The Rings of Memory

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THE RINGS OF MEMORY: Fast Moon in Domicile culminating, applying to both Benefics with fortunated Ascendant Benefic Ruler and Benefic in the 1st House.

Scholastic Image Magic arose in medieval monestaries but reached its greatest popularity among medieval and Renaissance physicians, according to contemporary research. It should be little surprise that a great deal of priority was placed on medicinal talismans as well as those which benefit study.

This is a talisman I’ve wanted to make for quite a while; it’s one of several configurations to enhance memory. As someone who optimally burns through about five hundred pages per day, it does me little good if I can’t recall it. Furthermore, I’m just about done wasting hours looking for that missing pen or sock or passage in Cervantes.

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If, under the influence of the Moon, you make this sign in the hour of the Moon, with the Moon rising, in emerald, with this stone make a seal in incense and give it to a man for good memory, and to retain knowledge. –Picatrix Book II:10

Recently Chris Warnock was ruminating about the nebulous functions for standard Moon talismans, as opposed to Lunar Mansion talismans. He’s correct that the texts are a bit evasive, but I think it’s because the authors were assuming it was obvious and familiar to all readers. I’ve dug through the canonical literature at length, and I’ve come to some conclusions.

Moon talismans:

  • Improve memory, and in some configurations cause forgetfulness. The waxing and waning of the Moon signifies the transitory nature of memory. Other planets co-rule memory to a lesser degree, but it is primarily an attribute of the Moon. (One would be mistaken to assume waxing is always the retention of memory and waning is its loss, however.)
  • Cure the illnesses of infants, and sometimes older children. A very useful talisman if you’re a parent or a physician, but I’m neither so this is of limited interest to me.
  • Increase alertness and endurance, especially while traveling. The Moon signifies speed because it is the most rapid planet; it also signifies journeys. Before modernity, a Moon talisman would be used by a traveler to walk many miles without ever becoming tired. It would also be valuable for students who want to immerse themselves in lore deep into the night without forgetfulness.
  • Impart influence over mobs and riots, to gather and disperse them. The group consciousness of rioters is well known to be associated with the Moon; a social lunacy.
  • Improve likeability and influence over others, especially when the Moon is very essentially dignified. The Moon is always the cosignificator of the Self, and by adding essential dignity to any significator one gains influence, authority, and trust.

It’s very hard to find standard Lunar talisman elections because the rapidity of the Moon gives only one real chance daily for any configuration. Furthermore, Picatrix seems to indicate that the Moon should not be configured on the Ascendant, leaving only the Midheaven as the only reasonable alternative.

The difficulty of finding a valid Lunar election is why I was willing to produce these four rings during an extremely narrow eight minute electional window when the Moon was between 8 and 6 degrees of the Midheaven, never quite breaking into the 5 degrees that Ptolemy mentions before the arrival of Saturn Hour. I’ve already noticed its effects, so I know it’s working.

As noted before, the Moon was making loose aspects to the Benefics, the Ascendant Ruler was essentially dignified, and a benefic was in the 1st House. I particularly liked the high speed of the Moon, which I’ve come to believe is more impactful than Lunar phase in most instances. I believe this will contribute to the strength of the memory enhancement.

Four talismanic rings were ensouled, for the time window was short. The gemstones were emerald as required, and the band was silver—the metal of the Moon. I consulted with tarot for advice on the herb matrix under the gemstone and the suffumigation. The herb beneath the ring was black poppy seed—a Lunar herb—which has associations with the mind and mental states. The suffumigation was amber, which I believe signified the preservation of memory, like an insect preserved in amber.

Rather than use the primary talismans to create secondary talismans out of incense, as the instructions suggest, my goal was simply to make rings. This is partially because I was not casting in silver to make a negative talismanic mold for the incense, and because that seems to me a project best saved for when the Moon is within five degrees of the Midheaven. I may choose to make memory incense with these, but that is not my intention now.

There are many unusual talismanic recipes in Picatrix and other canonical texts of SIM. Some may puzzle you, but rather than dismiss them as aberrations I believe they have much to teach us about the nature of the spiritual universe. They also frequently have powers which you may think are irrelevant to your needs today, but will reveal their value tomorrow.

That’s advice you’ll definitely benefit from remembering.

