon was separating from a sextile of Venus and applying to a trine of Jupiter, strengthening her greatly. Furthermore, the Moon was in Pisces while applying to perfect a trine with Jupiter. Picatrix says in Book II chapter 3: “Thus when the lord of the Moon’s house regards the Moon by a friendly aspect, even if it is an infortune, it will be favorable for petitions and in all that you wish to do.” Even though Jupiter was Retrograde, this configuration is very favorable. The Ruler of the Moon’s Sign was angular and not cadent, avoiding a bad outcome. Even though the Sun was not in Triplicity, I believe the Moon’s configuration in the second election makes it superior to the first.

It also happened to be my grandmother’s birthday, so I paid homage to her spirit before reciting the abbreviated petition to the Sun and engraving. Four bloodstone in gold rings were used. The suffumigation was ginger, and heliotrope flowers and gum mastic were glued underneath the cabochons. Three out of four bloodstone rings were claimed by myself; one will go to a friend or a client. The inscriptions were those of the Intelligence of the Sun Nakhiel over the common sigil of the Sun.

Three additional Solar talismans were made before the electional window closed; two rings and a loose gemstone cabochon. These will be covered in the next post as their composition is worth discussing separately.

I will also use the opportunity to discuss some additional insights related to the special properties of Solar talismanic elections, which are unique out of all the seven planets.

In Conclusion

Bloodstone cabochons

Bloodstone cabochons

So, at this point you’re probably wondering if I’ve tested out the rings and seen if they work. I have, at least a little. Merely having dried heliotrope flowers under the cabochon doesn’t seem to trigger that effect; chicory juice and rotating the collet have not yet been tested.

What has occurred is that I feel healthier and more vigorous than I have in years, and the analytics show that my online presence is undergoing an incredible spike in attention from all around the world. I don’t have an adequate explanation for it other than the ring.

I aspire to report further developments as my experiences with these talismans unfold in the months and years to come. I am very optimistic.

In the meantime, tune in next week and read about the other set of Solar talismans I created—which I find just as fascinating as these. I hope you will too.

See you later.

See you later.

Spellbound: Love Magic Through the Ages

Spellbound: Love Magic Through the Ages @ ConVocation 2018

 

Love magic is arguably the most universally practiced form of practical magic. Different spiritual traditions approach love magic differently and reveal their worldview through the way they bring two (or more) people together.

It’s often said that all magic is love magic; that cosmic eros is the sacred principle which orders all reality. But taking the abstract and putting it into practice is often tricky, and ultimately none of that matters without results.

In this lecture we will survey the different goals and methods used in several traditions of magic and highlight those which have a reputation for strong results.

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No Trespassing: The Magic of Wards

No Trespassing: The Magic of Wards @ ConVocation 2018

 

Wards are magical defenses that prevent a designated space such as a room, home, or property from injury or trespass by inimical forces, spirits, or persons.

Typically focused upon enchanting liminal spaces such as thresholds, property boundaries, chimneys, weathervanes and foundations, wardings take the primal essence of territoriality and give it metaphysical heft, protecting oneself, family, and pets.

In this class we will explore the themes of the protection of spaces in several long standing magical traditions as well as some innovations, analyze their features, and help you create effective defenses for your personal space that are both powerful and uniquely your own.

(There is some drumming noticeable from a nearby musical performance nearby. My apologies for the distraction.)

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The King Solomon Incident

Talismans, Pentacles, Contagions, and Other Hidden Things Revealed

A Trip to the Museum

A couple of months back I was at a local magic convention and an old friend of mine from days of yore lectured on ancient Egyptian mythology and magic in such a righteous way that the mummies themselves would have sat up and applauded if they could. Another friend drove down with me, and when we looked for things to do while she was in town we found out that the American Museum of Natural History in New York had an exhibition on mummies, both Egyptian and Peruvian. It seemed more than coincidental, and so we spent a free day at the museum.

juanita

As an adult, my favorite museum is certainly the Metropolitan Museum of Art. But as a kid, my second home was the AMNH. Going back there and revisiting all the old classics was truly a lot of fun. It’s a sprawling place, and easy to forget the sheer artistry of the aquatic fauna sculptures, the scale of the dinosaur bones, the occasional very badly-preserved stuffed animal, and the section on climate, ecology, and agriculture. I get something different out of every visit.

