The Byzantium Flyers

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Exotica Noir

I once ran a dance club event called Byzantium at NowBar on Fridays in the West Village of Manhattan. It was my third weekly event, and arguably the best. Unlike the two which preceded it, I used the event as an opportunity to perform magical experiments related to publicity and mental influence of benevolent kinds.

The venue helped define an eclectic but strangely coherent musical style. It had Moroccan lamps, leading me to think we could lean into the Arabian Nights imagery which cropped up in the Goth genre (which generally was one of our major ingredients.) It also had futuristic furniture, tiki torches, and an artificial waterfall. Trip hop, techno, medieval revival, ethereal, shoegazer, industrial, and world music entered the sonic tapestry. The upper level had a lounge and we had poetry readings there at first, then art installations and live bands. It was thoroughly weird and unlike anything that had come before.

Magic was a part of my thinking from the start. I had been ruminating on the Orientalist imagery in Victorian magic, particularly that of the Hermetic Order of the Golden Dawn, the Ordo Templi Orientis, the Theosophical Society, and the Hermetic Brotherhood of Luxor. The artificiality of the usage of the exotic and the Other fascinated me; the forbidden and the liberational aspects as well. I saw strange parallels between this and the embrace of the Other in alternative cultures, and parallels between the remixing of cultural artifacts to alter consciousness and the blending of styles in contemporary World Dance and World Music. (I am entirely guilty in overthinking club promotion, but I really do think it is an unsung art form.)

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A member of the Golden Dawn was William Butler Yeats, better remembered as a great poet than as a magician. He wrote two poems, “Byzantium” and “Sailing To Byzantium,” which helped inspire the naming of the event. Yeats’ notion of Byzantium was of a distant land of opulence and the exotic, where all cultures blended and anything was possible. It was a fantastic realm somewhat unlike the historic Eastern Roman Empire, yet vastly more alluring and powerful than the reality. I wanted to sail away to Yeats’ Byzantium and bring my friends along for the ride. Every Friday night we embarked upon adventures.

I could wax nostalgic all day about the event and never quite capture its essence, or list all of the amazing people who made it possible. That’s not my point here, though. What is relevant is that while we were doing something innovative, we had a lot going against us.

Friday nights had been a dead night for Goth scene events at the time for several years. The fact that we were not truly a Gothic event only protected us somewhat. Our venue was small and we were in a part of the city most of our patrons visited infrequently. When we debuted, we had only one competing event. A few months later, we had eleven. Twelve events all competing for the same attendees and dollars. It was a swarm hungry for limited resources. Some were actively unfriendly and unprofessional to us. And try as we did, we were losing ground. We had to fight for every single attendee.

My prior two events had also struggled to get traction, and eventually ended. I was an accomplished magician, but had rarely used any magic to give my projects a competitive edge. So when Byzantium debuted, one of the first things I did was enchant the heck out of our flyers. And how I did that requires a bit of personal history.

Rootwork and the Greater Key of Solomon

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Years prior, a magical colleague of mine returned from a trip to New Orleans and began to whisper about something called “rootwork.” It took me a while to realize this was an alternate term for Hoodoo, which I had been practicing in a somewhat bastardized form for many years. I recognized that my knowledge was fragmentary, and so was hungry for every legitimate scrap of knowledge that I could find.

One of the things she told me was that the pentacles of the Greater Key of Solomon could be incorporated into Hoodoo candle magic to great effect. I did not believe her. I knew the grimoire well and the pentacles it described had to be created very precisely, according to the instructions. She urged me to try it her way before dismissing the notion entirely. I respected her, so I suspended my judgment and decided to give it a whirl.

At the time I didn’t know anything about petition papers, but nearly all of the magic shops in Manhattan used pull out candles and dressed them and carved them up, often also adding glitter. Since I couldn’t afford that on a regular basis, I used plain pour-in novena candles bought at dollar stores and supermarkets and used paint markers (mostly gold and silver ones) to carefully replicate the pentacle designs on the glass. I dressed the candles with Hoodoo condition oils and stroked around the paint to prevent them from smearing.

After three or four candles like this, I was convinced and converted. It was impossible for me to ignore how effective the Solomonic pentacles on the candles were. It was so effective that for over a decade it became a quickie solution for magical work. The method certainly wasn’t as potent as full Solomonic pentacles, but it was a lot cheaper and easier, and could be made rapidly as the need arose.

