Upcoming Appearances 1


Pawn Takes King: Political Magic

Thursday February 20th 10:30pm 

Magic and politics have been intertwined throughout history. The metaphysics of magic are often expressed in political language or imagery, especially that of monarchy and feudalism. The Sforzas and Borgias launched a Renaissance arms race of astrological talismans. In America, slaves sought to magically destroy or gain power over their oppressors. Spiritualism had an essential role in the suffragist movement. Magic has played a role in modern political movements on both the Right and the Left. Discover how practitioners of magic are attempting to control elections and manipulate leaders in democratic governments today. Explore the rise of political radicalism in magic, and learn practical spellwork you can do to support the issues and people that matter most to you.

The Dark Arts: Curses, Binding, and Coercive Spells

Friday February 21st 4:00pm

People have been using magic to harm others since before recorded history, and practitioners have been busy inventing new and more ingenious spells to destroy people, places, and things in virtually every tradition. It’s controversial because it works. We’ll survey historical methods of cursing, binding, and dominating, and highlight effective methods for the contemporary sorcerer and witch. Learn how to make a Hoodoo poppet to cause suffering and incapacity, create a modern defixio from a lead sheet to cause illness, burn a black skull candle to drive someone insane, create a wax astrological talisman to foment strife, and more terrifyingly useful techniques. As the Weird Sisters said, “Double, double toil and trouble.” Let’s get cooking.

Creativity, Magic and The Genius

Saturday, February 22nd, 2:00pm

Seeking inspiration? Use magic to enhance your creativity! The very word “inspiration” is rooted in the belief that invention is a force that comes from outside the self—even from the spirit world. To the Romans, the word “genius” once meant a guiding spirit. Several important grimoires provide guides to unite the initiate with a higher, perfected self or powerful spirit being capable of endowing formidable skills, knowledge, and power. More immediate methods include scrying, tarot, bibliomancy, dream incubation, and many others. In this class we will survey how magicians have used the spirit world for creativity and brainstorming in these and many other ways. Delve into historical practices and learn effective modern methods for cultivating your creativity.

Mystical Minds

March 28th through 29th, 2020

Times for my lectures at Mystical Minds Convention have not yet been finalized. 

Big Money Magic

I doubt that money is the root of all evil, but the lack of it certainly feels like hell.” As long as people have wished for more than they have, practical wealth magic has offered solutions. This class will be a broad survey of effective magical techniques to draw and keep money. Whether you’ve wanted to find buried treasure, win the lottery, get a raise, inherit a fortune, invest like a pro, sustain your lifestyle, or even beat the house in Vegas, learn powerful spells you won’t find anywhere else. Big money magic is real. 

Pawn Takes King: Political Magic 

Magic and politics have been intertwined throughout history. The metaphysics of magic are often expressed in political language or imagery, especially that of monarchy and feudalism. The Sforzas and Borgias launched a Renaissance arms race of astrological talismans. In America, slaves sought to magically destroy or gain power over their oppressors. Spiritualism had an essential role in the suffragist movement. Magic has played a role in modern political movements on both the Right and the Left. Discover how practitioners of magic are attempting to control elections and manipulate leaders in democratic governments today. Explore the rise of political radicalism in magic, and learn practical spellwork you can do to support the issues and people that matter most to you.

Panel Discussion on Magick

Details to be announced later.

Big Money Magic @ ConVocation 2019

Big Money Magic at ConVocation 2019


Continuing what we began with “A Treasury of Money Magic” we will discuss even more techniques of wealth magic from a wide range of traditions, as well personal tips, methods, and strategies I’ve leveraged successfully for myself and for clients.

If you’ve already been dusting your money with sachet powders, putting talismans in your wallet, petitioning your ancestors with lottery tickets, and burning green candles dressed with lodestone dust and pyrite grit, we’ll take it to the next level and beyond; expect a few surprises.

This lecture will help you greatly along your quest for treasure and living like royalty.

Big money magic is real.

If you find this video useful, please subscribe to http://sorcerer.blog and http://www.youtube.com/GrimoireTV , give thumbs up and Like posts. Your feedback matters.

Your Astrological Magic Is Broken



Many people studying magic and astrology depend upon reference books and tables of correspondences—especially early in their studies before details are memorized and internalized. Among practitioners of magic, a fairly standard set of numerological and chromatic correspondences are the established consensus for the seven traditional planets.

You may be familiar with these, seen here in the table below:

Planet Color Number
Saturn Black 3
Jupiter Purple or Blue 4
Mars Red 5
Sun Yellow or Gold 6
Venus Green 7
Mercury “Mixed Colors,” Orange or Brown 8
Moon Gray, Silver or White 9

I would like to be conservative and polite by noting that these are only one of multiple sets of planetary correspondences which are at variance with each other; but in all forthrightness, I am certain that the preceding list is almost completely wrong, with only a few exceptions. I am not referring to the four scales used in the Golden Dawn system of magic, nor the confusion regarding what Mercury’s “mixed colors” actually mean or whether Jupiter’s proper color is purple or blue. The problem is much more fundamental than that.