The Hall of Gems piqued my interest this time because of my interest in medieval lapidaries and talismans.  In particular, I  fell in love with the giant yellow sulfur crystals and the shimmering aquamarine jewelry. Not that interesting magically, but aesthetically nourishing. It’s a shame that they’re going to completely remodel it; it had a wonderful retro-futuristic feel.

In any case, we went to the mummy exhibition and it was a lot of fun. In addition to a variety of human Egyptian mummies were a few sacrificial animal mummies. My mother was an unrepentant Egyptophile, so I was immersed in much of this since birth—and once even took a cruise down the Nile.

Equal time was given to the Peruvian mummies and mummification techniques. I’ve been to Peru and Machu Picchu, and one of my favorite books remains Patrick Tierney’s The Highest Altaran exploration of human sacrifice in ancient and modern times, using Inca mummies as a fulcrum. The exhibit even gave me an idea for a magical project or two, now in the works. (They do not involve human remains. They may involve other remains.)

The Magic Gift Shoppe

bast-anubis

Somewhat predictably, the exit of the exhibit led directly to a gift shop brimming over with Egyptian mementoes. Knowing that the Bast plushie, the scarab refrigerator magnet, or Anubis pendant could all be fun décor but equally repurposed into genuine magical objects justified a spending spree. Our cradled arms were full when we went approached the cash register and put down the subjects of our inflamed avarice.

The cashier did not initially catch my attention, partially because we were distracted with our booty and because she was wearing work clothes and did not stand out. But I caught her attention it seemed.

She stared at the selection of purchases, and then her eyes shot to my hands on the counter, and then back and forth. Something was going on.

As some of you know, I wear gemstone rings on all of my fingers (and swap them out every so often). They sometimes attract attention, but they almost never are recognized for what they are: exceptionally powerful talismans, homes or bodies for celestial spirits which assist me in many things.

“You shouldn’t let people touch your rings,” she said sotto voce. “They will lose their power if other people touch them.” She spoke with great sincerity and urgency. She was right, of course. When I began wearing talismanic rings, I would refuse to shake people’s hands out of concern the rings would become inert and the spirits would leave. Chris Warnock urged me to never let anyone touch my talismanic pendants, but he never quite knew what to do about unique problem of magical rings; I was left to figure all that out for myself.

This isn’t an uncommon notion in ceremonial magic; the classic grimoires require that your blasting rod, black-handled knife, athanor, lamens, swords and so forth be made by your own hands from scratch, and that nobody ever touches them but yourself or they will cease to function. Victorian era lodge ceremonialism retains a less-strict version of this too. Mojo bags and jack balls in Hoodoo have similar prohibitions. Astrological talismans are not terribly different, but they do pose social problems in a culture where refusing an extended hand causes an immediate affront. And often an irreparable first impression.

Eventually I began wearing gloves at all times—replacing one horrible problem with a slightly lesser one—and after years of experimentation finally discovered that there was in fact a way to protect talismans from the perils foreign contact. (This turned out to be, somewhat arbitrarily, rings of the 13th Mansion of the Moon. Arcane secret revealed, right here right now).

I was in a state of partial disbelief that the cashier not only recognized my rings as magical, but that she knew magical rings would be imperiled by the touch of others. It is not common knowledge, nor uncontroversial.

I quickly surmised that she had profiled me from my selection of items—it’s even possible that she had scoped them out for herself at one point or other. They were virtually all replicas of magical tools which could easily be turned into the real things. Then again, ankhs and such aren’t actually that weird in this day and age.

That still didn’t explain her absolute confidence that my rings were special. The only way to explain that was that she was able to perceive that they were metaphysically active. She was very likely a practitioner, and a very capable one too.

Yet it was still somewhat possible that she was a New Ager who was fond of crystals, and was about to prescribe soaking them in salt water overnight to purge them of bad energy. Just because you can maybe sense something doesn’t mean you know what it truly is.

I attempted to reassure her that I knew the danger of contact with “things like these” and had found a solution, but I don’t think she quite processed that such a thing was possible. Her response was rather marvelous.