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I have made several conclusions from working this hybrid system of Hoodoo and GKOS pentacles. The pentacles of the Greater Key almost certainly precede the grimoire and its elaborate instructions, and are of the kind of power that even if created in imperfect conditions (like using paint markers on the side of a candle) they will still produce diminished but powerful marvels. I sometimes call them shadow effects.

Since then I have used this as a method of evaluating grimoires; if their pentacles or sigils activate a candle in a noticeable way, they’re probably really powerful when made with the full ritual requirements. If nothing happens after several attempts, the system is quite probably weak and ineffective. It saves me the effort of spending a year or two and thousands of dollars working through a grimoire to determine whether it’s magnificent and miraculous or merely a dusty hoax.

The Flyers

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After working through this method for a number of years, I was introduced to the usage of petition papers in Hoodoo, and other grimoires more popular in Hoodoo such as The Sixth and Seventh Books of Moses and The Long-Lost Friend. I was slow to make the transition from using paint markers on glass to petition papers of pentacles under candles because I was, frankly, concerned about fire safety. But when Byzantium launched I had an idea of how I could experiment with a variation of this.

One of my long-term goals had been to coax the Goth scene overall away from the centrality of dance clubs and towards a salon culture by way of the literary gothic. I knew that the dance clubs were dying a slow and painful death, and having poetry readings at the event—very much a novelty—inspired me to design the Byzantium flyers as bookmarks. At the top was the Byzantium logo, a scan of some mysterious looking byzantine jewelry edited heavily in Photoshop. The middle plugged the various DJs, bands and musical styles of the week. And at the bottom was my experiment: the Mathers Greater Key of Solomon’s Fifth Pentacle of the Sun. On every flyer.

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“The fifth pentacle of the Sun. It serveth to invoke those spirits who can transport thee from one place unto another, over a long distance and in short time.”

Mathers notes: “The versicle is from Psalm xci. 11, 12: ‘He shall give his angels charge over thee, to keep thee in all thy ways. They shall bear thee up in their hands.'”

So, why did I use that particular pentacle? I suppose I could have used one for gaining wealth, but I was impractical at the time and didn’t see that as a pressing issue. I also wasn’t sure whether this would make the bearer of the flyer wealthy or me. If some of those flyers were in the possession of my rivals, it might even work against me.

What I did want was to ensure that my flyers were distributed far and wide. Getting flyers to as many people as possible back then was key to the survival of an event, and some promoters had been known to track down and destroy flyers of their rivals in the music shops where they most often could be found. Flyer saturation was key to the survival of an event, particularly one in an unfamiliar venue with an odd theme, which Byzantium certainly was.

I also liked the design, I admit. It looked mysterious. I didn’t want people to realize the flyers were actually magical; I wanted people to think I was just being artsy. I didn’t want my competitors to copy my idea. Aesthetics can be important, but they also can conceal one’s methods or intentions in magic.

Magic was my biggest edge over the competition. I’m good at a lot of things, but magic is what I’ve always been best at. When I’ve forgotten this, I’ve always regretted it; when I’ve made mundane aspects of my life magical, they’ve soared.

Things Get Weird, Things Get Wonderful

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Around the time Byzantium began to get hit by the worst of the competition, the magic began to manifest in earnest.

There had been signs of something strange happening earlier on. NowBar was a trans bar on most nights of the week, and was across the street from Meow Mix, a famous lesbian bar. Whenever our financial situation seemed to be in peril, we would unexpectedly get flooded by the regular clientele, but the lesbian bar would also empty out and drink our bar dry. At first I just thought lesbians and transpeople loved our event, but it did seem a little excessive—albeit very welcome.

Then the ancient famous photographer turned up. He worked for a major NYC magazine and his wartime work was spoken of with reverence by many in his field. He was in awe of Byzantium and assured me repeatedly that he’d never seen anything else like it, and that it was something he wanted to preserve for all time. I asked him where he’d heard of my event, and he told me that everyone was talking about it. I inwardly wondered who everyone was, where they were, and what were they saying. Hopefully nice things, right?