Essentially, for practicing magicians almost everything you know about astrology and planetary magic is wrong. Dead wrong.

The upshot of this is that magicians have been using this table of correspondences unquestioningly for several hundred years and almost consistently failing to conjure wealth from Jupiter, love from Venus, wisdom from Mercury, and so on. Frustrated, they have often drifted away from the astrological foundations of much of Western Hermeticism, or have stubbornly persisted for the rest of their lives uncertain what they have been doing wrong.

None of them were stupid. They simultaneously had too much faith in the infallibility of the authors of the manuals of magic which they had access to, and insufficient understanding of the actual history of how these correspondences developed—or to be blunt, devolved.

Understanding how we got from a series of correspondences which were mostly correct to ones which seem almost designed to fail has a long and winding history going back over two thousand years of misunderstandings, religious supersessionism, economics, the availability of textile dyes, and even a prized species of snail.

I’ve studied the interactions of magic and astrology in an intensive way since 2001 and have become one of the most prominent experts on the subject, so I realize this is a very bold and controversial declaration. I’ve become a somewhat well-regarded amateur historian on the subject; so while there is an amount of speculation in reconstructing this history, it is an informed and reasonable conjecture.

It also has one additional virtue helping validate my reconstructed descent of planetary correspondences: the colors and numbers that I have unearthed work far better than the more familiar ones. I believe that readers of this blog who experiment with them will come to similar conclusions.

Unpacking my discoveries will probably stretch several blog posts, and I’d rather you follow my reasoning and insights before providing you the corrected table. I also would like to use this as an opportunity to explain some contexts in how these planetary lists were meant to be used, and some significant misunderstandings about these which have been undermining students of magic for several centuries.

The Problem Is Revealed

For me, the journey goes back nearly 20 years to when I was actively researching how to integrate magic and astrology. In order to understand how I came to these discoveries requires an autobiographical interlude which has been a long time coming.

I was a latecomer to belief in astrology for various reasons, but certain highly frustrating events a few years earlier convinced me that planetary transits could cause a great deal of personal mayhem. A major project I and several friends initiated during highly adverse astrological conditions resulted in an entire year of betrayals, mysterious bad luck, unforeseen expenses, illnesses, and near-universal exhaustion and bitter regrets. The project was able to be saved in the end, but the sheer difficulty of it all forced the previously-skeptical me that astrology was something I could no longer ignore or scoff at.

I was aware that magic had worked in tandem with astrology for centuries, and was astonished to discover that almost nothing was available in print on how to turn predictions of doom into opportunities to flourish. Magicians are by nature obsessed with achieving the impossible, and the fatalism of astrology seemed to be antithetical to the hopeful and ambitious character of the practice of magic. Even traditional depictions of wizards often had them wearing robes covered in the symbols of astrology, so it was obvious to me that I was missing some very important bridge between two temperamentally incompatible fields of knowledge.

The majority of material on modern astrology itself was frustrating, full of slippery language about the function of nearly every foundational component of the horoscope. Nearly every book left me more perplexed than the last, leaving me very concerned that my skepticism should not have been directed at astrology itself, but at its current leading voices. I accumulated multiple shelves of books on the topic which after I began studying traditional astrology have only accumulated dust. And deservedly so. Modern astrology is very bad at providing concrete answers and clarity about almost everything, and clarity is precisely what I was looking for.

The available material on planetary magic was almost exclusively derived from the output of Victorian lodge magic, such as the Golden Dawn, the Ordo Templi Orientis, and the Aurum Solis. The astrology of these fraternal orders was utilized as a set of universal archetypes and symbols used for the spiritual development of the initiate, not to remediate adverse horoscopic conditions. Sometimes planetary imagery was incorporated into practical rituals, but these rituals were seldom truly astrological in nature. Many of these groups claimed to routinely raise the initiate above the influences of astrological vicissitudes, thus rendering the study of the horoscope a spiritual hobby like palmistry rather than something essential.

Nevertheless, I did have a few resources which were useful starting points. I had Francis Barrett’s The Magus, Henry Cornelius Agrippa’s Three Books of Occult Philosophy, Israel Regardie’s The Golden Dawn, and Mather’s edition of The Greater Key of Solomon. All of them taught me many useful things, but not how to solve the puzzle which was driving me through all of this.