“I keep mine hidden.” She tapped her chest and I could hear the jangle of jewelry. “That way, nobody can touch.”

She leaned in. “King Solomon,” she said, with much gravity.

I gaped a little. I really needed to be sure.

“Do you mean like a pendant with King Solomon’s image on it, or do you mean the Pentacles of King Solomon?” I said.

“The latter” she replied, with a conspiratorial grin.

“I have those too!” I said, and tapped my own chest and jangled right back at her.

We laughed together.

All right, then.

The Pentacles of Solomon are either astrological talismans themselves, or something very similar to them, depending on whom you ask and how they are made.

At that point the people behind us in line were getting restless and I didn’t want to cause her to lose her job, so we quickly moved on. I really should have given her my card. She was capital C Cool.

The whole incident was intense but dreamlike. I was giddy to find a fellow practitioner in an wholly unexpected place. I was also a little startled that I could be spotted so easily.

Normally, even at magic conventions people don’t know what the heck my rings are unless they are explained in detail. They also don’t give off power that most practitioners can detect unless they’re very familiar with the tradition and know what to look for.

Apparently, if you’ve worked in some varieties of Solomonic practice, you can develop that faculty. Which is a good thing to know.

We are everywhere. Hiding in plain sight.

A very memorable encounter.

Pentacle_of_Jupiter_Talisman_Amulet_from_Key_of_Solomon_2__57243.1429732537.1280.1280

Secrets of the 36 Zodiacal Faces @ PantheaCon 2015

Secrets of the 36 Zodiacal Faces at PantheaCon 2015:

 

Clifford Hartleigh Low’s lecture on the “Secrets of the 36 Zodiacal Faces” at PantheaCon 2015. This class analyzes in detail Book II, Chapter 11 of the Latin Picatrix. This text instructs the student in the creation of thirty-six talismans of supreme power ascribed to the Zodiacal Faces (also known as Decans), while also containing some of the most mysterious passages ever written. This lecture describes many of these talismans and how to create them, and the discovery of the hidden meanings of the more cryptic passages which until now have not been revealed elsewhere. Discover why Cornelius Agrippa, Giordano Bruno, Abraham Ibn Ezra, and many others have found this chapter one of the most fascinating in all of magical and astrological literature.

This class is similar in content, but not identical, to the ConVocation 2015 lecture of a similar name.

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Secrets of the 36 Zodiacal Faces @ ConVocation 2015

Secrets of the 36 Zodiacal Faces at ConVocation 2015

 

 

Clifford Hartleigh Low’s lecture on the “Secrets of the 36 Zodiacal Faces” at ConVocation 2015. This class analyzes in detail Book II, Chapter 11 of the Latin Picatrix. This text instructs the student in the creation of thirty-six talismans of supreme power ascribed to the Zodiacal Faces (also known as Decans), while also containing some of the most mysterious passages ever written. This lecture describes many of these talismans and how to create them, and the discovery of the hidden meanings of the more cryptic passages which until now have not been revealed elsewhere. Discover why Cornelius Agrippa, Giordano Bruno, Abraham Ibn Ezra, and many others have found this chapter one of the most fascinating in all of magical and astrological literature.

If you find this video useful, please subscribe to http://sorcerer.blog and http://www.youtube.com/GrimoireTV , give thumbs up and Like posts. Your feedback matters.

The Age of Black Magic: Step Thirteen

Summoning Uncle Joe

In addition to the inclusion of blood relatives on a dedicated altar for ancestors, one may also provide offerings to the spirits of those who you admire or seek to call upon for aid. Saints are only one example of the Mighty Dead who one can call upon for help; calling upon the spirits of mighty magicians like Agrippa, Merlin, King Solomon, and Moses for wisdom and assistance is an ancient tradition.

Settings for Presidents such as George Washington and Abraham Lincoln are also well-established and useful. Roman emperors and Egyptian pharaohs were deified and venerated. Images of Martin Luther King, Jr. and John F. Kennedy hang in many homes for reasons far beyond the sentimental. They are appeals for aid—usually for help in matters related to their authority, fame, tutelage, and skills.

But you can go further than this. And a lot darker.

