The Rings of Memory

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THE RINGS OF MEMORY: Fast Moon in Domicile culminating, applying to both Benefics with fortunated Ascendant Benefic Ruler and Benefic in the 1st House.

Scholastic Image Magic arose in medieval monestaries but reached its greatest popularity among medieval and Renaissance physicians, according to contemporary research. It should be little surprise that a great deal of priority was placed on medicinal talismans as well as those which benefit study.

This is a talisman I’ve wanted to make for quite a while; it’s one of several configurations to enhance memory. As someone who optimally burns through about five hundred pages per day, it does me little good if I can’t recall it. Furthermore, I’m just about done wasting hours looking for that missing pen or sock or passage in Cervantes.

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If, under the influence of the Moon, you make this sign in the hour of the Moon, with the Moon rising, in emerald, with this stone make a seal in incense and give it to a man for good memory, and to retain knowledge. –Picatrix Book II:10

Recently Chris Warnock was ruminating about the nebulous functions for standard Moon talismans, as opposed to Lunar Mansion talismans. He’s correct that the texts are a bit evasive, but I think it’s because the authors were assuming it was obvious and familiar to all readers. I’ve dug through the canonical literature at length, and I’ve come to some conclusions.

Moon talismans:

  • Improve memory, and in some configurations cause forgetfulness. The waxing and waning of the Moon signifies the transitory nature of memory. Other planets co-rule memory to a lesser degree, but it is primarily an attribute of the Moon. (One would be mistaken to assume waxing is always the retention of memory and waning is its loss, however.)
  • Cure the illnesses of infants, and sometimes older children. A very useful talisman if you’re a parent or a physician, but I’m neither so this is of limited interest to me.
  • Increase alertness and endurance, especially while traveling. The Moon signifies speed because it is the most rapid planet; it also signifies journeys. Before modernity, a Moon talisman would be used by a traveler to walk many miles without ever becoming tired. It would also be valuable for students who want to immerse themselves in lore deep into the night without forgetfulness.
  • Impart influence over mobs and riots, to gather and disperse them. The group consciousness of rioters is well known to be associated with the Moon; a social lunacy.
  • Improve likeability and influence over others, especially when the Moon is very essentially dignified. The Moon is always the cosignificator of the Self, and by adding essential dignity to any significator one gains influence, authority, and trust.

It’s very hard to find standard Lunar talisman elections because the rapidity of the Moon gives only one real chance daily for any configuration. Furthermore, Picatrix seems to indicate that the Moon should not be configured on the Ascendant, leaving only the Midheaven as the only reasonable alternative.

The difficulty of finding a valid Lunar election is why I was willing to produce these four rings during an extremely narrow eight minute electional window when the Moon was between 8 and 6 degrees of the Midheaven, never quite breaking into the 5 degrees that Ptolemy mentions before the arrival of Saturn Hour. I’ve already noticed its effects, so I know it’s working.

As noted before, the Moon was making loose aspects to the Benefics, the Ascendant Ruler was essentially dignified, and a benefic was in the 1st House. I particularly liked the high speed of the Moon, which I’ve come to believe is more impactful than Lunar phase in most instances. I believe this will contribute to the strength of the memory enhancement.

Four talismanic rings were ensouled, for the time window was short. The gemstones were emerald as required, and the band was silver—the metal of the Moon. I consulted with tarot for advice on the herb matrix under the gemstone and the suffumigation. The herb beneath the ring was black poppy seed—a Lunar herb—which has associations with the mind and mental states. The suffumigation was amber, which I believe signified the preservation of memory, like an insect preserved in amber.

Rather than use the primary talismans to create secondary talismans out of incense, as the instructions suggest, my goal was simply to make rings. This is partially because I was not casting in silver to make a negative talismanic mold for the incense, and because that seems to me a project best saved for when the Moon is within five degrees of the Midheaven. I may choose to make memory incense with these, but that is not my intention now.

There are many unusual talismanic recipes in Picatrix and other canonical texts of SIM. Some may puzzle you, but rather than dismiss them as aberrations I believe they have much to teach us about the nature of the spiritual universe. They also frequently have powers which you may think are irrelevant to your needs today, but will reveal their value tomorrow.

That’s advice you’ll definitely benefit from remembering.

The Byzantium Flyers

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Exotica Noir

I once ran a dance club event called Byzantium at NowBar on Fridays in the West Village of Manhattan. It was my third weekly event, and arguably the best. Unlike the two which preceded it, I used the event as an opportunity to perform magical experiments related to publicity and mental influence of benevolent kinds.

The venue helped define an eclectic but strangely coherent musical style. It had Moroccan lamps, leading me to think we could lean into the Arabian Nights imagery which cropped up in the Goth genre (which generally was one of our major ingredients.) It also had futuristic furniture, tiki torches, and an artificial waterfall. Trip hop, techno, medieval revival, ethereal, shoegazer, industrial, and world music entered the sonic tapestry. The upper level had a lounge and we had poetry readings there at first, then art installations and live bands. It was thoroughly weird and unlike anything that had come before.

Magic was a part of my thinking from the start. I had been ruminating on the Orientalist imagery in Victorian magic, particularly that of the Hermetic Order of the Golden Dawn, the Ordo Templi Orientis, the Theosophical Society, and the Hermetic Brotherhood of Luxor. The artificiality of the usage of the exotic and the Other fascinated me; the forbidden and the liberational aspects as well. I saw strange parallels between this and the embrace of the Other in alternative cultures, and parallels between the remixing of cultural artifacts to alter consciousness and the blending of styles in contemporary World Dance and World Music. (I am entirely guilty in overthinking club promotion, but I really do think it is an unsung art form.)