I began experimenting with planetary candle magic. Dressed candles were originally established through the tradition of Hoodoo generations earlier, but in New York City the practice was popularized in the largely Caucasian Western Esoteric community through occult shops. Creating some version of a dressed candle was thus a foundational practice for nearly anyone learning practical magic in the area during the 80s and 90s. Candle magic of this flavor wasn’t consistently powerful, but candles cost pennies and a dressed candle could be sold for $10 and up. This was understandably pushed heavily by nearly all the local occult shops in order to stay in business. Candles were engraved, dressed with essential oils, sprinkled with glitter, and sometimes passed through incense smoke in front of the customers. It was partially entertainment, like a teppanyaki grill at a Japanese restaurant, but it served to teach customers how to do the same at home. I was friendly with many of the owners and employees at these shops, so I knew the procedures especially well.

My starting point was to use the conventional planetary colors for the selection of my candles for dressing as offerings, and prepare them during the appropriate Planetary Hour or Day. When this proved entirely unsuccessful, I used a variation of the Golden Dawn Hexagram Rituals (which are used to invoke the planets) upon the candles to give them a boost of power. I found some interesting unconventional uses for the Hexagrams in the process, but the candles were producing results which were just as disappointing. I could not tell whether any results were the results of false attribution and the placebo effect or any magic causing changes, and that is always a bad sign.

Completely frustrated, I began to experiment with the cycles of time itself. I had found a copy of Estelle Daniels’ book Astrologickal Magick at a local shop and thought it might be what I had been looking for. The book was a potpourri of notions on how to blend magic and astrology; most of it was unhelpful or even slightly dangerous, but gems were scattered within. It introduced to me a clearer notion of astrological timing and that of Essential Dignity by way summarizing some of the work of pioneering traditional astrologer J.Lee Lehman.

Daniels wrote that one could bring about superior outcomes when a planet was transiting the Signs of its Rulerships, which was one of many types of Essential Dignity–zones of power for individual planets as they moved through the Zodiac. Furthermore, a lesser-known type of Sign placement was Exaltation, which was sometimes more powerful with the timing of magic.

So, I began to experiment with creating and lighting dressed candles when they were, as astrologers say, in Sign. Much to my surprise, the results were almost the same when planets were in Rulerships; but strange and intriguing outcomes proceeded from making and lighting planetary candles when present in their Exaltations. In spite of this, the results were not very powerful and highly unreliable; but I could tell that finally something was going on which could not be attributed to mere coincidence and wishful thinking.

Necessity Is The Mother Of Opportunity

The eureka moment was, strangely enough, the result of my highly precarious financial situation.

I had a bad employer who would pay me a variable amount of money at a seemingly random moment, but I had no better options at the time. My solution was to adapt by buying up bulk goods whenever I was paid and subsisting on them until the next check. Thus for a few years I lived out of boxes of canned food, stacks of books to read at my leisure, and most importantly glass encased novena candles that I would purchase by the dozen at local thrift stores.

Inevitably I would time things poorly, and I would run out of something. As I was experimenting with elected planetary candles, I would run out of candles of a necessary color when the corresponding planet was in Sign or Exaltation. Out of desperation, I crossed my fingers and used whatever color candles I had available. As my use of planetary candles increased and the length between paychecks seemed to stretch longer, improvisation correspondingly increased and a pattern emerged.

Planetary candles which used colors that were quite different from the traditional correspondence tables frequently worked better than those which were traditional. I burned hundreds of these candles, and was baffled and intrigued. I was still using very primitive electional techniques by the standards I use today, but I began to track which colors worked best with each planet. The only conclusion I could come to was that the traditional color scheme was wrong; the correct color scheme remained elusive.

I tried using the colors of the Signs rather than the planets; that was not the pattern. I tried comparing the colors with those of the configurations of my personal horoscope; again, this was not consistent. Nor was it anything to do with the Exaltations. I was mystified.

That’s when I realized that astrology was fundamentally broken. If even the proper colors of the planetary correspondences were incorrect, then all of our assumptions about the meaning of the planets were questionable.

At this point my exasperation and disgust turned into excitement. Because I finally saw this as an opportunity. I had begun to worry that I was incompetent; solving magical puzzles usually didn’t take me nearly so long. Now I realized that I had been misinformed.

Finding out where the misinformation had originated and the correct correspondences became a personal mission; a mission which has led to the discoveries of the remaining posts in this blog series.

I hope that you will join me on a wild ride through the history of magic, astrology, and much else.

Magical Medicine @ ConVocation 2019

Magical Medicine at ConVocation 2019


Since prehistoric times, magic has been used to heal the sick and revive the dying.

The historical line between enchantment and medicine is elusive at best. A mind-boggling array of methods and theories have been employed throughout the ages.

Grimoires which banish the demons of disease, enchanted poultices, wound talismans, amulets and mojos, baths and potions—all are based on the seductive premise that the spiritual can restore the corporeal.

In this class we will explore many of these systems, survey healing recipes, investigate eras when the doctor and witch doctor were one and the same, and discuss methods which may be used as complementary medicines today.