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Buy a Soviet-era memento of Josef Stalin from eBay, or a similar source. The older, the better; the more closely associated with Stalin or the Communist Party, the better. You want the strongest possible tether to him. A printout will just not cut it.

Place the personal concern in a shot glass on your ancestral altar and feed it curse materials like goofer dust, dead black widows, and other things of death and destruction. The rarer and the more dangerous, the better.

Make a spirit cocktail: any grain alcohol in which has been steeped thirteen cayenne peppers, thirteen guinea peppers and thirteen black peppers. Offer this every week until you are ready to make requests. Feed a dedicated shot glass with this to nourish and compel the spirit into fury and action.

I devised the following incantation for this purpose. You can alter it and improvise, but recite it at least once a week when you make offerings to the spirit of Josef Stalin.

Attend me at this hour of night! I [name] call into the open grave, into that silence profound, and draw forth the terrible and mighty spirit wherever he may be so that he may answer my prayer:

I call upon you, shade of Josef Stalin, by all the rights and privileges I possess. I speak for the humble and the broken that seek your intercession. The world above is in turmoil and only you can set things right. Not even death can temper your vast power. We all conjure you.

Awake in Spring! Awake in Summer! Awake in Fall! Awake in Winter! Awake by day! Awake by night! Rouse yourself from slumber, mighty Stalin, and forge the world anew by your power and your eternal name. The revolution is at hand! Awake, and slumber no more! Sentinel of dread, bringer of cold, hunter of men, seize every enemy of the cause and drag them down to deepest Hell in your iron teeth.

Mighty Stalin, supreme in wrath, arm yourself for war and cloak yourself in judgement; you slew the Nazis, and crushed the exploiters and the wealthy, and punished the many traitors. You tore out the tongues of those who spoke against you, and you made the greedy sup on ashes. Now is your time again.

In life you were an Angel of Death; in death may you live again. May all the lives you took give you power. Rise up from your grave and stretch the shadow of your mighty fist across the world; crush my enemies with your hammer, dismember them with your sickle, and fertilize the soil of the hopeless with red red blood!

I bind you to my command, hurting not me nor mine but diligently those whom we hate and will destroy! (Repeat the concluding binding thirteen times.)

It would be particularly appropriate to direct the wrath of the spirit of Josef Stalin at the Trump Administration and its supporters and enablers. That’s what I’ve been doing, in part.

If this is your goal, you may wish to be more specific about your desires in your incantation. I do advise that you not pull your punches. You don’t call up Uncle Joe for anything but the coldest, most brutal, most heartless of sorceries. Let his worldly acts inspire you. Impress him.

Nevertheless, regardless of your objectives or your personal political beliefs, having a working relationship with the spirit of the man who likely killed more people than any other in human history is highly beneficial to the work of a black magician and necromancer.

The Age of Black Magic: Step Twelve

Shrine of the White Lady

drugs

Introduction

Opiate addiction is an epidemic across America today. It’s destroyed many thousands of lives and often ended them. It’s thrown people into poverty, wrecked families, and corrupted countless souls. This is a terrible thing.

For some of us, it can also sometimes be a wonderful thing. Because this thing is also a her. And she is beautiful.

Many people were swayed by the Trump campaign with (entirely hollow) promises to provide treatment for addicts. Some of our opposition are themselves addicts. This vulnerability gives us wonderful opportunities for torment and slaughter.

One of the spookier gods I have worshipped over the years is The White Lady—the goddess of drug addiction and fatal overdose. By making sacrifices upon her altar, my enemies are ensnared by her seductions and annihilated in slow, humiliating, and agonizing ways. She seduces, she enslaves, she devours. She has no pity. If the grave has a mouth, she is its kiss.

And she really can’t wait to get to know you.

Background

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In the early 1990s I made contact with a pantheon of modern dark gods, and developed a magical system based upon it with two colleagues. We named it The Black Sun, or The Hallowed Circle Writ in Shadow. The pantheon had a supreme Queen and a number of Princesses who were her daughters, and an assortment of lesser divinities who were mostly representations of the things people feared or desired the most; or in some instances, both. The things which held the most power over people today.