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A member of the Golden Dawn was William Butler Yeats, better remembered as a great poet than as a magician. He wrote two poems, “Byzantium” and “Sailing To Byzantium,” which helped inspire the naming of the event. Yeats’ notion of Byzantium was of a distant land of opulence and the exotic, where all cultures blended and anything was possible. It was a fantastic realm somewhat unlike the historic Eastern Roman Empire, yet vastly more alluring and powerful than the reality. I wanted to sail away to Yeats’ Byzantium and bring my friends along for the ride. Every Friday night we embarked upon adventures.

I could wax nostalgic all day about the event and never quite capture its essence, or list all of the amazing people who made it possible. That’s not my point here, though. What is relevant is that while we were doing something innovative, we had a lot going against us.

Friday nights had been a dead night for Goth scene events at the time for several years. The fact that we were not truly a Gothic event only protected us somewhat. Our venue was small and we were in a part of the city most of our patrons visited infrequently. When we debuted, we had only one competing event. A few months later, we had eleven. Twelve events all competing for the same attendees and dollars. It was a swarm hungry for limited resources. Some were actively unfriendly and unprofessional to us. And try as we did, we were losing ground. We had to fight for every single attendee.

My prior two events had also struggled to get traction, and eventually ended. I was an accomplished magician, but had rarely used any magic to give my projects a competitive edge. So when Byzantium debuted, one of the first things I did was enchant the heck out of our flyers. And how I did that requires a bit of personal history.

Rootwork and the Greater Key of Solomon

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Years prior, a magical colleague of mine returned from a trip to New Orleans and began to whisper about something called “rootwork.” It took me a while to realize this was an alternate term for Hoodoo, which I had been practicing in a somewhat bastardized form for many years. I recognized that my knowledge was fragmentary, and so was hungry for every legitimate scrap of knowledge that I could find.

One of the things she told me was that the pentacles of the Greater Key of Solomon could be incorporated into Hoodoo candle magic to great effect. I did not believe her. I knew the grimoire well and the pentacles it described had to be created very precisely, according to the instructions. She urged me to try it her way before dismissing the notion entirely. I respected her, so I suspended my judgment and decided to give it a whirl.

At the time I didn’t know anything about petition papers, but nearly all of the magic shops in Manhattan used pull out candles and dressed them and carved them up, often also adding glitter. Since I couldn’t afford that on a regular basis, I used plain pour-in novena candles bought at dollar stores and supermarkets and used paint markers (mostly gold and silver ones) to carefully replicate the pentacle designs on the glass. I dressed the candles with Hoodoo condition oils and stroked around the paint to prevent them from smearing.

After three or four candles like this, I was convinced and converted. It was impossible for me to ignore how effective the Solomonic pentacles on the candles were. It was so effective that for over a decade it became a quickie solution for magical work. The method certainly wasn’t as potent as full Solomonic pentacles, but it was a lot cheaper and easier, and could be made rapidly as the need arose.

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I have made several conclusions from working this hybrid system of Hoodoo and GKOS pentacles. The pentacles of the Greater Key almost certainly precede the grimoire and its elaborate instructions, and are of the kind of power that even if created in imperfect conditions (like using paint markers on the side of a candle) they will still produce diminished but powerful marvels. I sometimes call them shadow effects.

Since then I have used this as a method of evaluating grimoires; if their pentacles or sigils activate a candle in a noticeable way, they’re probably really powerful when made with the full ritual requirements. If nothing happens after several attempts, the system is quite probably weak and ineffective. It saves me the effort of spending a year or two and thousands of dollars working through a grimoire to determine whether it’s magnificent and miraculous or merely a dusty hoax.

The Flyers

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After working through this method for a number of years, I was introduced to the usage of petition papers in Hoodoo, and other grimoires more popular in Hoodoo such as The Sixth and Seventh Books of Moses and The Long-Lost Friend. I was slow to make the transition from using paint markers on glass to petition papers of pentacles under candles because I was, frankly, concerned about fire safety. But when Byzantium launched I had an idea of how I could experiment with a variation of this.

One of my long-term goals had been to coax the Goth scene overall away from the centrality of dance clubs and towards a salon culture by way of the literary gothic. I knew that the dance clubs were dying a slow and painful death, and having poetry readings at the event—very much a novelty—inspired me to design the Byzantium flyers as bookmarks. At the top was the Byzantium logo, a scan of some mysterious looking byzantine jewelry edited heavily in Photoshop. The middle plugged the various DJs, bands and musical styles of the week. And at the bottom was my experiment: the Mathers Greater Key of Solomon’s Fifth Pentacle of the Sun. On every flyer.

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“The fifth pentacle of the Sun. It serveth to invoke those spirits who can transport thee from one place unto another, over a long distance and in short time.”

Mathers notes: “The versicle is from Psalm xci. 11, 12: ‘He shall give his angels charge over thee, to keep thee in all thy ways. They shall bear thee up in their hands.'”

So, why did I use that particular pentacle? I suppose I could have used one for gaining wealth, but I was impractical at the time and didn’t see that as a pressing issue. I also wasn’t sure whether this would make the bearer of the flyer wealthy or me. If some of those flyers were in the possession of my rivals, it might even work against me.

What I did want was to ensure that my flyers were distributed far and wide. Getting flyers to as many people as possible back then was key to the survival of an event, and some promoters had been known to track down and destroy flyers of their rivals in the music shops where they most often could be found. Flyer saturation was key to the survival of an event, particularly one in an unfamiliar venue with an odd theme, which Byzantium certainly was.

I also liked the design, I admit. It looked mysterious. I didn’t want people to realize the flyers were actually magical; I wanted people to think I was just being artsy. I didn’t want my competitors to copy my idea. Aesthetics can be important, but they also can conceal one’s methods or intentions in magic.

Magic was my biggest edge over the competition. I’m good at a lot of things, but magic is what I’ve always been best at. When I’ve forgotten this, I’ve always regretted it; when I’ve made mundane aspects of my life magical, they’ve soared.

Things Get Weird, Things Get Wonderful

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Around the time Byzantium began to get hit by the worst of the competition, the magic began to manifest in earnest.