If you find this video useful, please subscribe to http://sorcerer.blog and http://www.youtube.com/GrimoireTV , give thumbs up and Like posts. Your feedback matters.

Magical Medicine @ Morbid Anatomy’s Festival of Arcane Knowledge

Magical Medicine at Morbid Anatomy’s Festival of Arcane Knowledge 2019


Magic has been used to heal the sick and revive the dying since prehistoric times. The line between enchantment and medicine has always been blurred, with a kaleidoscopic array of methods and theories employed throughout the ages.

Grimoires that banish the demons of disease, enchanted poultices, wound talismans, amulets, mojos, baths and potions—all are based on the seductive premise that the spiritual can restore the corporeal.

In this lecture we will explore these systems, survey healing recipes, revisit eras when the doctor and witch doctor were one and the same—and investigate corresponding fringe science that persists today.

If you find this video useful, please subscribe to http://sorcerer.blog and http://www.youtube.com/GrimoireTV , give thumbs up and Like posts. Your feedback matters.

A Treasury of Money Magic

A Treasury of Money Magic @ ConVocation 2019


I doubt that money is the root of all evil, but the lack of it can feel like hell.

Magic to manipulate prosperity precedes the invention of currency, and there’s no sign it’s going out of style any time soon.

As long as people wish for more than they have, practical wealth magic offers solutions.

This class is a broad survey of magical techniques and traditions that draw and keep money.

Whether you’ve wanted to conjure a spirit to find buried treasure, win a lottery, get a raise, inherit a fortune, invest like a pro, get an edge over your business rivals, enchant an ever-full purse, sustain your lifestyle, or even beat the house in Vegas, I have some amazing and effective spells to teach you that you won’t find anywhere else.

If you find this video useful, please subscribe to http://sorcerer.blog and http://www.youtube.com/GrimoireTV , give thumbs up and Like posts. Your feedback matters.

Ash nazg durbatulûk, ash nazg gimbatul, ash nazg thrakatulûk agh burzum-ishi krimpatul.

J.R.R. Tolkien’s Magic Ring

Sauron’s Ring

Ash nazg durbatulûk, ash nazg gimbatul, ash nazg thrakatulûk agh burzum-ishi krimpatul.
The One Ring


The most famous magical ring in the past century is without a doubt a fictional one; Sauron’s ring in Tolkien’s popular Middle Earth series, starting with The Hobbit, and then The Lord of the Rings trilogy. If you haven’t read the books you’ve probably seen the movies, or at least the trailers.

Tolkien based this artifact and plot device on several legends of magical rings from different cultures, but there is some circumstantial evidence that a hitherto undiscovered influence comes from the canon of Scholastic Image Magic which Tolkien would have been familiar with; directly or indirectly, through close colleagues.

It has been an ambition of mine to create a series of rings using the formula that probably inspired Tolkien, and this is the first of a sequence of blog entries which will cover my creation of two sets of rings of this type and a third which is closely related and was created along with the second and arguably superior election.

One Ring To Rule Them All

John Ronald Reuel Tolkien
John Ronald Reuel Tolkien

Tolkien’s notion of The One Ring and similar magical artifacts evolved over time, so that Gollum’s lost “precious” ring of invisibility is portrayed differently than in The Lord of the Rings trilogy. It evolved from a simple ring of invisibility to an intelligent shapeshifting talismanic repository of the spirit of the dark lord Sauron; capable of making the wearer mighty and swaying nations, extending life in a variety of unnatural manners, and revealing a shadow plane where monsters dwelt. It also had the power to command the wearers of lesser rings whose manufacture Sauron had perverted, most memorably those which belonged to the nine Nazgûl, or Ringwraiths. It is clear that he drew from numerous mythic and fictional sources for its powers and origins, two of which deserve some special attention.

Antecedents to Tolkien’s Ring

The ring of Gyges from an edition of Plato's Republic
The ring of Gyges from an edition of Plato’s Republic

The nigh-archetypical ring of invisibility appears in Plato’s Republic, where the story of an ancestor of Gyges, a Lydian shepherd, is recounted. In the midst of a discussion about justice and incentives, Plato’s brother Glaucon tells a story of how in the absence of accountability both normally good and bad people would choose to behave unjustly. While tending his flock, the anonymous shepherd discovered a tomb in a mountainside after a violent thunderstorm had opened a chasm. In it he found a bronze sarcophagus in the shape of a horse, which when opened revealed a body of a giant with a golden ring on its finger. He took the ring as a prize, and later discovered that when he turned the collet towards his palm he became unseen, and when facing it outward he became visible again. In short order, he exploited this power to seduce the queen and usurp the king and establish a great dynasty of his own. In this story we see for the first time a ring that endows invisibility and rulership; however, the rulership here is described as an unfolding of the abuse of the ring’s power rather than a power in and of itself. The ring has some kind of signet or gem, unlike Sauron’s ring.