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Secrets of the 36 Zodiacal Faces @ PantheaCon 2015

Secrets of the 36 Zodiacal Faces at PantheaCon 2015:

 

Clifford Hartleigh Low’s lecture on the “Secrets of the 36 Zodiacal Faces” at PantheaCon 2015. This class analyzes in detail Book II, Chapter 11 of the Latin Picatrix. This text instructs the student in the creation of thirty-six talismans of supreme power ascribed to the Zodiacal Faces (also known as Decans), while also containing some of the most mysterious passages ever written. This lecture describes many of these talismans and how to create them, and the discovery of the hidden meanings of the more cryptic passages which until now have not been revealed elsewhere. Discover why Cornelius Agrippa, Giordano Bruno, Abraham Ibn Ezra, and many others have found this chapter one of the most fascinating in all of magical and astrological literature.

This class is similar in content, but not identical, to the ConVocation 2015 lecture of a similar name.

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The Age of Black Magic: Step Fourteen

The Invocation of the Abomination in Crimson:

algolz

This project of mine was © January 5th 2010, along with several “lighter” versions. It’s a malefic petition invoking the stellar hierarchy of Algol, with a viable talisman of Algol used as an initiatory token to call upon forces of wrath and punishment upon an enemy.

I wrote this a long time ago, and while my current relationship with the hierarchy of Algol is focused upon healing (and its virtues as a healing star co-ruled by Jupiter are wildly underestimated), I certainly think it is one of the most potent weapons in the SIM practitioner’s arsenal.

When it’s time to show no mercy, it’s time for The Abomination In Crimson.

“O mighty star Algol, I call to you by all your names: flickering Beta Persei, bloody Ras Al Ghul, blinking Rosh ha’Sautaun, terrible Gorgoneion, grisly Fifth Star of the Mausoleum, feared Tseih She: attune this talisman unto me and me unto it, so that I shall plumb all its mysteries, secrets, and wisdom, and master its full and perfect powers, wonders, and miracles, now and forever, whether I wear it or not, from now until the end of time.

“May your light and spirit dwell within it and dwell within me, for me to instantly command.

“Great and powerful star, make your angels, dæmons, and spirits of every kind subject unto me, obedient unto my every will, command and desire. You obediently and piously serve the One Most High, and by His command is your service invoked at this hour.

“So hear my words:

“I kneel before you and seek your favor and patronage; for the few in whom you find favor are saved, uplifted, preserved, and avenged; and all those in whom you find disfavor are swiftly devastated and punished.

“It is said that he who carries your talisman, your emblem of favor, vessel of your spirit and radiant light, is given the supreme power of protection and retaliation, so that all those who seek to harm him are thwarted perfectly; and their machinations, treachery, calumnies, theft, torments, incantations, sendings, witchcraft, bindings, curses, flame, poisons, blades, darts, stones, bludgeons or bullets will all alike turn back upon them and destroy them as they sought to destroy him. Savage star, grant unto me your succor and liberation.

“May their malice reflect upon them as excellently as the perfect mirror reflects light. ‘Their sword shall enter into their own heart, and their bows shall be broken.’ I now ask that you magnify this power so that they are swiftly obliterated by their arrogant devices, and examples be made of them for all time. Seize them with your sharp teeth, and never let them go. Heap multitudes of tortures upon them, and smite them cruelly with a fatal stroke.

“Dismember and mutilate their corpses, and cause their remains to be polluted, desecrated, and shamed. Their dust and ash shall be blown to the four corners of the earth, until nothing of my foes remain but gruesome tales of warning.

“Multiply their spirits’ torments in the lands beneath, too. The wicked cannot escape your gaze; not even in death shall they be spared.

“You pitiless eye of revenge– stare ever deeply upon them.

“Mirror of enmity, I humbly beg that you grant me this power so that I shall be like the beautiful diamond; indestructible, reflective, luminous, and with edges ever sharp. Make me like the poisonous black hellebore; bringer of agony and death to those who would mistake it harmless. May I be more durable than mountain stone, yet supple as the deadly serpent.

“Leering visage, also grant me the virtues of invigorating mugwort; guarded against peril, secure in travel, vigilant, passionate, bold and quick.

“It is said that he who carries your talisman fears no injury to his members, for you keep them whole and safe from harm.