There had been signs of something strange happening earlier on. NowBar was a trans bar on most nights of the week, and was across the street from Meow Mix, a famous lesbian bar. Whenever our financial situation seemed to be in peril, we would unexpectedly get flooded by the regular clientele, but the lesbian bar would also empty out and drink our bar dry. At first I just thought lesbians and transpeople loved our event, but it did seem a little excessive—albeit very welcome.

Then the ancient famous photographer turned up. He worked for a major NYC magazine and his wartime work was spoken of with reverence by many in his field. He was in awe of Byzantium and assured me repeatedly that he’d never seen anything else like it, and that it was something he wanted to preserve for all time. I asked him where he’d heard of my event, and he told me that everyone was talking about it. I inwardly wondered who everyone was, where they were, and what were they saying. Hopefully nice things, right?

They weren’t the only ones talking, however. Our competition multiplied over and over, eventually to utterly absurd levels. A few of them had it in for us– the scene was very cutthroat back then– but most promoters just assumed there was some hidden untapped market that they wanted a slice of. Everyone and their cousin seemed to be opening up a new Friday event. Our attendance started to take a hit, but then strange things started to happen.

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For example, this highly fashionable couple approached me one night at the event with expressions of delight and wonderment. They told me that they were from Switzerland and had flown to America just to come to Byzantium. They had to tell me this several times before I realized they were sincere. I asked where they had heard about Byzantium. They told me that everyone was talking about it, even in Switzerland. Wow. Really? Fascinating.

Then an Asian man approached me at the event and told me he’d picked up a Byzantium flyer in Tokyo. He’d just had to come; it sounded amazing. Someone else found a Byzantium flyer on an airplane, and he changed his vacation plans to get off in New York instead to check it out. Over and over I began to hear about people discovering my fairly small event with a modest budget all around the world, largely through the instrument of my enchanted flyers turning up in the most unexpected of places.

To this day I have no idea how the Byzantium flyers ended up scattered across the world. I have no idea how the buzz about my event went so strangely viral on the eve of the year 2000 AD. But I certainly have strong suspicions of a magical nature.

What I am quite sure of is that the somewhat inexplicable buzz about our event which had spread across the entire world ultimately fed back into local attendance. It kept our struggling event alive for months and months, when everything seemed to be going against our little passion project.

Night Work

The enchanted flyers weren’t the only magical work (by far) that I integrated into Byzantium, but I still use those today and think of them as trade secrets. The other ones weren’t focused on publicity but making the environment fun, uplifting, and sexy. Considering how many people got laid in the NowBar lavatory and how fondly Byzantium is still spoken of today—all over the world apparently—I think they were pretty darn effective too. If you’ve been to my Green Fairy Parties in California, you’ve seen some of that other sorcery at work.

In spite of my magical and mundane efforts, Byzantium did not last forever. It might have done better if I hadn’t been so keen on lowering the cover charge to allow more people to attend; that gave us very poor financial reserves. The management at the venue expected us to become profitable sooner than we realized. The competition remained somewhat fierce to the end. Perhaps if I had focused on the business end more than the creative end, things would have lasted longer. But they wouldn’t have been nearly as interesting.

It was a very successful event in creative terms and that’s what I really cared about. it was unforgettable and it injected some creativity into a scene which was stagnant. Our staff and regulars had also become a family. When management told us it was to be our final night, the head bartender– hired by the venue management– was so outraged that he quit on the spot. People really loved us, and I’m grateful for it.

Hopefully this little tale can inspire you to experiment magically, to improvise, and find new ways to make your life more magical and marvelous. Magic permeates everything and insinuates itself in the gaps between; this is where your hidden strength dwells.

 

Talismans of Trust

TALISMANS OF TRUST: Extremely dignified Mercury Ascending in Virgo with the North Node, with the Moon applying to a conjunction of Jupiter.

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This project was full of all kinds of surprises, great and slightly bad.

My lost emerald cabochon which popped out of its ring at ConVocation and I’d deemed lost forever was found right before the election taped to the side of a box with packing tape. I’ve observe that I often lose a talisman when the planet it’s based upon is in Fall, and I recover it when it is Exalted. That’s seemingly what happened here. My lost Mercury spirit came back home, right on schedule.

And then, about 4/5ths of the way through the electional window– after I’d engraved the ymages but right before I added the vegetal component– my street had an hour long blackout. So I had to finish the project by candlelight. I did end up adding the herbs to the rings after the planetary hour had ended, but thinking quickly I dipped the rings in a tea of the herb and finished the whole thing before Mercury was fully off the Ascendant. I think it should be fine. Other than that, this was a pretty great election.

Mercury was greatly essentially dignified. In Domicile, Exaltation, and Term. Mercury was making a loose sextile to a Benefic and moving reasonably fast. The Moon was slow but waxing and applying to conjoin with Jupiter (finally Direct and gaining speed.) For the early part of the election, the North Node was on the Ascendant, adding much good fortune. The Moon’s Sign Ruler was succedent, which is good. The Moon’s Mansion is suitable for works of love and friendship, which seems compatible as well. The electional window was about thirty minutes for engraving, cut off a bit by the end of the planetary hour.

For the larger talismans I chose the Picatrix frog acceptability talisman in Picatrix II:10.

If, under the influence of Mercury, you make the figure of a single frog on the hour of Mercury, with Mercury rising, in an emerald stone, whoever carries it will offend no one. To the contrary, everyone you meet will speak well of you and say good things about your works.

“MERCURY” was engraved across the middle of the frog, though in one instance the word was placed on the back.

For the smaller, I used the Latin Picatrix Mercury sigil, which resembles the standard Mercury symbol but has a stem between the “horns” and circle, and the lower cruciform portion is slightly squashed.

For the herb below the rings I used aniseed. For suffumigation I used gum arabic, cloves and myrtle. It did not burn terribly easily, but it worked after a few tries.

The incantation was the standard long version of the Picatrix Mercury petition.