They weren’t the only ones talking, however. Our competition multiplied over and over, eventually to utterly absurd levels. A few of them had it in for us– the scene was very cutthroat back then– but most promoters just assumed there was some hidden untapped market that they wanted a slice of. Everyone and their cousin seemed to be opening up a new Friday event. Our attendance started to take a hit, but then strange things started to happen.

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For example, this highly fashionable couple approached me one night at the event with expressions of delight and wonderment. They told me that they were from Switzerland and had flown to America just to come to Byzantium. They had to tell me this several times before I realized they were sincere. I asked where they had heard about Byzantium. They told me that everyone was talking about it, even in Switzerland. Wow. Really? Fascinating.

Then an Asian man approached me at the event and told me he’d picked up a Byzantium flyer in Tokyo. He’d just had to come; it sounded amazing. Someone else found a Byzantium flyer on an airplane, and he changed his vacation plans to get off in New York instead to check it out. Over and over I began to hear about people discovering my fairly small event with a modest budget all around the world, largely through the instrument of my enchanted flyers turning up in the most unexpected of places.

To this day I have no idea how the Byzantium flyers ended up scattered across the world. I have no idea how the buzz about my event went so strangely viral on the eve of the year 2000 AD. But I certainly have strong suspicions of a magical nature.

What I am quite sure of is that the somewhat inexplicable buzz about our event which had spread across the entire world ultimately fed back into local attendance. It kept our struggling event alive for months and months, when everything seemed to be going against our little passion project.

Night Work

The enchanted flyers weren’t the only magical work (by far) that I integrated into Byzantium, but I still use those today and think of them as trade secrets. The other ones weren’t focused on publicity but making the environment fun, uplifting, and sexy. Considering how many people got laid in the NowBar lavatory and how fondly Byzantium is still spoken of today—all over the world apparently—I think they were pretty darn effective too. If you’ve been to my Green Fairy Parties in California, you’ve seen some of that other sorcery at work.

In spite of my magical and mundane efforts, Byzantium did not last forever. It might have done better if I hadn’t been so keen on lowering the cover charge to allow more people to attend; that gave us very poor financial reserves. The management at the venue expected us to become profitable sooner than we realized. The competition remained somewhat fierce to the end. Perhaps if I had focused on the business end more than the creative end, things would have lasted longer. But they wouldn’t have been nearly as interesting.

It was a very successful event in creative terms and that’s what I really cared about. it was unforgettable and it injected some creativity into a scene which was stagnant. Our staff and regulars had also become a family. When management told us it was to be our final night, the head bartender– hired by the venue management– was so outraged that he quit on the spot. People really loved us, and I’m grateful for it.

Hopefully this little tale can inspire you to experiment magically, to improvise, and find new ways to make your life more magical and marvelous. Magic permeates everything and insinuates itself in the gaps between; this is where your hidden strength dwells.

 

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Some Notes On Planetary Fragrances

 

Intersections of Scholastic Image Magic and Hoodoo

There are only the most circumstantial and speculative historical connections between Scholastic Image Magic and African-American Conjure, or Hoodoo, yet I have seldom seen two very different traditions create such amazing synergy when properly combined.

The most frequent implementations of this synergy I have used are the feeding of SIM talismans with Hoodoo condition oils in a manner similar to feeding mojo bags, the magnification of the power of Hoodoo oils, powders, baths and natural curios by placing them temporarily in the proximity of compatible SIM talismans, and the creation of Hoodoo formulae and mojos which incorporate astrological talismans.

To me, these are fairly straightforward combinations which make a lot of sense in the context of Al Kindi’s theory of stellar and terrestrial rays, and the odd fusions of celestial and natural magics which appear in the writings of Cornelius Agrippa.

But going beyond relatively fundamental research into further optimization of these hybrids is what I have begun to explore. These explorations include the usage of magical fragrances on the body as supplementation for suffumigations used in astral petitions which appear in Picatrix, and the selection of fragrances to extend and maximize the potency of SIM talismans one may wear or carry.

 

Planetary Flavors and Odors

Picatrix advises preparing for a planetary petition or talisman by consuming foods associated with that planetary hierarchy for as long as is manageable prior to the ritual. One manner of doing this in the case of Venus is by eating the animals of that planet such as goat, rabbit, deer or veal calf. Another is by using sweet and savory sauces. By consuming things that resonate with a particular planetary hierarchy, one harmonizes with it and, in a sense, one’s body gradually becomes similarly composed.