“Your talisman bestows success in petitions and requests made to princes, bosses, leaders, patrons, and any who have power over him; so that they shall quickly grant whatever it is that he asks.

“It bestows the wearer courage, vitality, and magnanimity.

“It grants victory in whatever contests or struggles to which he attempts, through war, gaming, sorcery, or any other thing. For with you, invincible star of destruction, your favored one is bold and mighty, and (subject to the will of the One Most High) nothing whatsoever beneath you can long obstruct his path.

“I beg that you also grant me all of these powers to their fullest perfection, and the wisdom to know how and when to use them.

“O slaughter star, eidolon of horror, eater of the dead, slayer of men, blinking eye of terror and blight, decapitator star, render of flesh, beacon of the tombs, depopulator of civilizations, ever-hungry star, savage patron of monsters, terrible light of doom, implacable bringer of ruin, father of devastation, flame of oblivion, lord of direst woe, luminous face of hate, gore-drinker, you whose gaze upon the waters turns it to poison, strangler star, mighty head of the adversary, hear my prayer and rend my enemies apart, moisten the earth with rivers of their spilt blood. Rejoice in the deaths of men.

“Grant me a portion of all your powers for I seek to be your [vassal, student, son/beloved/bridegroom, and] priest, and may I be a refraction of your invincible, terrible, and eternal light.

“Most supreme executioner in the celestial realms, you neck severer, invincible head taker, great hacker of limbs and seizer of life, man flayer, bone breaker, marrow sucker, gorger on entrails, corpse candle, heart gnawer, ruddy lamp of banes, you whose dripping blood sows vipers, blazing star of murder, torch of the piled up bodies, thirsty blade of vengeance, glint of annihilation, abomination in crimson, watchful dæmon of the void, ancient monster of monsters, you fierce exterminating angel, defender and avenger most puissant to your favored few, please find favor in me and accept my prayer, and go now and send forth your grisly throng and fatal glare to seek out my enemies wherever they may be found, and pierce their hearts with your terrible red rays and make them quake and fall, kill them wherever they may hide, set your gaze upon them in harsh judgement and spare them no pity whatsoever.

“May plagues like the ten of Egypt be at my ten fingertips to command and to curse them with every form of suffering and death, and may my hands throttle the throats of my enemies, and may I tear their heads off with these hands to demonstrate your power and fury, and cast their broken bodies down into cold and leaden death, and may I place their bloody heads on pikes at the gates of the cities in sacrifice and tribute to you, so that all may know of your power, and the consequences of incurring your terrible wrath.

“Burn thy seal upon my heart, upon my breast, upon my body, upon my soul, upon my spirit, upon my deeds, upon my destiny, upon my wrath, upon my fame, and upon my power.

“Grant unto to me the greatest secrets of lethal magics, the sorceries of the greatest and most terrible kind, irresistible and frightful, so I too shall be known as a light of annihilation, forevermore.

“Crown and adorn me with your majesty and gird me with your protection and arm me with your many instruments of obliteration, and all shall say throughout the ages that those who were set against me were destroyed by tortures most vile, and that I strode forth to victory upon their tattered corpses, and that I rejoiced amongst their bones. For you have made me so, potent and fearsome star Algol.

“Star of supreme misfortune, greatest malefic––

“Go forth as a fiend, but to me be an angel.”

The bracketed text regarding initiatory adoption, betrothal, or espousal by Algol and its hierarchy of spirits is only for persons compatible with this concept, and have been given permission by Algol through divination, dream or vision.

Though gender terminology throughout is male, it can be adjusted as appropriate.

Algol’s appetites are beyond all limitations.

Secrets of the 36 Zodiacal Faces @ ConVocation 2015

Secrets of the 36 Zodiacal Faces at ConVocation 2015

 

 

Clifford Hartleigh Low’s lecture on the “Secrets of the 36 Zodiacal Faces” at ConVocation 2015. This class analyzes in detail Book II, Chapter 11 of the Latin Picatrix. This text instructs the student in the creation of thirty-six talismans of supreme power ascribed to the Zodiacal Faces (also known as Decans), while also containing some of the most mysterious passages ever written. This lecture describes many of these talismans and how to create them, and the discovery of the hidden meanings of the more cryptic passages which until now have not been revealed elsewhere. Discover why Cornelius Agrippa, Giordano Bruno, Abraham Ibn Ezra, and many others have found this chapter one of the most fascinating in all of magical and astrological literature.

