Gemstones and Metals in Picatrix and SIM

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An array of cut and polished gemstones.

Scholastic Image Magic, or SIM for short, focuses somewhat upon the creation of talismans; that is, material objects in which a spirit of the heavens is ritually embedded in order to perform works of wonder. Picatrix, also known as Ghayat El-Hakim in its original Arabic title, is the largest and most detailed example of this tradition of magical texts. While Picatrix is a miscellany of magical and esoteric lore, the majority of it can be said to either provide recipes for the creation of astrological talismans or reference materials and theory which support this endeavor.

Picatrix was never intended to contain all the knowledge necessary for the reader to create talismans, evoke spirits, or the many other secrets it offers. The student of the work was expected to be educated in the system of advanced astrology prominent at that time, with a priority towards electional astrology, the choosing of fortunate or unfortunate times to commence an activity or construct or alter an object. Talismans were simply one way to use an astrological election; by embedding the spirit of a fortunate moment of a particular flavor in matter, the luck or power would emit from the talisman even during times which were mediocre or quite adverse.

The student was also expected to be quite versed in the sciences of the era, which depended heavily upon the works of Aristotle and Pliny and the studies of the alchemists. While astrological associations of metals and gemstones and other materials often differ from those the alchemists used, they overlapped sufficiently that in the absence of guidance from canonical texts of astrology and magic, the student would refer to alchemical teachings as a supplement.

Many of these supplemental texts have been lost or are not available in translation. What modern practitioners do is refer to texts which are compatible but later in history and thus more accessible. Cornelius Agrippa’s Three Books of Occult Philosophy is a great source for such information, and when herb lore becomes relevant so is Nicholas Culpeper’s Herbal.

Picatrix is often evasive about the diversity of talismanic implementations. There are hints that wooden talismans are possible, but it gives no details regarding their manufacture. Pigments are often associated with stellar configurations, but again there is little information on how they were to be used, since paper and parchment were not thought to be able to absorb power very well.

Venus

Talismanic Image of Venus based on recipes in Picatrix.

What is provided are instructions on how to cast talismans out of metals and colored waxes, and to engrave gemstones. When the proper picture or sigil was inscribed or cast on such an object at the elected time, a spirit of one of the seven planetary hierarchies or one of the many more exotic stellar hierarchies would empower the talisman and give it amazing powers. Incantations and burned incense would facilitate the process and strengthen the creation of the talisman, and compatible herbs would either be placed with it or glued to in some manner to magnify or focus the power towards a particular objective.

In recent centuries the concept of correspondence has eclipsed that of affinity, and to modern practitioners the return to the old way of thinking may be jarring. The alchemists had a one to one correspondence between the seven traditional planets and metals, with lead corresponding to Saturn, tin to Jupiter, iron to Mars, gold to Sun, copper to Venus, quicksilver to Mercury, and silver to the Moon. Even later in history, singular colors corresponded to the planets as well; black for Saturn, blue for Jupiter and so on. This is alien to the older and more complex astrological tradition.

In SIM, there are long lists of metals and minerals (not to mention herbs and animal ingredients) associated with each planetary hierarchy. Furthermore, many materials appear on two or more lists for different reasons. Each planetary hierarchy has multiple colors. Lastly, there is no singular material on each list which most associated with the planet any more than there is one which is the least. Each material has qualities which in some way resemble the function of one or more planetary hierarchy, which can include color, weight, attractiveness, medicinal usage, flavor, folkloric associations, hardness, translucency and much more. This complexity is often jarring to newcomers in this system.

gold

Metallic gold (and minerals like iron pyrite which resemble it) are prized in SIM.

An example of these complex associations is the metal gold. The yellowish hue and, when polished, its shininess associate it with the Sun. Its inability to tarnish is associated with the Sun’s regularity and mathematical associations with the four seasons. Gold is an excellent material for Sun talismans. However, gold is a very heavy material—almost as heavy as lead—and this is why it is associated with Saturn, the planetary hierarchy associated with weight, gravity and things drawn down into the earth. Saturn talismans can be made perfectly well in gold; in some ways it is superior to lead because it is more rigid and less likely to distort when worn or carried. Gold is highly attractive and desired, and so it gains associations with Venus and also is appropriate for her talismans. Gold is also expensive and thereby gains associations with Jupiter, the governor of riches. Gold is also suitable for Jupiter talismans. The only planets which can’t work with gold are Mars, Mercury and perhaps the Moon.