This process can be enhanced by using fragrances compatible with the planetary hierarchy in question, either by association through the incenses used in the suffumigation of the planet, like frankincense essential oil in place of frankincense grains for Solar rites, or the sensory similarity between the scent and the associated flavors, thus an intensely sweet and grass-spicy blend of scents for Venus.

For example, as William Lilly says of Venus:

In Savours she delightes in that which is pleasant and toothsome; usually in moyst and sweet, or what is very delectable; in smels what is unctious and Aromatical, and incites to wantonnesse.

Scent is associated with the Air Element and will help the magician both receive and project planetary power of the associated type. Suffumigations, and thus scents of all kinds, are a foundational pillar of SIM. The complexity and potential for their ritual usage is almost inexhaustible, as the many recipes for such in Picatrix reveal.

 

Hoodoo Considerations

This can be complicated by the fact that Hoodoo formulae have specific associations with olfactory signatures as well as sets of herbs and curios in the bottles. Hoodoo condition oil formulas have their own grammar and poetry, combining the meaning of scents and curios to produce unique variations of effect. It is my belief that the roots and curios produce terrestrial rays which are projected into the fragrances and impregnate them with signatures. When utilized, the Air element carries the scent and the signature of the curios into the wider universe to cause change.

When combining planetary work with Hoodoo, one can find some marvelous Hoodoo formulae which are entirely compatible with planetary work. For example, Commanding Oil and many of its cousins have strong Solar associations by scent, by function, by label imagery, and by curio. Placing a bottle of this near Solar talismans and then anointing yourself with it will not only give you a regal bearing that will accrue respect, but also make spirits of the Solar hierarchy find affinity with you and enhance the power of any Solar talismans you may be wearing.

 

Coherence Is Power

It is not an uncommon practice to use more than one Hoodoo fragrance at once. I use at least three daily: for protection, for prosperity, and for love or authority. Some Hoodoo products can be used for numerous purposes, like Van Van Oil and Fast Luck.

This can create problems with regard to planetary work.

When working in SIM styles of planetary magic, one needs to utilize objects or contexts where the particular planet or star’s rays can fully permeate and ensoul an object, person, situation or even idea. Much like X-rays pass through flesh with ease, bone more difficultly, and metallic lead hardly at all, everything has a different capacity to receive or absorb animating power from one or more stellar hierarchies. Gold receives the rays of the Sun and Saturn very well, and Mars poorly. A soldier receives the rays of Mars well, the Sun moderately, and the Moon and Jupiter poorly. An idea for a novel receives the rays of Mercury and the Moon well, and Mars and Saturn poorly.

This concept of “reception” permeates Picatrix’s theoretical discourses and causes confusion because the same term in English is used to describe certain planetary configurations. Reception is often understood to be (at least partially) a function of elemental qualities; so that things which fall under the power of the Sun have some affinity with those of Mars because both are hot and dry, and less so with the Moon which is cold and wet. Reception is a concept which replaces correspondence, so that every material or situation can become a vehicle for (or storage for) spiritual power, but to extremely variable degrees based on what flavor of celestial power is being utilized. It’s hardly ever a 1:1 association; that notion was borrowed somewhat sloppily from alchemy, which functions quite differently.

Another bottleneck on reception is whether any particular thing is a combination of two or more components together, and whether each fall under the same or differing celestial hierarchies. The more pure a specific planet’s associations are in any particular context, the stronger its hold over things in our world.

When planetary forces are mixed up too much, the power becomes muted and suppressed. It is the exact opposite of the notion of hybrid vigor. It is why magicians have done rituals to planets using consistent associations. The reason we don’t dress in blood red for Mars, use a Venereal incense, wear a brass crown of the mind for Mercury and black snakeskin boots for Saturn during a ritual to Jupiter and thereby gain the benefits of five planets rather than one is that this doesn’t work at all. It’s like riding a chariot with the horses running in completely different directions; you go nowhere fast.

When planetary forces are coherent and particularly pure, they have a greater ability to express themselves, much like a planet on the cusp of an Angular Mundane House. This is of course independent of Essential Dignity, so having Saturn in Leo expressing itself with maximal freedom is usually a terrible idea. One of the essential goals of celestial magic in SIM is to maximize this purity, or coherency. The effects become concentrated like a laser beam, and vastly more powerful.