If you find this video useful, please subscribe to http://sorcerer.blog and http://www.youtube.com/GrimoireTV , give thumbs up and Like posts. Your feedback matters.

Gemstones and Metals in Picatrix and SIM

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An array of cut and polished gemstones.

Scholastic Image Magic, or SIM for short, focuses somewhat upon the creation of talismans; that is, material objects in which a spirit of the heavens is ritually embedded in order to perform works of wonder. Picatrix, also known as Ghayat El-Hakim in its original Arabic title, is the largest and most detailed example of this tradition of magical texts. While Picatrix is a miscellany of magical and esoteric lore, the majority of it can be said to either provide recipes for the creation of astrological talismans or reference materials and theory which support this endeavor.

Picatrix was never intended to contain all the knowledge necessary for the reader to create talismans, evoke spirits, or the many other secrets it offers. The student of the work was expected to be educated in the system of advanced astrology prominent at that time, with a priority towards electional astrology, the choosing of fortunate or unfortunate times to commence an activity or construct or alter an object. Talismans were simply one way to use an astrological election; by embedding the spirit of a fortunate moment of a particular flavor in matter, the luck or power would emit from the talisman even during times which were mediocre or quite adverse.

The student was also expected to be quite versed in the sciences of the era, which depended heavily upon the works of Aristotle and Pliny and the studies of the alchemists. While astrological associations of metals and gemstones and other materials often differ from those the alchemists used, they overlapped sufficiently that in the absence of guidance from canonical texts of astrology and magic, the student would refer to alchemical teachings as a supplement.

Many of these supplemental texts have been lost or are not available in translation. What modern practitioners do is refer to texts which are compatible but later in history and thus more accessible. Cornelius Agrippa’s Three Books of Occult Philosophy is a great source for such information, and when herb lore becomes relevant so is Nicholas Culpeper’s Herbal.

Picatrix is often evasive about the diversity of talismanic implementations. There are hints that wooden talismans are possible, but it gives no details regarding their manufacture. Pigments are often associated with stellar configurations, but again there is little information on how they were to be used, since paper and parchment were not thought to be able to absorb power very well.

Venus

Talismanic Image of Venus based on recipes in Picatrix.

What is provided are instructions on how to cast talismans out of metals and colored waxes, and to engrave gemstones. When the proper picture or sigil was inscribed or cast on such an object at the elected time, a spirit of one of the seven planetary hierarchies or one of the many more exotic stellar hierarchies would empower the talisman and give it amazing powers. Incantations and burned incense would facilitate the process and strengthen the creation of the talisman, and compatible herbs would either be placed with it or glued to in some manner to magnify or focus the power towards a particular objective.

In recent centuries the concept of correspondence has eclipsed that of affinity, and to modern practitioners the return to the old way of thinking may be jarring. The alchemists had a one to one correspondence between the seven traditional planets and metals, with lead corresponding to Saturn, tin to Jupiter, iron to Mars, gold to Sun, copper to Venus, quicksilver to Mercury, and silver to the Moon. Even later in history, singular colors corresponded to the planets as well; black for Saturn, blue for Jupiter and so on. This is alien to the older and more complex astrological tradition.

In SIM, there are long lists of metals and minerals (not to mention herbs and animal ingredients) associated with each planetary hierarchy. Furthermore, many materials appear on two or more lists for different reasons. Each planetary hierarchy has multiple colors. Lastly, there is no singular material on each list which most associated with the planet any more than there is one which is the least. Each material has qualities which in some way resemble the function of one or more planetary hierarchy, which can include color, weight, attractiveness, medicinal usage, flavor, folkloric associations, hardness, translucency and much more. This complexity is often jarring to newcomers in this system.

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Metallic gold (and minerals like iron pyrite which resemble it) are prized in SIM.