A scene from Wagner’s Der Ring des Nibelungen
A scene from Wagner’s Der Ring des Nibelungen

Another obvious influence comes from Wagner’s Der Ring des Nibelungen. In this cycle of music dramas, a villainous dwarf named Alberich steals gold from the Rhine maidens and crafts it into a magic ring with the power to rule the world. Gods, giants and heroes fight over the possession of the ring for the rest of the story leading to epic tragedies, until escalating mayhem finally leads to the destruction of Valhalla and the death of all of the gods. The conflict on a cosmic scale definitely echoes The Lord of the Rings. The ring itself does not have the power of invisibility, but the cycle is based somewhat loosely on the Middle High German text the Nibelungenleid where a cloak of great might and invisibility is a plot element and the fate of an (unenchanted) ring leads to the tragic death of many heroes. However, reminiscent of Sauron’s ring, the power of Alberich’s ring in Wagner comes from rune-magic or taufr, which is sometimes translated as talisman. When touched by flame, Sauron’s ring reveals a verse in the language of Mordor describing the powers of the ring. “One Ring to rule them all, One Ring to find them; One Ring to bring them all and in the darkness bind them.” Though this verse does not endow the ring with power, it is conspicuous to its appearance. Certainly, the ring of power in Der Ring des Nibelungen looks a lot more like Tolkien’s ring than the one in Plato. Mystical inscriptions are important; in Plato they are absent.

There are surely additional sources which inspired the fictional ring which I do not know about or do not have the time to cover here.

Agrippa’s Solar Ring

Henry Cornelius Agrippa
Henry Cornelius Agrippa

An additional inspiration which I believe has been overlooked are the instructions for a magical ring suspiciously similar to Tolkien’s fictive talisman in one of the most influential books of magic in history; Three Books of Occult Philosophy of Henry Cornelius Agrippa, in a chapter on the things falling under the hierarchy of the Sun. One reason why it has been overlooked is that the widespread translation from Latin into English by the anonymous J.F. in 1651 is fairly bad, and uses antiquated English that is hard for modern readers to penetrate.

First, here is the passage in the popular translation:

“Also the Stone Heliotropion green like the Jasper, or Emrald, beset with red specks, makes a man constant, renowned, and famous, also it conduceth to long life: And the vertue of it indeed is most wonderfull upon the beams of the Sun, which it is said to turn into blood, to appear of the colour of blood, as if the Sun were eclypsed, viz. When it is joyned to the juice of a Hearb of the same name, and be put into a vessell of Water: There is also another vertue of it more wonderfull, and that is upon the eyes of men, whose sight it doth so dim, and dazel, that it doth not suffer him that carries it to see it, & this it doth not do without the help of the Hearb of the same name, which also is called Heliotropium, following the Sun. These vertues doth Albertus Magnus, and William of Paris confirm in their writings.”

A few years ago, my friend Eric Purdue completed a new translation of Agrippa from Latin to remedy the shortcomings of the J.F. translation and document all of its sources. Here is the new, clearer version of the relevant passage:

“Likewise the stone heliotrope, green in the manner of jasper or emerald with starry red drops, makes one constant, glorious and famous, and brings long life. It also has a wonderful virtue that if it is in the Sun’s rays, it is said to change into blood; that is, it appears to be like blood as if the Sun suffered an eclipse—evidently when it is anointed with the juice of the herb of the same name and is placed in a vessel of water filled with water. There is another more wonderful virtue in the eyes of men, which offends the sight and blinds the vision so that it will not permit men to see those who bear it; yet it doesn’t happen without the help of the herb of the same name, which is also called heliotrope, that is, following the Sun. These virtues are confirmed in the writings of Albertus Magnus and William of Auvergne.”

In the new translation of Agrippa, it is far clearer that this recipe for a talisman endows three powers which seldom coincide in any literature; the power of rulership, longevity, and invisibility.

Pliny the Elder
Pliny the Elder

Most of the properties listed originally come from Pliny the Elder’s The Natural History including its pairing with the herb of the same name. The associations with it preserving health and youth come from Damigeron in his De Virtutibus Lapidum. This stone’s power of invisibility is cited later in Boccaccio’s Decameron. It all comes together in Agrippa.

Within the context of Agrippa, it is strongly implied that the gemstone’s power is especially activated if made into an elected astrological talisman. If made into a magical ring, the band would naturally be made of gold; the metal with the greatest sympathy to the Sun.

In spite of featuring a gemstone, this magical ring would otherwise be such a close match for Sauron’s ring that it cannot be a coincidence.