Long before Neil Gaiman published American Gods, we three were inspired by Harlan Ellison’s The Whimper of Whipped Dogs and T.E.D.Klein’s Nadelman’s God to create an apocalyptic tribal paganism that leaned into complex sexual initiations and curses. Long before Clive Barker film Nightbreed and the term Otherkin was coined, we redefined magical practice as an inherently non-human phenomenon and sought to explore the limits of esoteric transhuman anatomy. Our ultimate objective was to produce radical magical effects, like transformations of matter and other suspensions of apparent natural law.

It was very powerful, but incredibly dangerous. We had some shocking successes with our experiments, some of which we regretted. The three of us moved on to other things, independently and amicably. Nothing we did was ever published or shared widely. Perhaps file all of this under the scary, crazy shit I was doing just after college.

One of the parts I was reluctant to abandon was my devotionary and practical work with The White Lady. She’s just too interesting and helpful.

Safety First

In case you were wondering, I don’t indulge in opioids or any other addictive drugs. The White Lady is quite predatory and it is important to make sure she doesn’t confuse you with lunch. If you plan on working with her, it might be a good idea for you to be fairly straight edge for a while—to the maximal possible extent. (And in spite of her name, she really does govern all addictive substances.)

It is actually possible to work with her to help break one’s addictions; you can siphon the willpower out of your curse targets and use it to nourish your own… but that’s not our main goal here.

In order to work with her somewhat safely, you have to self-initiate into The Black Sun System.

Simplified Self-Initiation Into the Black Sun System

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Put three metal bowls on the floor. Put bones in one, seawater and a few drops of blood in the second, and raw pork and honey in the third. Light a black candle.

Draw a pentagram on the palm of your right hand with a red marker and a pentagram on your left hand with a black marker. Strip naked before the altar and sit on the floor. Place your left hand on your head and right hand below your feet.

Offer all that is between your hands to the Queen of All Darkness. Renounce your humanity, and implore her to be adopted by one of the Three Princesses of the Hollow in the Heart of the World. You will be visited by them in dreams and visions.

Once you do this, you can set up your shrine.

Building The Shrine

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Draw a picture of a beautiful maiden with long white hair and holding a thin red dagger in one hand and a fruit in the other. She has a Mona Lisa smile. Her eyes are black. Sometimes she is accompanied by a serpent or dragon. A Black Sun hangs in the sky like a wound in Heaven. She stands in an endless cemetery; leave the stones blank for now but leave room for names to possibly add later.

This is the icon for your Saint.

Her altar cloth is white. On it place a large apothecary jar, and fill it with things associated with addictions: razor blades, hypodermic needles, scorched spoons, even obituary clippings, and then fill it to the top with a mixture of white sugar, candies and rat poison. Right below the top of the jar, put thirteen fish hooks. To the right of the jar, place a white plate for offerings.

Do not situate this altar near where you sleep. Seriously. Always avert your gaze from the image when making offerings. She gets inside your head if you let her. You don’t want that. She’s really charming, in all the worst ways.

Make offerings to her on Thursdays or Fridays. The best offerings are fish sprinkled with or rolled in confectioner’s sugar.

She Is Always Full Of Need

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Once you’ve cultivated a good relationship with her, you can baptize fish offerings with the names of your targets and gradually fill in names on the tombstones. If she gives permission, you can feast with her too.

I know this may seem a bit callous and gruesome, but there are beings far more disturbing than The White Lady in the Black Sun material. Maybe I’ll go into that later.

This first sample is free.

Just to get you hooked.

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The Age of Black Magic: Step Ten

Vicious Liver Spell

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Introduction

In my last post on Reversal Magic, I wrote that it was good strategy to send a magical attack back in many different ways. Use a plethora of surprising curses so that your antagonist won’t be able to defend against everything.

In magical combat, my own experience has shown that it is helpful to do things in rapid, forceful sequence. Reversal, cleansing and protection are essential— but sometimes it’s good to supplement it with a nasty attack. The best defense is a good offense.

An enemy will be chastened if while they’re fighting off their own toxic garbage rebounding upon them, an entirely different attack is sneaking up behind them and giving them a whallop. A two-front war. They usually leave you alone after that.