An example of these complex associations is the metal gold. The yellowish hue and, when polished, its shininess associate it with the Sun. Its inability to tarnish is associated with the Sun’s regularity and mathematical associations with the four seasons. Gold is an excellent material for Sun talismans. However, gold is a very heavy material—almost as heavy as lead—and this is why it is associated with Saturn, the planetary hierarchy associated with weight, gravity and things drawn down into the earth. Saturn talismans can be made perfectly well in gold; in some ways it is superior to lead because it is more rigid and less likely to distort when worn or carried. Gold is highly attractive and desired, and so it gains associations with Venus and also is appropriate for her talismans. Gold is also expensive and thereby gains associations with Jupiter, the governor of riches. Gold is also suitable for Jupiter talismans. The only planets which can’t work with gold are Mars, Mercury and perhaps the Moon.

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Lapis lazuli with iron pyrite inclusions is particularly versatile and inexpensive for making talismans.

More overlap appears in one of the most commonly used gemstones, lapis lazuli. A soft, vividly blue gemstone that is frequently flecked with golden iron pyrite inclusions, it is relatively inexpensive and thus is quite popular among contemporary practitioners of SIM. Of greater importance, Marsilio Ficino (a Renaissance genius who practiced SIM among many other things) observed that softer materials produced talismans which had shorter lifespans but produced magical effects especially rapidly. Picatrix uses a slightly different rationale with the same conclusion. Nevertheless, lapis lazuli with pyrite inclusions gains association with Saturn by two routes; the golden appearance of the pyrite hearkens back to metallic gold and its own associations with Saturn, and because of a historical confusion between lapis lazuli and sapphire– both mean “blue stone” in different languages (Latin and Sanskrit) and the latter is more directly associated with Saturn due to its dark color and extreme hardness. (Saturn governs darkly pigmented things and durability.) Lapis lazuli with pyrite inclusions also has affinity with the Sun because of the golden appearance of the flecks of pyrite. Lapis gains association with Venus because of its oceanic blue color, and the Greek myth of Aphrodite emerging from the sea foam. The Moon arguably has the strongest associations with lapis lazuli because of this oceanic connection, and the dependency of the tides upon the Lunar cycles. Additionally, by way of lapidary lore, lapis lazuli has the property of diminishing melancholy and grief, and this quality is added to and magnified by the transformation of a lapis lazuli gemstone into a Saturn, Sun, Venus or Lunar talisman, regardless of its other powers.

These are two, slightly extreme examples of how the 1:1 system of correspondence fails in Scholastic Image Magic. In many instances a gemstone or other material will only have associations with one or two celestial hierarchies. But I illustrate this to make a point; materials such as gemstones, metals and herbs are not singular representatives of a celestial hierarchy in each kingdom of matter, but one of a host of materials which a particular astrological spirit hierarchy finds beautiful, interesting, useful, or more real. Everything in the world is ruled over by one or more planetary hierarchies; there’s a lot of redundancy down here. And an alternate way to express this if the notion of spirits is undesirable, is that just like different forms of electromagnetic radiation can penetrate metals and flesh and stone to varying degrees based on type, the rays of astral light (which are the spirits themselves) can irradiate all substances to differing degrees. Only those materials which can be fully irradiated by astral power of any particular variety are capable of becoming the vessels of power that are talismans.

There are an abundance of additional factors to consider when selecting gemstones for the purpose of making a particular sort of talisman. Some are metaphysical and some are practical.

Picatrix advises that one may use the system of humours or temperament to attract and repel animals and people of particular constitutions whose images have been engraved on gemstones. A gemstone which is believed to be hot and dry with the talismanic image of a fierce animal like a lion will attract and tame the animal. A gemstone whose constitution is believed to be cold and wet with the same image and stellar configuration would instead repel lions. The same might be applicable to types of people who might appear on a talisman, such as a king or a warrior. Sadly, lists of the elemental associations of gemstones from the era of Picatrix do not appear to be available in translation, and some guesswork is necessary.

Gemstones are believed to be the fruits of the Earth, and are natural phenomena. In the outlook of the scientists of the era, plants were a midpoint between the attributes of animals (both grow) and minerals (neither move about). One of the implications of the continuum between animal and mineral is that to an extent, minerals are parts of the living Earth and closer in nature to a living oak tree than a carcass. This explains why gemstones which are in various ways not natural do not make good talismans. Artificial diamonds and rubies, irradiated gems, dyed gems, and sometimes even heated minerals do not absorb the essence of the spirit beings adequately in order to turn them into talismans. Sometimes when they do work, they produce unpleasant side effects. Synthetic gemstones are akin to silk flowers and wax fruit; they may look like the real thing but often are inadequate replacements.