The Inklings
The Inklings


The next question is whether J.R.R. Tolkien would have been familiar with the writings of Cornelius Agrippa. He probably was, but he may not have needed to. He was a member of a prestigious Oxford literary society called the Inklings, devoted to the popularization of fantasy literature. What made this group interesting in our context is that at least three of its prominent members were either practicing magicians or were deeply invested in the literature of Neoplatonic magic. Charles Williams, C.S. Lewis, and Evelyn Underhill would all have been familiar with Agrippa—possibly even the Latin version– and probably would have cited the passage to Tolkien if he had not already found it himself.

Creating Agrippa’s Ring

A bloodstone ring with a gold setting
A bloodstone ring with a gold setting

Now that we have established that the Solar talisman in Agrippa is a close match for Sauron’s ring, we have to dig into the details in order to discern how it might be created in real life.

It has been a long-standing fascination of mine to attempt to reconstruct magics from ancient times which have spectacular, even miraculous effects. I believe that there are many reasons why modern magic seldom produces radical transformations and manifestations, like turning lead into gold, flying carpets, monstrous apparitions, and changes of form. Generally, it is because a number of key elements in the practice of magic degenerated or were hastily purged from the practice of magic from the Renaissance on to the Industrial Revolution. One of the most conspicuous deletions was the usage of traditional electional astrology, and another was the emphasis on the occult properties of herbal, mineral and animal materials. This experiment attempts to restore two of these components in a harmonious and highly intriguing way.

Most scholars agree that the stone Agrippa refers to is modern bloodstone. It is a green jasper with red spots that resemble blood. What is more contentious is the herb; there is a variety of flower called heliotrope today, but Claude Lecouteax believes it corresponds to modern chicory in his Lapidary of Sacred Stones—without explaining his rationale in detail. In the Quindecim Stellis, heliotrope flowers are an ingredient in talismans of Procyon while chicory is an ingredient in talismans of Alkaid. They are distinct. This compact grimoire is roughly from the fifteenth century and is probably from England; it precedes Agrippa by at least a generation. It’s not absolutely clear what herb Pliny the Elder meant, but Agrippa probably believed it was modern heliotrope and not chicory.

Chicory flowers
Chicory flowers
Heliotrope flowers
Heliotrope flowers

That is fortunate for me, being that I recently grew and harvested a bag full of dried heliotrope flowers for my Procyon rings and had quite a bit left over. When reading this passage in Agrippa a few months ago, I realized that I could easily obtain the materials required for the creation of these talismanic rings, and set forth to seek viable elections. I found two.

First Sun in Aries Talismanic Election

Horoscope of Sun Exalted Talismans on April 4th 2018
Horoscope of Sun Exalted Talismans on April 4th 2018


Reference talismanic Image of a baron on a four-horse chariot holding a mirror in his right hand and a shield in his left.
Reference talismanic Image of a baron on a chariot from Picatrix.


The first election on April 4, 2018 featured the Sun in exaltation in Aries, which is the preferred configuration for fame and elevation into high honors according to Picatrix. There hasn’t been a good one in several years, and I’ve definitely been looking. The Sun was also in triplicity as this was a diurnal election.

The Sun was unafflicted and culminating in his planetary Hour. The Ascendant was Cancer so the Moon served as secondary and tertiary significators. The Moon was slow, but not prohibitively, and applying to a trine of Mercury and a far looser trine with the Sun. The Moon was also in the Fifth House, which is a very favorable House, adding accidental dignity. The Sign of the Moon is her own, so she cannot be cadent and thus render the long term outcome unfortunate.

Four bloodstone rings in gold bands were used, with marjoram and heliotrope flowers glued beneath the cabochon. An ymage of a baron in a chariot drawn by four horses, holding a mirror in the right hand a shield in the left, was selected from Picatrix. The suffumigation was cloves. The smallest ring provided too little surface area for the baronial ymage, so I used the sigils of the Sun, the word “SUN” and the sigil of the Intelligence of the Sun (Nakhiel) above the rest. One was claimed for myself and three are available for friends and clients.

Second Sun in Aries Talismanic Election

Horoscope of Sun Exalted Talismans on April 13th 2018
Horoscope of Sun Exalted Talismans on April 13th 2018


Reference image for the sigil of Nakhiel over the common sigil of the Sun.
Reference image for the sigil of Nakhiel over the common sigil of the Sun.


The second election on April 13, 2018 featured the Sun in exaltation again, but Ascending before dawn in the Hour of the Sun. The Sun again was unafflicted. The Moon was slow and cadent, but in a configuration that I call “triumphing” that is the reverse of besiegement by the Malefics. The Moon was separating from a sextile of Venus and applying to a trine of Jupiter, strengthening her greatly. Furthermore, the Moon was in Pisces while applying to perfect a trine with Jupiter. Picatrix says in Book II chapter 3: “Thus when the lord of the Moon’s house regards the Moon by a friendly aspect, even if it is an infortune, it will be favorable for petitions and in all that you wish to do.” Even though Jupiter was Retrograde, this configuration is very favorable. The Ruler of the Moon’s Sign was angular and not cadent, avoiding a bad outcome. Even though the Sun was not in Triplicity, I believe the Moon’s configuration in the second election makes it superior to the first.