The following is certainly adaptable to a conventional enemy, but I advise that you use it on someone who has targeted you magically in an unfair way. It is designed to be cruel, not so much as to punish as to be a strong deterrent — paired with other spellwork.

The Spell

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Obtain a pork or beef liver from your local supermarket or butcher.

Cut open the liver with a very sharp knife, and insert a circular petition paper with “thesoulofmyenemy” or “thetrumpadministration” or whatever you choose in unbroken script around the rim in mirror script, if possible. In a similar manner make a grid eight times of “deathdestructioninsanitysickness”, “thegravedevoursyou” or whatever you choose across in unbroken script, and likewise an intersecting eight times “mywillbedone” in unbroken script down. Or mix it up a little. Write the Doorway To Hell sigil on the reverse. (I used different color inks here for additional clarity, but black is fine.)

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A rough petition paper for the Vicious Liver Spell.

Sprinkle sulfur powder and valerian powder on the petition paper and wrap it in snake sheds before inserting it into the liver and closing it up. (Or use goofer dust if you’re in a hurry.)

Take 36 long pins and anoint the tips with your favorite cursing oil or substance.

Spit on the liver as a baptism and declare it to be the soul of your antagonist. Then, put on some disposable gloves and very thoroughly slather the liver in a mix of blackstrap molasses and your urine. Carefully push your pins through the liver with the following incantation as you go:

In the name of [spirit beings you invoke] I [list your qualifications and initiations] and all those who serve me and help me:

  1. Smite my enemy’s left foot
  2. Smite my enemy’s right foot
  3. Smite my enemy’s left shin
  4. Smite my enemy’s right shin
  5. Smite my enemy’s left thigh
  6. Smite my enemy’s right thigh
  7. Smite my enemy’s genitals
  8. Smite my enemy’s hips
  9. Smite my enemy’s bladder
  10. Smite my enemy’s intestines
  11. Smite my enemy’s pancreas
  12. Smite my enemy’s stomach
  13. Smite my enemy’s liver
  14. Smite my enemy’s heart
  15. Smite my enemy’s left lung
  16. Smite my enemy’s right lung
  17. Smite my enemy’s left hand
  18. Smite my enemy’s right hand
  19. Smite my enemy’s left arm
  20. Smite my enemy’s right arm
  21. Smite my enemy’s neck
  22. Smite my enemy’s tongue
  23. Smite my enemy’s lips
  24. Smite my enemy’s speech
  25. Smite my enemy’s left ear
  26. Smite my enemy’s right ear
  27. Smite my enemy’s left eye
  28. Smite my enemy’s right eye
  29. Smite my enemy’s teeth
  30. Smite my enemy’s face
  31. Smite my enemy’s skull
  32. Smite my enemy’s brain
  33. Smite my enemy’s warm blood
  34. Smite my enemy’s strength
  35. Smite my enemy’s youth
  36. Smite my enemy’s hope

My enemy cannot escape me. My enemy cannot escape. My enemy cannot.

Dig a hole in an accessible cemetery (even a pet cemetery, or where you’ve buried pets in the past) and spit in it. Put the liver in the hole and seal it up. Walk away and don’t look back.

 

The Age of Black Magic: Step Eight

The Doorway To Hell Sigil

 

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This is an important sigil to memorize and use for curses, and virtually any other attempt to access the netherworld of the dead and uncanny spirits.

It, and variations of it, appear on an extremely large number of katadesmoi and defixios. I’ve concluded that contextually it is the symbol of the “Terrestrial” Hermes of the Orphic Hymns, and more pertinently helps open a gateway into the realms of the dead.

It may also permit access to celestial realms as well, as variations of it appear on a sizable quantity of pentacles from the Greater Key of Solomon and other ritual objects in the Solomonic tradition. Many people believe the number 8 is associated with planetary Mercury, though this is debatable and not necessarily compatible with the pentacles. I speculate that it is a more general symbol for Divine Hermes, and assists in other forms of Divine communication. This is less well established, however.

In our context, it can be used to gain the attention of netherworld entities and a channel through which communication or miasma can flow. It is a wound you open into the darkest realms below.

So, let’s call it the Doorway To Hell Sigil.

It should be inscribed on all applicable objects used when attempting to constrain, harm and destroy the Trump Administration.