This has relevance to the use of fragrances with planetary associations. If you use multiple fragrances, they should all have close associations with the planetary hierarchy you are working with. When you use scents that fall under two or more hierarchies, you will gain the benefits of each, but they will all produce muted results. If you instead use several magical scents that fall under a single planetary hierarchy, each will have greater power. Furthermore, any magics you perform when you have been using scents connected to a consistent singular hierarchy for days will be greatly enhanced.

 

Potentials

Scholastic Image Magic is a tradition which cannot exist in modernity without modification. While we practitioners aspire to be maximally Traditional, we all have necessary adaptions and minor heresies. Not many people are following Picatrix’s instructions on how to create an oracular head by waylaying a traveler and pickling their corpse, alchemical oil of feces sounds highly unpalatable, bullock sacrifices are expensive and challenging in an urban environment, and preserved antelope marrow is impossible to find, even on eBay. (I know. I’ve tried.)

Hoodoo has two qualities that make it useful to act as a plaster in the missing spaces where we cannot replicate what medieval and Renaissance men had access to. It is generally quite inexpensive; its most exotic ingredients are even less challenging than obtaining high quality lignum aloes. It is also a very successful adaption of traditional sorceries to the flora and fauna of North America, with reasonably well developed understandings of the signatures and properties of local resources.

But beyond this, magics of various traditions must to some extent exist in the same reality. Perhaps some operate on different planes of existence or operate on different principles rather than simply quirks of history, but there cannot be an infinitude of variants of magic which all function completely independently. Some must be capable of interacting, and interacting in a helpful manner.

I believe SIM and Hoodoo are among the most compatible in their interactions; an elegant collaboration of High Magic and Low Magic which wildly transcends the definitions and limitations of each.

The Age of Black Magic: Step Thirteen

Summoning Uncle Joe

In addition to the inclusion of blood relatives on a dedicated altar for ancestors, one may also provide offerings to the spirits of those who you admire or seek to call upon for aid. Saints are only one example of the Mighty Dead who one can call upon for help; calling upon the spirits of mighty magicians like Agrippa, Merlin, King Solomon, and Moses for wisdom and assistance is an ancient tradition.

Settings for Presidents such as George Washington and Abraham Lincoln are also well-established and useful. Roman emperors and Egyptian pharaohs were deified and venerated. Images of Martin Luther King, Jr. and John F. Kennedy hang in many homes for reasons far beyond the sentimental. They are appeals for aid—usually for help in matters related to their authority, fame, tutelage, and skills.

But you can go further than this. And a lot darker.

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Buy a Soviet-era memento of Josef Stalin from eBay, or a similar source. The older, the better; the more closely associated with Stalin or the Communist Party, the better. You want the strongest possible tether to him. A printout will just not cut it.

Place the personal concern in a shot glass on your ancestral altar and feed it curse materials like goofer dust, dead black widows, and other things of death and destruction. The rarer and the more dangerous, the better.

Make a spirit cocktail: any grain alcohol in which has been steeped thirteen cayenne peppers, thirteen guinea peppers and thirteen black peppers. Offer this every week until you are ready to make requests. Feed a dedicated shot glass with this to nourish and compel the spirit into fury and action.

I devised the following incantation for this purpose. You can alter it and improvise, but recite it at least once a week when you make offerings to the spirit of Josef Stalin.

Attend me at this hour of night! I [name] call into the open grave, into that silence profound, and draw forth the terrible and mighty spirit wherever he may be so that he may answer my prayer:

I call upon you, shade of Josef Stalin, by all the rights and privileges I possess. I speak for the humble and the broken that seek your intercession. The world above is in turmoil and only you can set things right. Not even death can temper your vast power. We all conjure you.

Awake in Spring! Awake in Summer! Awake in Fall! Awake in Winter! Awake by day! Awake by night! Rouse yourself from slumber, mighty Stalin, and forge the world anew by your power and your eternal name. The revolution is at hand! Awake, and slumber no more! Sentinel of dread, bringer of cold, hunter of men, seize every enemy of the cause and drag them down to deepest Hell in your iron teeth.