Six emerald ring talismans in gold wire were made. One additional green agate ring talisman with gold-filled wire was made. One moss agate tie clip talisman was made. Two loose brown agate cabochon talismans were made– brown agates protect against injuries, especially if made into talismans. A pair of very unusual lodestone/magnetite talismanic cufflinks were made. And finally, one large emerald cabochon talisman was made.

Ultimately only the cufflinks got the sigil. The remainder all got the Mercury frog, even the brown agates.

 

Secrets of the 36 Zodiacal Faces @ PantheaCon 2015

Secrets of the 36 Zodiacal Faces at PantheaCon 2015:

 

Clifford Hartleigh Low’s lecture on the “Secrets of the 36 Zodiacal Faces” at PantheaCon 2015. This class analyzes in detail Book II, Chapter 11 of the Latin Picatrix. This text instructs the student in the creation of thirty-six talismans of supreme power ascribed to the Zodiacal Faces (also known as Decans), while also containing some of the most mysterious passages ever written. This lecture describes many of these talismans and how to create them, and the discovery of the hidden meanings of the more cryptic passages which until now have not been revealed elsewhere. Discover why Cornelius Agrippa, Giordano Bruno, Abraham Ibn Ezra, and many others have found this chapter one of the most fascinating in all of magical and astrological literature.

This class is similar in content, but not identical, to the ConVocation 2015 lecture of a similar name.

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The Age of Black Magic: Step Fourteen

The Invocation of the Abomination in Crimson:

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This project of mine was © January 5th 2010, along with several “lighter” versions. It’s a malefic petition invoking the stellar hierarchy of Algol, with a viable talisman of Algol used as an initiatory token to call upon forces of wrath and punishment upon an enemy.

I wrote this a long time ago, and while my current relationship with the hierarchy of Algol is focused upon healing (and its virtues as a healing star co-ruled by Jupiter are wildly underestimated), I certainly think it is one of the most potent weapons in the SIM practitioner’s arsenal.

When it’s time to show no mercy, it’s time for The Abomination In Crimson.

“O mighty star Algol, I call to you by all your names: flickering Beta Persei, bloody Ras Al Ghul, blinking Rosh ha’Sautaun, terrible Gorgoneion, grisly Fifth Star of the Mausoleum, feared Tseih She: attune this talisman unto me and me unto it, so that I shall plumb all its mysteries, secrets, and wisdom, and master its full and perfect powers, wonders, and miracles, now and forever, whether I wear it or not, from now until the end of time.

“May your light and spirit dwell within it and dwell within me, for me to instantly command.

“Great and powerful star, make your angels, dæmons, and spirits of every kind subject unto me, obedient unto my every will, command and desire. You obediently and piously serve the One Most High, and by His command is your service invoked at this hour.

“So hear my words:

“I kneel before you and seek your favor and patronage; for the few in whom you find favor are saved, uplifted, preserved, and avenged; and all those in whom you find disfavor are swiftly devastated and punished.

“It is said that he who carries your talisman, your emblem of favor, vessel of your spirit and radiant light, is given the supreme power of protection and retaliation, so that all those who seek to harm him are thwarted perfectly; and their machinations, treachery, calumnies, theft, torments, incantations, sendings, witchcraft, bindings, curses, flame, poisons, blades, darts, stones, bludgeons or bullets will all alike turn back upon them and destroy them as they sought to destroy him. Savage star, grant unto me your succor and liberation.

“May their malice reflect upon them as excellently as the perfect mirror reflects light. ‘Their sword shall enter into their own heart, and their bows shall be broken.’ I now ask that you magnify this power so that they are swiftly obliterated by their arrogant devices, and examples be made of them for all time. Seize them with your sharp teeth, and never let them go. Heap multitudes of tortures upon them, and smite them cruelly with a fatal stroke.

“Dismember and mutilate their corpses, and cause their remains to be polluted, desecrated, and shamed. Their dust and ash shall be blown to the four corners of the earth, until nothing of my foes remain but gruesome tales of warning.

“Multiply their spirits’ torments in the lands beneath, too. The wicked cannot escape your gaze; not even in death shall they be spared.

“You pitiless eye of revenge– stare ever deeply upon them.

“Mirror of enmity, I humbly beg that you grant me this power so that I shall be like the beautiful diamond; indestructible, reflective, luminous, and with edges ever sharp. Make me like the poisonous black hellebore; bringer of agony and death to those who would mistake it harmless. May I be more durable than mountain stone, yet supple as the deadly serpent.

“Leering visage, also grant me the virtues of invigorating mugwort; guarded against peril, secure in travel, vigilant, passionate, bold and quick.

“It is said that he who carries your talisman fears no injury to his members, for you keep them whole and safe from harm.

“Your talisman bestows success in petitions and requests made to princes, bosses, leaders, patrons, and any who have power over him; so that they shall quickly grant whatever it is that he asks.

“It bestows the wearer courage, vitality, and magnanimity.

“It grants victory in whatever contests or struggles to which he attempts, through war, gaming, sorcery, or any other thing. For with you, invincible star of destruction, your favored one is bold and mighty, and (subject to the will of the One Most High) nothing whatsoever beneath you can long obstruct his path.

“I beg that you also grant me all of these powers to their fullest perfection, and the wisdom to know how and when to use them.

“O slaughter star, eidolon of horror, eater of the dead, slayer of men, blinking eye of terror and blight, decapitator star, render of flesh, beacon of the tombs, depopulator of civilizations, ever-hungry star, savage patron of monsters, terrible light of doom, implacable bringer of ruin, father of devastation, flame of oblivion, lord of direst woe, luminous face of hate, gore-drinker, you whose gaze upon the waters turns it to poison, strangler star, mighty head of the adversary, hear my prayer and rend my enemies apart, moisten the earth with rivers of their spilt blood. Rejoice in the deaths of men.

“Grant me a portion of all your powers for I seek to be your [vassal, student, son/beloved/bridegroom, and] priest, and may I be a refraction of your invincible, terrible, and eternal light.