It also happened to be my grandmother’s birthday, so I paid homage to her spirit before reciting the abbreviated petition to the Sun and engraving. Four bloodstone in gold rings were used. The suffumigation was ginger, and heliotrope flowers and gum mastic were glued underneath the cabochons. Three out of four bloodstone rings were claimed by myself; one will go to a friend or a client. The inscriptions were those of the Intelligence of the Sun Nakhiel over the common sigil of the Sun.

Three additional Solar talismans were made before the electional window closed; two rings and a loose gemstone cabochon. These will be covered in the next post as their composition is worth discussing separately.

I will also use the opportunity to discuss some additional insights related to the special properties of Solar talismanic elections, which are unique out of all the seven planets.

In Conclusion

Bloodstone cabochons
Bloodstone cabochons

So, at this point you’re probably wondering if I’ve tested out the rings and seen if they work. I have, at least a little. Merely having dried heliotrope flowers under the cabochon doesn’t seem to trigger that effect; chicory juice and rotating the collet have not yet been tested.

What has occurred is that I feel healthier and more vigorous than I have in years, and the analytics show that my online presence is undergoing an incredible spike in attention from all around the world. I don’t have an adequate explanation for it other than the ring.

I aspire to report further developments as my experiences with these talismans unfold in the months and years to come. I am very optimistic.

In the meantime, tune in next week and read about the other set of Solar talismans I created—which I find just as fascinating as these. I hope you will too.

See you later.
See you later.

Spellbound: Love Magic Through the Ages

Spellbound: Love Magic Through the Ages @ ConVocation 2018


Love magic is arguably the most universally practiced form of practical magic. Different spiritual traditions approach love magic differently and reveal their worldview through the way they bring two (or more) people together.

It’s often said that all magic is love magic; that cosmic eros is the sacred principle which orders all reality. But taking the abstract and putting it into practice is often tricky, and ultimately none of that matters without results.

In this lecture we will survey the different goals and methods used in several traditions of magic and highlight those which have a reputation for strong results.

If you find this video useful, please subscribe to http://sorcerer.blog and http://www.youtube.com/GrimoireTV , give thumbs up and Like posts. Your feedback matters.

No Trespassing: The Magic of Wards

No Trespassing: The Magic of Wards @ ConVocation 2018


Wards are magical defenses that prevent a designated space such as a room, home, or property from injury or trespass by inimical forces, spirits, or persons.

Typically focused upon enchanting liminal spaces such as thresholds, property boundaries, chimneys, weathervanes and foundations, wardings take the primal essence of territoriality and give it metaphysical heft, protecting oneself, family, and pets.

In this class we will explore the themes of the protection of spaces in several long standing magical traditions as well as some innovations, analyze their features, and help you create effective defenses for your personal space that are both powerful and uniquely your own.

(There is some drumming noticeable from a nearby musical performance nearby. My apologies for the distraction.)

If you find this video useful, please subscribe to http://sorcerer.blog and http://www.youtube.com/GrimoireTV , give thumbs up and Like posts. Your feedback matters.

The King Solomon Incident

Talismans, Pentacles, Contagions, and Other Hidden Things Revealed

A Trip to the Museum

A couple of months back I was at a local magic convention and an old friend of mine from days of yore lectured on ancient Egyptian mythology and magic in such a righteous way that the mummies themselves would have sat up and applauded if they could. Another friend drove down with me, and when we looked for things to do while she was in town we found out that the American Museum of Natural History in New York had an exhibition on mummies, both Egyptian and Peruvian. It seemed more than coincidental, and so we spent a free day at the museum.


As an adult, my favorite museum is certainly the Metropolitan Museum of Art. But as a kid, my second home was the AMNH. Going back there and revisiting all the old classics was truly a lot of fun. It’s a sprawling place, and easy to forget the sheer artistry of the aquatic fauna sculptures, the scale of the dinosaur bones, the occasional very badly-preserved stuffed animal, and the section on climate, ecology, and agriculture. I get something different out of every visit.

The Hall of Gems piqued my interest this time because of my interest in medieval lapidaries and talismans.  In particular, I  fell in love with the giant yellow sulfur crystals and the shimmering aquamarine jewelry. Not that interesting magically, but aesthetically nourishing. It’s a shame that they’re going to completely remodel it; it had a wonderful retro-futuristic feel.

In any case, we went to the mummy exhibition and it was a lot of fun. In addition to a variety of human Egyptian mummies were a few sacrificial animal mummies. My mother was an unrepentant Egyptophile, so I was immersed in much of this since birth—and once even took a cruise down the Nile.