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Lapis lazuli with iron pyrite inclusions is particularly versatile and inexpensive for making talismans.

More overlap appears in one of the most commonly used gemstones, lapis lazuli. A soft, vividly blue gemstone that is frequently flecked with golden iron pyrite inclusions, it is relatively inexpensive and thus is quite popular among contemporary practitioners of SIM. Of greater importance, Marsilio Ficino (a Renaissance genius who practiced SIM among many other things) observed that softer materials produced talismans which had shorter lifespans but produced magical effects especially rapidly. Picatrix uses a slightly different rationale with the same conclusion. Nevertheless, lapis lazuli with pyrite inclusions gains association with Saturn by two routes; the golden appearance of the pyrite hearkens back to metallic gold and its own associations with Saturn, and because of a historical confusion between lapis lazuli and sapphire– both mean “blue stone” in different languages (Latin and Sanskrit) and the latter is more directly associated with Saturn due to its dark color and extreme hardness. (Saturn governs darkly pigmented things and durability.) Lapis lazuli with pyrite inclusions also has affinity with the Sun because of the golden appearance of the flecks of pyrite. Lapis gains association with Venus because of its oceanic blue color, and the Greek myth of Aphrodite emerging from the sea foam. The Moon arguably has the strongest associations with lapis lazuli because of this oceanic connection, and the dependency of the tides upon the Lunar cycles. Additionally, by way of lapidary lore, lapis lazuli has the property of diminishing melancholy and grief, and this quality is added to and magnified by the transformation of a lapis lazuli gemstone into a Saturn, Sun, Venus or Lunar talisman, regardless of its other powers.

These are two, slightly extreme examples of how the 1:1 system of correspondence fails in Scholastic Image Magic. In many instances a gemstone or other material will only have associations with one or two celestial hierarchies. But I illustrate this to make a point; materials such as gemstones, metals and herbs are not singular representatives of a celestial hierarchy in each kingdom of matter, but one of a host of materials which a particular astrological spirit hierarchy finds beautiful, interesting, useful, or more real. Everything in the world is ruled over by one or more planetary hierarchies; there’s a lot of redundancy down here. And an alternate way to express this if the notion of spirits is undesirable, is that just like different forms of electromagnetic radiation can penetrate metals and flesh and stone to varying degrees based on type, the rays of astral light (which are the spirits themselves) can irradiate all substances to differing degrees. Only those materials which can be fully irradiated by astral power of any particular variety are capable of becoming the vessels of power that are talismans.

There are an abundance of additional factors to consider when selecting gemstones for the purpose of making a particular sort of talisman. Some are metaphysical and some are practical.

Picatrix advises that one may use the system of humours or temperament to attract and repel animals and people of particular constitutions whose images have been engraved on gemstones. A gemstone which is believed to be hot and dry with the talismanic image of a fierce animal like a lion will attract and tame the animal. A gemstone whose constitution is believed to be cold and wet with the same image and stellar configuration would instead repel lions. The same might be applicable to types of people who might appear on a talisman, such as a king or a warrior. Sadly, lists of the elemental associations of gemstones from the era of Picatrix do not appear to be available in translation, and some guesswork is necessary.

Gemstones are believed to be the fruits of the Earth, and are natural phenomena. In the outlook of the scientists of the era, plants were a midpoint between the attributes of animals (both grow) and minerals (neither move about). One of the implications of the continuum between animal and mineral is that to an extent, minerals are parts of the living Earth and closer in nature to a living oak tree than a carcass. This explains why gemstones which are in various ways not natural do not make good talismans. Artificial diamonds and rubies, irradiated gems, dyed gems, and sometimes even heated minerals do not absorb the essence of the spirit beings adequately in order to turn them into talismans. Sometimes when they do work, they produce unpleasant side effects. Synthetic gemstones are akin to silk flowers and wax fruit; they may look like the real thing but often are inadequate replacements.