“Most supreme executioner in the celestial realms, you neck severer, invincible head taker, great hacker of limbs and seizer of life, man flayer, bone breaker, marrow sucker, gorger on entrails, corpse candle, heart gnawer, ruddy lamp of banes, you whose dripping blood sows vipers, blazing star of murder, torch of the piled up bodies, thirsty blade of vengeance, glint of annihilation, abomination in crimson, watchful dæmon of the void, ancient monster of monsters, you fierce exterminating angel, defender and avenger most puissant to your favored few, please find favor in me and accept my prayer, and go now and send forth your grisly throng and fatal glare to seek out my enemies wherever they may be found, and pierce their hearts with your terrible red rays and make them quake and fall, kill them wherever they may hide, set your gaze upon them in harsh judgement and spare them no pity whatsoever.

“May plagues like the ten of Egypt be at my ten fingertips to command and to curse them with every form of suffering and death, and may my hands throttle the throats of my enemies, and may I tear their heads off with these hands to demonstrate your power and fury, and cast their broken bodies down into cold and leaden death, and may I place their bloody heads on pikes at the gates of the cities in sacrifice and tribute to you, so that all may know of your power, and the consequences of incurring your terrible wrath.

“Burn thy seal upon my heart, upon my breast, upon my body, upon my soul, upon my spirit, upon my deeds, upon my destiny, upon my wrath, upon my fame, and upon my power.

“Grant unto to me the greatest secrets of lethal magics, the sorceries of the greatest and most terrible kind, irresistible and frightful, so I too shall be known as a light of annihilation, forevermore.

“Crown and adorn me with your majesty and gird me with your protection and arm me with your many instruments of obliteration, and all shall say throughout the ages that those who were set against me were destroyed by tortures most vile, and that I strode forth to victory upon their tattered corpses, and that I rejoiced amongst their bones. For you have made me so, potent and fearsome star Algol.

“Star of supreme misfortune, greatest malefic––

“Go forth as a fiend, but to me be an angel.”

The bracketed text regarding initiatory adoption, betrothal, or espousal by Algol and its hierarchy of spirits is only for persons compatible with this concept, and have been given permission by Algol through divination, dream or vision.

Though gender terminology throughout is male, it can be adjusted as appropriate.

Algol’s appetites are beyond all limitations.

Secrets of the 36 Zodiacal Faces @ ConVocation 2015

Secrets of the 36 Zodiacal Faces at ConVocation 2015

 

 

Clifford Hartleigh Low’s lecture on the “Secrets of the 36 Zodiacal Faces” at ConVocation 2015. This class analyzes in detail Book II, Chapter 11 of the Latin Picatrix. This text instructs the student in the creation of thirty-six talismans of supreme power ascribed to the Zodiacal Faces (also known as Decans), while also containing some of the most mysterious passages ever written. This lecture describes many of these talismans and how to create them, and the discovery of the hidden meanings of the more cryptic passages which until now have not been revealed elsewhere. Discover why Cornelius Agrippa, Giordano Bruno, Abraham Ibn Ezra, and many others have found this chapter one of the most fascinating in all of magical and astrological literature.

If you find this video useful, please subscribe to http://sorcerer.blog and http://www.youtube.com/GrimoireTV , give thumbs up and Like posts. Your feedback matters.

The Age of Black Magic: Step Thirteen

Summoning Uncle Joe

In addition to the inclusion of blood relatives on a dedicated altar for ancestors, one may also provide offerings to the spirits of those who you admire or seek to call upon for aid. Saints are only one example of the Mighty Dead who one can call upon for help; calling upon the spirits of mighty magicians like Agrippa, Merlin, King Solomon, and Moses for wisdom and assistance is an ancient tradition.

Settings for Presidents such as George Washington and Abraham Lincoln are also well-established and useful. Roman emperors and Egyptian pharaohs were deified and venerated. Images of Martin Luther King, Jr. and John F. Kennedy hang in many homes for reasons far beyond the sentimental. They are appeals for aid—usually for help in matters related to their authority, fame, tutelage, and skills.

But you can go further than this. And a lot darker.

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Buy a Soviet-era memento of Josef Stalin from eBay, or a similar source. The older, the better; the more closely associated with Stalin or the Communist Party, the better. You want the strongest possible tether to him. A printout will just not cut it.

Place the personal concern in a shot glass on your ancestral altar and feed it curse materials like goofer dust, dead black widows, and other things of death and destruction. The rarer and the more dangerous, the better.

Make a spirit cocktail: any grain alcohol in which has been steeped thirteen cayenne peppers, thirteen guinea peppers and thirteen black peppers. Offer this every week until you are ready to make requests. Feed a dedicated shot glass with this to nourish and compel the spirit into fury and action.

I devised the following incantation for this purpose. You can alter it and improvise, but recite it at least once a week when you make offerings to the spirit of Josef Stalin.

Attend me at this hour of night! I [name] call into the open grave, into that silence profound, and draw forth the terrible and mighty spirit wherever he may be so that he may answer my prayer:

I call upon you, shade of Josef Stalin, by all the rights and privileges I possess. I speak for the humble and the broken that seek your intercession. The world above is in turmoil and only you can set things right. Not even death can temper your vast power. We all conjure you.

Awake in Spring! Awake in Summer! Awake in Fall! Awake in Winter! Awake by day! Awake by night! Rouse yourself from slumber, mighty Stalin, and forge the world anew by your power and your eternal name. The revolution is at hand! Awake, and slumber no more! Sentinel of dread, bringer of cold, hunter of men, seize every enemy of the cause and drag them down to deepest Hell in your iron teeth.

Mighty Stalin, supreme in wrath, arm yourself for war and cloak yourself in judgement; you slew the Nazis, and crushed the exploiters and the wealthy, and punished the many traitors. You tore out the tongues of those who spoke against you, and you made the greedy sup on ashes. Now is your time again.