Equal time was given to the Peruvian mummies and mummification techniques. I’ve been to Peru and Machu Picchu, and one of my favorite books remains Patrick Tierney’s The Highest Altaran exploration of human sacrifice in ancient and modern times, using Inca mummies as a fulcrum. The exhibit even gave me an idea for a magical project or two, now in the works. (They do not involve human remains. They may involve other remains.)

The Magic Gift Shoppe


Somewhat predictably, the exit of the exhibit led directly to a gift shop brimming over with Egyptian mementoes. Knowing that the Bast plushie, the scarab refrigerator magnet, or Anubis pendant could all be fun décor but equally repurposed into genuine magical objects justified a spending spree. Our cradled arms were full when we went approached the cash register and put down the subjects of our inflamed avarice.

The cashier did not initially catch my attention, partially because we were distracted with our booty and because she was wearing work clothes and did not stand out. But I caught her attention it seemed.

She stared at the selection of purchases, and then her eyes shot to my hands on the counter, and then back and forth. Something was going on.

As some of you know, I wear gemstone rings on all of my fingers (and swap them out every so often). They sometimes attract attention, but they almost never are recognized for what they are: exceptionally powerful talismans, homes or bodies for celestial spirits which assist me in many things.

“You shouldn’t let people touch your rings,” she said sotto voce. “They will lose their power if other people touch them.” She spoke with great sincerity and urgency. She was right, of course. When I began wearing talismanic rings, I would refuse to shake people’s hands out of concern the rings would become inert and the spirits would leave. Chris Warnock urged me to never let anyone touch my talismanic pendants, but he never quite knew what to do about unique problem of magical rings; I was left to figure all that out for myself.

This isn’t an uncommon notion in ceremonial magic; the classic grimoires require that your blasting rod, black-handled knife, athanor, lamens, swords and so forth be made by your own hands from scratch, and that nobody ever touches them but yourself or they will cease to function. Victorian era lodge ceremonialism retains a less-strict version of this too. Mojo bags and jack balls in Hoodoo have similar prohibitions. Astrological talismans are not terribly different, but they do pose social problems in a culture where refusing an extended hand causes an immediate affront. And often an irreparable first impression.

Eventually I began wearing gloves at all times—replacing one horrible problem with a slightly lesser one—and after years of experimentation finally discovered that there was in fact a way to protect talismans from the perils foreign contact. (This turned out to be, somewhat arbitrarily, rings of the 13th Mansion of the Moon. Arcane secret revealed, right here right now).

I was in a state of partial disbelief that the cashier not only recognized my rings as magical, but that she knew magical rings would be imperiled by the touch of others. It is not common knowledge, nor uncontroversial.

I quickly surmised that she had profiled me from my selection of items—it’s even possible that she had scoped them out for herself at one point or other. They were virtually all replicas of magical tools which could easily be turned into the real things. Then again, ankhs and such aren’t actually that weird in this day and age.

That still didn’t explain her absolute confidence that my rings were special. The only way to explain that was that she was able to perceive that they were metaphysically active. She was very likely a practitioner, and a very capable one too.

Yet it was still somewhat possible that she was a New Ager who was fond of crystals, and was about to prescribe soaking them in salt water overnight to purge them of bad energy. Just because you can maybe sense something doesn’t mean you know what it truly is.

I attempted to reassure her that I knew the danger of contact with “things like these” and had found a solution, but I don’t think she quite processed that such a thing was possible. Her response was rather marvelous.

“I keep mine hidden.” She tapped her chest and I could hear the jangle of jewelry. “That way, nobody can touch.”

She leaned in. “King Solomon,” she said, with much gravity.

I gaped a little. I really needed to be sure.

“Do you mean like a pendant with King Solomon’s image on it, or do you mean the Pentacles of King Solomon?” I said.

“The latter” she replied, with a conspiratorial grin.

“I have those too!” I said, and tapped my own chest and jangled right back at her.

We laughed together.

All right, then.

The Pentacles of Solomon are either astrological talismans themselves, or something very similar to them, depending on whom you ask and how they are made.

At that point the people behind us in line were getting restless and I didn’t want to cause her to lose her job, so we quickly moved on. I really should have given her my card. She was capital C Cool.

The whole incident was intense but dreamlike. I was giddy to find a fellow practitioner in an wholly unexpected place. I was also a little startled that I could be spotted so easily.

Normally, even at magic conventions people don’t know what the heck my rings are unless they are explained in detail. They also don’t give off power that most practitioners can detect unless they’re very familiar with the tradition and know what to look for.

Apparently, if you’ve worked in some varieties of Solomonic practice, you can develop that faculty. Which is a good thing to know.

We are everywhere. Hiding in plain sight.

A very memorable encounter.