The color of gemstones is a complicated issue. Gemstones of particular colors are indeed associated with particular planetary hierarchies; pretty much any white stone can be used for Jupiter, for example. Nevertheless, this is an instance where an association is very superficial and often will produce an inferior talisman. Gems which have very particular associations with planets because of unique properties take precedence over something like color alone, which is far more general. Many gemstones which are powerfully associated with a particular planet are of extremely counterintuitive colors.

Another issue with color is that on a mineralogical level, several named gemstones are basically the same mineral and differ only by color. In this instance, the differences of color are the source of the identity rather than chemical composition or crystalline structure. One example is onyx, traditionally a black or brown stone with white banding. Onyx can be used for Saturn talismans, Moon talismans, and the fixed star Corvus. Sardonyx is a stone which is red or orange with white or yellow banding. Other than color, there is no difference between the two. However, sardonyx is used for the talismans of the fixed star Antares, and neither the Moon nor Saturn. Antares is a reddish star, whose appearance resembles that of the stone. It is an exception to the rule. A more well known pairing like this is that of sapphire and ruby; both are the mineral corundum, but the former is black or dark blue and the latter red. Their metaphysical associations are completely different. Seeming paradoxes sometimes occur. The emerald is suitable for Jupiter and Mercury talismans; planets which are otherwise completely opposite to each other in every way. It is not enough to understand which materials are associated with one or more planets. Whenever possible, one must understand why.

The last consideration for gemstone talismans I wish to make in this article is that of shape. The most important consideration is practical; you need a gemstone with a large flat surface—large enough to engrave a sigil or, far better, a pictorial image using a diamond stylus. Emerald cut and marquis cut gemstones can provide enough surface for a small sigil but little more. Cabochons, whether hemispherical or ovoid, are the better option. They provide maximal surface area and are portable. They work in ring settings and can even be secreted in a pocket or wallet.

They also have a harmonious shape. Aristotle believed that the cosmos was spherical as the macrocosm, and this was mirrored in all spiritual beings as a microcosm; the shape of all spirits (in spite of appearances) are spheres. Anything which approaches the shape of the sphere, including ovoid shapes, circles and hemispheres, are particularly suitable vessels for a spirit being such as a talismanic entity. So, though it is seldom practical, the optimal talisman is a mineral sphere of the largest manageable size.

The factors which must be taken into account in the selection and preparation of gemstones and other material objects for transformation into talismans in Scholastic Image Magic can be daunting at first. It requires a great deal of specialty knowledge, but the authors of the Picatrix, Agrippa and other masters of SIM tended to describe talismans made in an optimal way in order to minimize side effects and maximize their power—and massive power it can be indeed. However, the average experimenter (or master of this system in a bit of a hurry) can use inexpensive or even slightly inappropriate timing and materials to create talismans which provide sufficient and immediate results. This is an elite system of magic, but the basics are accessible to all with the drive and determination to ascend.

Massive Talismans and Chimerical Spirits

I say to you further that, if the quantity of stone of which an image is composed is large (that is, between an ounce and a pound), the virtue and power of it will be able to reach from the place where it is for a hundred leagues.

If it contains a combination of things in its figure, however, its nature will have no motion or effect except that which terminates in its own place, though its motion or effect will not be limited to those of its substance or the nature of the bodies that compose it, for spirits have a wider range than those bodies that contain little spirit.

–Picatrix IV:4, Greer-Warnock translation

Picatrix Analysis:

Talismans made from mineral spheres of even medium sizes will project power for 300 miles in all directions.

Talismans which attempt to draw upon the power of more than one celestial hierarchy will be crippled, like a chariot whose horses are running in different directions.

They will have some influence in their immediate environment because they are inhabited by a chimerical spirit, but less than a pure spirit and more than the natural virtues of whatever material the talisman is composed of.

On that note, I hereby coin the term chimerical spirit; a temporary union of astral spirits from dissimilar celestial hierarchies in a talisman, which being neither fish nor fowl operates with the virtues of neither.