In life you were an Angel of Death; in death may you live again. May all the lives you took give you power. Rise up from your grave and stretch the shadow of your mighty fist across the world; crush my enemies with your hammer, dismember them with your sickle, and fertilize the soil of the hopeless with red red blood!

I bind you to my command, hurting not me nor mine but diligently those whom we hate and will destroy! (Repeat the concluding binding thirteen times.)

It would be particularly appropriate to direct the wrath of the spirit of Josef Stalin at the Trump Administration and its supporters and enablers. That’s what I’ve been doing, in part.

If this is your goal, you may wish to be more specific about your desires in your incantation. I do advise that you not pull your punches. You don’t call up Uncle Joe for anything but the coldest, most brutal, most heartless of sorceries. Let his worldly acts inspire you. Impress him.

Nevertheless, regardless of your objectives or your personal political beliefs, having a working relationship with the spirit of the man who likely killed more people than any other in human history is highly beneficial to the work of a black magician and necromancer.

Talisman of Safe Driving

TALISMAN OF SAFE DRIVING: Moon culminating triumphed and fast in the 7th Lunar Mansion, Ascendant Ruler fast and dignified.2017-05-25-seventh

This is a 7th Mansion talismanic election for safe travel, particularly by car.

Picatrix gives the name of the Mansion’s ruler as Siely and alternately as Sehele in the Plinian Mansion section, derived from Ibn Hatim:

The seventh Mansion is Aldira and is for the acquisition of all good things. When the Moon is passing through this Mansion, fashion a seal of silver, and sculpt the image of a man clothed in robes and with his hands extended to heaven in the manner of a man who is praying and supplicating; in the breast of the image write the name of the lord of this Mansion. Suffumigate it with sweet smelling things, and say: “You, Siely, cause such and such to happen, and grant my petition.” Ask for whatever you wish that pertains to good things. Carry the image with you and it will be as you wish. Know that Selehe is the name of the lord of this Mansion.

Picatrix, however, gives more options for the 7th Mansion in the “foundational” Mansion section much earlier in the book.

The seventh mansion is called Aldirah. 25 It begins at 17 degrees 8 minutes and 36 seconds of Gemini and its boundary is the end of that sign. In this Mansion make images to increase merchandise and profit and to travel safely, and to increases crops, and to sail beneficially on the water, and to cause friendship between friends and allies, and to expel flies so that they will not enter where you wish, and to destroy officials, and it is good to go into the presence of the king or other high nobles, and to cause the king and other lords to be benevolent.

So, let’s analyse the election and then go onto the implementation.

This election is mixed. It has great strengths and some weaknesses. I made a judgement call that the former were much greater than the latter, but informed opinions may vary. I did not wish to wait any longer for a good talisman for this purpose.

The Moon is the principal significator in this election, and culminates. The Moon is very fast– which I believes rapidly promotes sensible manifestation and strengthens the effects overall.

The Moon is triumphed; a term I’ve coined for inverse besiegement. Instead of the planet separating from an aspect with a Malefic and applying to the other, this does the same with the Benefics. In besiegement the significator is caught between a rock and a hard place; in a triumphal position, the Benefics behave like strong bodyguards which flank the traveler. The Benefics in this instance are both afflicted– yet their nature does not change and they ensure success. Beseigement remains a dire affliction even when the Malefics are weakened or fortified, and so triumphing is always among the strongest of accidental fortitudes.

Another positive factor is the Ascendant; the lord is Mercury, who recieves a +2 dignification by term or bound, is fast, but is unaspected. The electional window is narrow (about six minutes) because the Ruler of the Sign the Moon is within must never be cadent and I had to wait until Mercury was eight degrees past the cusp of the 8th House boundary for this to take place. According to Picatrix, when the Moon’s Sign Ruler is cadent, the election begins well but ends in failure.

The weaknesses of the election are the the Moon is applying to a conjunction with Mars and an opposition with Saturn after the triumphing ends, and that the Moon is in the same Sign as a Malefic (Mars.) Mars is also on an Angle; the Midheaven. These are normally very serious concerns, but I believe the role of triumphing is to shield the significator (the Moon) from afflictions. If it were the other way around and the Moon were besieged, nobody would put much weight on application to aspects of Benefics after the configuration would end.

As Picatrix says, there are certain configurations which can neutralize the afflictions of the Malefics, such as making them cadent and placing a Benefic on the Ascendant. I believe triumphing is another such.

Is this a perfect election? No. I’ll replace it when I find a better one, but in the meanwhile I think the two talismans I made are safe and strong.

Two large quartz crystal cabochons were selected. They are inexpensive and easy to replace when a better election comes along. Both will be carried in a velvet bag to reduce scratching and impacts.

The main feature of the ymage is what the talisman is supposed to fortunate; a car. Before the headlights is the sigil of Venus and behind it is the sigil of Jupiter. Moon, the cosignificator, is tightly applying to a benevolent aspect of Venus and separating from a benevolent aspect Jupiter. Above the car is the sigil of the Moon and below it is the number 7, signifying the Lunar Mansion. Across the body of the car is the name of the Ruler of the 7th Mansion, SIELY. On the back is an X, which Picatrix advises using when one is uncertain about the ymage of a particular spirit for a talisman. The suffumigation was aloeswood, in very small amounts.

The image below is in different colors for clarity; they were all actually engraved with a diamond tipped stylus and not colorized. I use that here only for readability.

Siely

I am mostly including this election here, beyond as a record of my work, but as an excample of how to implement the “foundational” Mansion elections with components of the Plinian/Ibn Hatim material to fill in the gaps.

The Age of Black Magic: Step Nine

Reversal Magic

reversal2

Are your anti-Trumpian magical activities going as you had hoped? If yes, you can ignore the rest of this post.

If not, you may wish to stop whatever it is that you’re doing and do the most aggressive reversal magic that you have in your arsenal.