The color of gemstones is a complicated issue. Gemstones of particular colors are indeed associated with particular planetary hierarchies; pretty much any white stone can be used for Jupiter, for example. Nevertheless, this is an instance where an association is very superficial and often will produce an inferior talisman. Gems which have very particular associations with planets because of unique properties take precedence over something like color alone, which is far more general. Many gemstones which are powerfully associated with a particular planet are of extremely counterintuitive colors.

Another issue with color is that on a mineralogical level, several named gemstones are basically the same mineral and differ only by color. In this instance, the differences of color are the source of the identity rather than chemical composition or crystalline structure. One example is onyx, traditionally a black or brown stone with white banding. Onyx can be used for Saturn talismans, Moon talismans, and the fixed star Corvus. Sardonyx is a stone which is red or orange with white or yellow banding. Other than color, there is no difference between the two. However, sardonyx is used for the talismans of the fixed star Antares, and neither the Moon nor Saturn. Antares is a reddish star, whose appearance resembles that of the stone. It is an exception to the rule. A more well known pairing like this is that of sapphire and ruby; both are the mineral corundum, but the former is black or dark blue and the latter red. Their metaphysical associations are completely different. Seeming paradoxes sometimes occur. The emerald is suitable for Jupiter and Mercury talismans; planets which are otherwise completely opposite to each other in every way. It is not enough to understand which materials are associated with one or more planets. Whenever possible, one must understand why.

The last consideration for gemstone talismans I wish to make in this article is that of shape. The most important consideration is practical; you need a gemstone with a large flat surface—large enough to engrave a sigil or, far better, a pictorial image using a diamond stylus. Emerald cut and marquis cut gemstones can provide enough surface for a small sigil but little more. Cabochons, whether hemispherical or ovoid, are the better option. They provide maximal surface area and are portable. They work in ring settings and can even be secreted in a pocket or wallet.

They also have a harmonious shape. Aristotle believed that the cosmos was spherical as the macrocosm, and this was mirrored in all spiritual beings as a microcosm; the shape of all spirits (in spite of appearances) are spheres. Anything which approaches the shape of the sphere, including ovoid shapes, circles and hemispheres, are particularly suitable vessels for a spirit being such as a talismanic entity. So, though it is seldom practical, the optimal talisman is a mineral sphere of the largest manageable size.

The factors which must be taken into account in the selection and preparation of gemstones and other material objects for transformation into talismans in Scholastic Image Magic can be daunting at first. It requires a great deal of specialty knowledge, but the authors of the Picatrix, Agrippa and other masters of SIM tended to describe talismans made in an optimal way in order to minimize side effects and maximize their power—and massive power it can be indeed. However, the average experimenter (or master of this system in a bit of a hurry) can use inexpensive or even slightly inappropriate timing and materials to create talismans which provide sufficient and immediate results. This is an elite system of magic, but the basics are accessible to all with the drive and determination to ascend.

Massive Talismans and Chimerical Spirits

I say to you further that, if the quantity of stone of which an image is composed is large (that is, between an ounce and a pound), the virtue and power of it will be able to reach from the place where it is for a hundred leagues.

If it contains a combination of things in its figure, however, its nature will have no motion or effect except that which terminates in its own place, though its motion or effect will not be limited to those of its substance or the nature of the bodies that compose it, for spirits have a wider range than those bodies that contain little spirit.

–Picatrix IV:4, Greer-Warnock translation

Picatrix Analysis:

Talismans made from mineral spheres of even medium sizes will project power for 300 miles in all directions.

Talismans which attempt to draw upon the power of more than one celestial hierarchy will be crippled, like a chariot whose horses are running in different directions.

They will have some influence in their immediate environment because they are inhabited by a chimerical spirit, but less than a pure spirit and more than the natural virtues of whatever material the talisman is composed of.

On that note, I hereby coin the term chimerical spirit; a temporary union of astral spirits from dissimilar celestial hierarchies in a talisman, which being neither fish nor fowl operates with the virtues of neither.

This notion seemingly creates an inherent limitation upon House-based talismans. Which may explain why I have found them ineffective and frustrating.