This notion seemingly creates an inherent limitation upon House-based talismans. Which may explain why I have found them ineffective and frustrating.

Fundamental SIM Texts

It occurs to me that it’s very hard to take the first steps in orienting yourself around SIM because outside of Chris Warnock’s courses there is nothing really like a 101 book. I’ve attempted to do some of that with my lectures, but there’s only so much you can do in a narrow window of time.

Even more important is orienting oneself towards the worldview of pracitioners of the system. Thinking like someone in the 21st Century rather than someone in the 17th is a major stumbling block, because so many assumptions about the self, the universe, and metaphysics overall have changed that really do matter. There is much to un-learn before you learn.

Chris requires one of two books early on in his Astrological Magic Course. The first is The Elizabethan World Picture by E.M.W.Tillyard. It’s a very useful book, but one of the most boring I’ve ever read.

The better option is The Discarded Image by C.S.Lewis. This book I can wholeheartedly recommend, and convinced me that the pious Lewis almost certaintly practiced some form of Christian Neoplatonic magic in secret.

I’d like to go a bit further and add two more books to your reading list, one of which is much easier to obtain than the other.

The first is the Timaeus of Plato and the many, many commentaries upon it. A great deal of the justification and rationale for (Traditional) astrology in Western Culture originates in this text, and it is profound elegant reading if sometimes a bit dry. You should read it fully at least once, but it certainly grows in value upon subsequent reads.

The second is De Radiis Stellarum of Al-Kindi in French and a harder to obtain version in English. Though this text was certainly respected in the Muslim world, it was widely disseminated throughout the Christian medieval world as an explanation for magic which did not recourse to the evocation of demons and only mysterious natural forces. More relevantly, it’s a logical philosophical and integrated view of how magic works and much more sophisticated than anything which has emerged since. Without understanding De Radiis Stellarum, it’s actually very hard to understand Picatrix; and it happens to be one of the biggest skeleton keys to understanding the text for my own researches.

About Time: Introduction To The Horoscope Chart @ ConVocation 2017

 

Clifford Hartleigh Low’s lecture on “About Time: Introduction To The Horoscope Chart” at ConVocation 2017. This lecture is a 101 introduction to core concepts in astrology, with a particular focus on the function of the horoscope chart, how to do basic calculation using a website or software, the meaning of the different parts of the chart and their relations to the heavens, the metaphysical cosmology of astrology and metaphors, the history of its development, and the variety of potential applications in a Traditional Astrological context, and much more…

If you find this video useful, please subscribe to http://sorcerer.blog and http://www.youtube.com/GrimoireTV , give thumbs up and Like posts. Your feedback matters.

The Mighty Winds of Zizaubio

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The following is a ritual I use a month or so before I travel by air. It requires the use of a Pleiades Ring from the Quindecim Stellis and any other Pleiades talismans you might have handy. It controls winds so that storms are blown out of the path of the airplane or other vehicles I and friends may use to get wherever and back. It’s very powerful and effective.

The text is a modification of material from the Greek Magical Papyri and the Quindecim Stellis and my own labors. Someone had been asking for a ritual which evoked the seven sisters by name, and in fact I’ve been using this for many years by now.

For the election the Moon should be applying to conjoin or making an amicable aspect to Alcyone and the latter should be on the Ascendant. Try to keep the Moon at least eight degrees off the Ascendant if you can.

The Ring of the Pleiades from the Quindecim Stellis should be anointed and worn and the hand held aloft. Additionally any other talismans should be exposed or held in the other hand as appropriate and any lamps of the Pleiades should be lit. Frankincense grains should be burned as a suffumigation with or without fennel.

Zizaubio is the spelling from the Greek Magical Papyri but it’s pronounced Zeezowbeaw, and I include both in the text.

O, mighty and beautiful star cluster of the Pleiades, O Seven Sisters, I call upon thee in your names of Alcyone, Maia, Taygete, Electra, Celoeno, Sterope and Merope, that you swiftly raise great winds so that storms, delays, confusions and troubles are sent far away from N.N. etc in all of our travels–and may our homes likewise be protected while we travel for our safe return.