Pro-Trump magicians have been targeting their counterparts individually and collectively, or so I was told a few weeks ago. Attempts to coordinate magic against the administration have mysteriously gone up in smoke, simply failed, or resulted in the Anti-Trump practitioners becoming distracted by personal troubles of all sorts.

In some instances, the former and latter may be linked by causality. If that’s the case, it’s probably a good idea for you to drop everything and bounce that shit right back where it came from.

I am not going to immediately advise a particular method of reversal; use what works best for you. You might want to hit back with something strong and unexpected. Several flavors of reversal at once are going to be harder to shield against.

Practitioners shouldn’t attack each other, but giving an enemy a taste of their own medicine (and then some) is often a teachable experience.

 

 

Gemstones and Metals in Picatrix and SIM

gemstones4

An array of cut and polished gemstones.

Scholastic Image Magic, or SIM for short, focuses somewhat upon the creation of talismans; that is, material objects in which a spirit of the heavens is ritually embedded in order to perform works of wonder. Picatrix, also known as Ghayat El-Hakim in its original Arabic title, is the largest and most detailed example of this tradition of magical texts. While Picatrix is a miscellany of magical and esoteric lore, the majority of it can be said to either provide recipes for the creation of astrological talismans or reference materials and theory which support this endeavor.

Picatrix was never intended to contain all the knowledge necessary for the reader to create talismans, evoke spirits, or the many other secrets it offers. The student of the work was expected to be educated in the system of advanced astrology prominent at that time, with a priority towards electional astrology, the choosing of fortunate or unfortunate times to commence an activity or construct or alter an object. Talismans were simply one way to use an astrological election; by embedding the spirit of a fortunate moment of a particular flavor in matter, the luck or power would emit from the talisman even during times which were mediocre or quite adverse.

The student was also expected to be quite versed in the sciences of the era, which depended heavily upon the works of Aristotle and Pliny and the studies of the alchemists. While astrological associations of metals and gemstones and other materials often differ from those the alchemists used, they overlapped sufficiently that in the absence of guidance from canonical texts of astrology and magic, the student would refer to alchemical teachings as a supplement.

Many of these supplemental texts have been lost or are not available in translation. What modern practitioners do is refer to texts which are compatible but later in history and thus more accessible. Cornelius Agrippa’s Three Books of Occult Philosophy is a great source for such information, and when herb lore becomes relevant so is Nicholas Culpeper’s Herbal.

Picatrix is often evasive about the diversity of talismanic implementations. There are hints that wooden talismans are possible, but it gives no details regarding their manufacture. Pigments are often associated with stellar configurations, but again there is little information on how they were to be used, since paper and parchment were not thought to be able to absorb power very well.

Venus

Talismanic Image of Venus based on recipes in Picatrix.

What is provided are instructions on how to cast talismans out of metals and colored waxes, and to engrave gemstones. When the proper picture or sigil was inscribed or cast on such an object at the elected time, a spirit of one of the seven planetary hierarchies or one of the many more exotic stellar hierarchies would empower the talisman and give it amazing powers. Incantations and burned incense would facilitate the process and strengthen the creation of the talisman, and compatible herbs would either be placed with it or glued to in some manner to magnify or focus the power towards a particular objective.

In recent centuries the concept of correspondence has eclipsed that of affinity, and to modern practitioners the return to the old way of thinking may be jarring. The alchemists had a one to one correspondence between the seven traditional planets and metals, with lead corresponding to Saturn, tin to Jupiter, iron to Mars, gold to Sun, copper to Venus, quicksilver to Mercury, and silver to the Moon. Even later in history, singular colors corresponded to the planets as well; black for Saturn, blue for Jupiter and so on. This is alien to the older and more complex astrological tradition.

In SIM, there are long lists of metals and minerals (not to mention herbs and animal ingredients) associated with each planetary hierarchy. Furthermore, many materials appear on two or more lists for different reasons. Each planetary hierarchy has multiple colors. Lastly, there is no singular material on each list which most associated with the planet any more than there is one which is the least. Each material has qualities which in some way resemble the function of one or more planetary hierarchy, which can include color, weight, attractiveness, medicinal usage, flavor, folkloric associations, hardness, translucency and much more. This complexity is often jarring to newcomers in this system.

gold

Metallic gold (and minerals like iron pyrite which resemble it) are prized in SIM.

An example of these complex associations is the metal gold. The yellowish hue and, when polished, its shininess associate it with the Sun. Its inability to tarnish is associated with the Sun’s regularity and mathematical associations with the four seasons. Gold is an excellent material for Sun talismans. However, gold is a very heavy material—almost as heavy as lead—and this is why it is associated with Saturn, the planetary hierarchy associated with weight, gravity and things drawn down into the earth. Saturn talismans can be made perfectly well in gold; in some ways it is superior to lead because it is more rigid and less likely to distort when worn or carried. Gold is highly attractive and desired, and so it gains associations with Venus and also is appropriate for her talismans. Gold is also expensive and thereby gains associations with Jupiter, the governor of riches. Gold is also suitable for Jupiter talismans. The only planets which can’t work with gold are Mars, Mercury and perhaps the Moon.

lapis2

Lapis lazuli with iron pyrite inclusions is particularly versatile and inexpensive for making talismans.