I ask this here and now in the name of the angel of my nativity N. and my rights and privileges as [initiatory hierarchy stuff] and an initiate of thy court.

I call upon you, Holy Angel Zeezowbeaw (ZIZAUBIO) from the company of the Pleiades to whom you are subordinate and serve for all things, for whatever she may command you: you great indestructible fire-breathing one; who casts the tether of Heaven, through which tether all things turn upon Earth.

And also I call upon you; yourselves, who are angels who have been stationed beneath Zeezowbeaw’s power. Hence I call upon you all–that you come quickly in this hour to protect us and facilitate all of our journeys, along all of our respective paths.

I conjure you O lord who rises above the Earth of the whole cosmic region, by the One ruling the whole inhabited world and the benefactor of all.

Hence I call upon you in this hour and ask that you protect us and speed us safely and happily along to our destinations, O Angel Zeezowbeaw.

May this talisman and ring I wear forever and ever protect and increase the light of the eyes, raise winds, gather dæmones and spirits of the dead to come and speak, and make me know of secret and hidden things; at my will, at my command, and at my desire.

I ask this in the name of the Seven Sisters of the Pleiades; Alcyone, Maia, Taygete, Electra, Celoeno, Sterope and Merope, and in the name of the Angel of the Pleiades, Zeezowbeaw; and all of the spirits of the Pleiades.

AMEN.

© 2017 Clifford Hartleigh Low

Mercury Retrograde Is My Ally

das_movado

So, I guess this is what happens when you’re an astrological magician and Mercury goes Retrograde–

Companies send you $1100 Movado wristwatches completely randomly, and don’t bill you for them.

Magic is awesome.

Also, please tell me how Mercury Retrograde is awful. For you, maybe.

PS: Things like this happen to me relatively frequently during Mercury Retrogrades. Cosmic glitches happen in your favor if you practice SIM. For everything there is a season…

February 2017 Convention Schedule

I will be lecturing at both PantheaCon in California and ConVocation in Michigan this February, along with many other esteemed colleagues and friends. Please consider attending either or both.


PantheaCon 2017

On Saturday, February 18th at 1:30pm–

Eat Me: Magical Recipes in Medieval Astrological Magic

Though better known for the creation of talismans, medieval and Renaissance astrological magic texts contain further recipes and instructions. Many are intended to be consumed, buried, or burned, with numerous purposes and means of creation. Yet they all point towards a forgotten view of the universe and magic. From counting olive pips to cure illnesses to the creation of wax talismans or incense pills for evocation and influence, such mysteries depend on the philosophies of Al Kindi and his contemporaries. Explore how the outlook of the ancients can enhance our spiritual practices.


ConVocation 2017

On Thursday, February 23rd at 8:30pm–

DIY Talismans

Astrological talismans from the Scholastic Image Magic tradition often seem as challenging to make as they are powerful. After electing the window of time in which a talisman can be created, one must confect incenses, select appropriate sigils, and obtain tools and materials for the talismans. We will discuss how to create a talismanic laboratory, the process of practical considerations including choosing the best combinations, knowing which substitutions do and don’t work, and time and money saving strategies. Take the theory of talismans into real life creations and applications.

On Friday, February 24th at 4:00pm–

About Time: Basic Chart Calculation

Invaluable to numerous systems of magic, the astrological horoscope is a Swiss army knife for divination, classical medicine, and much else. One of the most advanced achievements of the ancient world, the horoscope can often be perplexing for beginners. This class will focus on the basics of erecting a horoscope chart. We will attempt to demystify the process and render the math easy, while also explaining the essentials of its parts, some of history of its development, and the rationale of the chart from the traditional (pre-1750 AD) perspective.

On Saturday February 25th at 4:00pm–

Fearless Magical Protection

It’s a jungle out there. In most magical systems one of the first things you are taught is basic protection against spiritual attacks, and for good reason. A magical life is a perilous one at times. As you become more proficient, the need for protection grows and takes new forms. This class will survey practical methods of protection from a variety of spiritual systems and methodologies. Some of these techniques are unpublished anywhere and likely to be unfamiliar, but have proven very effective. Magical protection will help secure your success.