More overlap appears in one of the most commonly used gemstones, lapis lazuli. A soft, vividly blue gemstone that is frequently flecked with golden iron pyrite inclusions, it is relatively inexpensive and thus is quite popular among contemporary practitioners of SIM. Of greater importance, Marsilio Ficino (a Renaissance genius who practiced SIM among many other things) observed that softer materials produced talismans which had shorter lifespans but produced magical effects especially rapidly. Picatrix uses a slightly different rationale with the same conclusion. Nevertheless, lapis lazuli with pyrite inclusions gains association with Saturn by two routes; the golden appearance of the pyrite hearkens back to metallic gold and its own associations with Saturn, and because of a historical confusion between lapis lazuli and sapphire– both mean “blue stone” in different languages (Latin and Sanskrit) and the latter is more directly associated with Saturn due to its dark color and extreme hardness. (Saturn governs darkly pigmented things and durability.) Lapis lazuli with pyrite inclusions also has affinity with the Sun because of the golden appearance of the flecks of pyrite. Lapis gains association with Venus because of its oceanic blue color, and the Greek myth of Aphrodite emerging from the sea foam. The Moon arguably has the strongest associations with lapis lazuli because of this oceanic connection, and the dependency of the tides upon the Lunar cycles. Additionally, by way of lapidary lore, lapis lazuli has the property of diminishing melancholy and grief, and this quality is added to and magnified by the transformation of a lapis lazuli gemstone into a Saturn, Sun, Venus or Lunar talisman, regardless of its other powers.

These are two, slightly extreme examples of how the 1:1 system of correspondence fails in Scholastic Image Magic. In many instances a gemstone or other material will only have associations with one or two celestial hierarchies. But I illustrate this to make a point; materials such as gemstones, metals and herbs are not singular representatives of a celestial hierarchy in each kingdom of matter, but one of a host of materials which a particular astrological spirit hierarchy finds beautiful, interesting, useful, or more real. Everything in the world is ruled over by one or more planetary hierarchies; there’s a lot of redundancy down here. And an alternate way to express this if the notion of spirits is undesirable, is that just like different forms of electromagnetic radiation can penetrate metals and flesh and stone to varying degrees based on type, the rays of astral light (which are the spirits themselves) can irradiate all substances to differing degrees. Only those materials which can be fully irradiated by astral power of any particular variety are capable of becoming the vessels of power that are talismans.

There are an abundance of additional factors to consider when selecting gemstones for the purpose of making a particular sort of talisman. Some are metaphysical and some are practical.

Picatrix advises that one may use the system of humours or temperament to attract and repel animals and people of particular constitutions whose images have been engraved on gemstones. A gemstone which is believed to be hot and dry with the talismanic image of a fierce animal like a lion will attract and tame the animal. A gemstone whose constitution is believed to be cold and wet with the same image and stellar configuration would instead repel lions. The same might be applicable to types of people who might appear on a talisman, such as a king or a warrior. Sadly, lists of the elemental associations of gemstones from the era of Picatrix do not appear to be available in translation, and some guesswork is necessary.

Gemstones are believed to be the fruits of the Earth, and are natural phenomena. In the outlook of the scientists of the era, plants were a midpoint between the attributes of animals (both grow) and minerals (neither move about). One of the implications of the continuum between animal and mineral is that to an extent, minerals are parts of the living Earth and closer in nature to a living oak tree than a carcass. This explains why gemstones which are in various ways not natural do not make good talismans. Artificial diamonds and rubies, irradiated gems, dyed gems, and sometimes even heated minerals do not absorb the essence of the spirit beings adequately in order to turn them into talismans. Sometimes when they do work, they produce unpleasant side effects. Synthetic gemstones are akin to silk flowers and wax fruit; they may look like the real thing but often are inadequate replacements.

The color of gemstones is a complicated issue. Gemstones of particular colors are indeed associated with particular planetary hierarchies; pretty much any white stone can be used for Jupiter, for example. Nevertheless, this is an instance where an association is very superficial and often will produce an inferior talisman. Gems which have very particular associations with planets because of unique properties take precedence over something like color alone, which is far more general. Many gemstones which are powerfully associated with a particular planet are of extremely counterintuitive colors.

Another issue with color is that on a mineralogical level, several named gemstones are basically the same mineral and differ only by color. In this instance, the differences of color are the source of the identity rather than chemical composition or crystalline structure. One example is onyx, traditionally a black or brown stone with white banding. Onyx can be used for Saturn talismans, Moon talismans, and the fixed star Corvus. Sardonyx is a stone which is red or orange with white or yellow banding. Other than color, there is no difference between the two. However, sardonyx is used for the talismans of the fixed star Antares, and neither the Moon nor Saturn. Antares is a reddish star, whose appearance resembles that of the stone. It is an exception to the rule. A more well known pairing like this is that of sapphire and ruby; both are the mineral corundum, but the former is black or dark blue and the latter red. Their metaphysical associations are completely different. Seeming paradoxes sometimes occur. The emerald is suitable for Jupiter and Mercury talismans; planets which are otherwise completely opposite to each other in every way. It is not enough to understand which materials are associated with one or more planets. Whenever possible, one must understand why.

The last consideration for gemstone talismans I wish to make in this article is that of shape. The most important consideration is practical; you need a gemstone with a large flat surface—large enough to engrave a sigil or, far better, a pictorial image using a diamond stylus. Emerald cut and marquis cut gemstones can provide enough surface for a small sigil but little more. Cabochons, whether hemispherical or ovoid, are the better option. They provide maximal surface area and are portable. They work in ring settings and can even be secreted in a pocket or wallet.

They also have a harmonious shape. Aristotle believed that the cosmos was spherical as the macrocosm, and this was mirrored in all spiritual beings as a microcosm; the shape of all spirits (in spite of appearances) are spheres. Anything which approaches the shape of the sphere, including ovoid shapes, circles and hemispheres, are particularly suitable vessels for a spirit being such as a talismanic entity. So, though it is seldom practical, the optimal talisman is a mineral sphere of the largest manageable size.

The factors which must be taken into account in the selection and preparation of gemstones and other material objects for transformation into talismans in Scholastic Image Magic can be daunting at first. It requires a great deal of specialty knowledge, but the authors of the Picatrix, Agrippa and other masters of SIM tended to describe talismans made in an optimal way in order to minimize side effects and maximize their power—and massive power it can be indeed. However, the average experimenter (or master of this system in a bit of a hurry) can use inexpensive or even slightly inappropriate timing and materials to create talismans which provide sufficient and immediate results. This is an elite system of magic, but the basics are accessible to all with the drive and determination to ascend.