Mighty Stalin, supreme in wrath, arm yourself for war and cloak yourself in judgement; you slew the Nazis, and crushed the exploiters and the wealthy, and punished the many traitors. You tore out the tongues of those who spoke against you, and you made the greedy sup on ashes. Now is your time again.

In life you were an Angel of Death; in death may you live again. May all the lives you took give you power. Rise up from your grave and stretch the shadow of your mighty fist across the world; crush my enemies with your hammer, dismember them with your sickle, and fertilize the soil of the hopeless with red red blood!

I bind you to my command, hurting not me nor mine but diligently those whom we hate and will destroy! (Repeat the concluding binding thirteen times.)

It would be particularly appropriate to direct the wrath of the spirit of Josef Stalin at the Trump Administration and its supporters and enablers. That’s what I’ve been doing, in part.

If this is your goal, you may wish to be more specific about your desires in your incantation. I do advise that you not pull your punches. You don’t call up Uncle Joe for anything but the coldest, most brutal, most heartless of sorceries. Let his worldly acts inspire you. Impress him.

Nevertheless, regardless of your objectives or your personal political beliefs, having a working relationship with the spirit of the man who likely killed more people than any other in human history is highly beneficial to the work of a black magician and necromancer.

The Age of Black Magic: Step Ten

Vicious Liver Spell

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Introduction

In my last post on Reversal Magic, I wrote that it was good strategy to send a magical attack back in many different ways. Use a plethora of surprising curses so that your antagonist won’t be able to defend against everything.

In magical combat, my own experience has shown that it is helpful to do things in rapid, forceful sequence. Reversal, cleansing and protection are essential— but sometimes it’s good to supplement it with a nasty attack. The best defense is a good offense.

An enemy will be chastened if while they’re fighting off their own toxic garbage rebounding upon them, an entirely different attack is sneaking up behind them and giving them a whallop. A two-front war. They usually leave you alone after that.

The following is certainly adaptable to a conventional enemy, but I advise that you use it on someone who has targeted you magically in an unfair way. It is designed to be cruel, not so much as to punish as to be a strong deterrent — paired with other spellwork.

The Spell

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Obtain a pork or beef liver from your local supermarket or butcher.

Cut open the liver with a very sharp knife, and insert a circular petition paper with “thesoulofmyenemy” or “thetrumpadministration” or whatever you choose in unbroken script around the rim in mirror script, if possible. In a similar manner make a grid eight times of “deathdestructioninsanitysickness”, “thegravedevoursyou” or whatever you choose across in unbroken script, and likewise an intersecting eight times “mywillbedone” in unbroken script down. Or mix it up a little. Write the Doorway To Hell sigil on the reverse. (I used different color inks here for additional clarity, but black is fine.)

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A rough petition paper for the Vicious Liver Spell.

Sprinkle sulfur powder and valerian powder on the petition paper and wrap it in snake sheds before inserting it into the liver and closing it up. (Or use goofer dust if you’re in a hurry.)

Take 36 long pins and anoint the tips with your favorite cursing oil or substance.

Spit on the liver as a baptism and declare it to be the soul of your antagonist. Then, put on some disposable gloves and very thoroughly slather the liver in a mix of blackstrap molasses and your urine. Carefully push your pins through the liver with the following incantation as you go:

In the name of [spirit beings you invoke] I [list your qualifications and initiations] and all those who serve me and help me:

  1. Smite my enemy’s left foot
  2. Smite my enemy’s right foot
  3. Smite my enemy’s left shin
  4. Smite my enemy’s right shin
  5. Smite my enemy’s left thigh
  6. Smite my enemy’s right thigh
  7. Smite my enemy’s genitals
  8. Smite my enemy’s hips
  9. Smite my enemy’s bladder
  10. Smite my enemy’s intestines
  11. Smite my enemy’s pancreas
  12. Smite my enemy’s stomach
  13. Smite my enemy’s liver
  14. Smite my enemy’s heart
  15. Smite my enemy’s left lung
  16. Smite my enemy’s right lung
  17. Smite my enemy’s left hand
  18. Smite my enemy’s right hand
  19. Smite my enemy’s left arm
  20. Smite my enemy’s right arm
  21. Smite my enemy’s neck
  22. Smite my enemy’s tongue
  23. Smite my enemy’s lips
  24. Smite my enemy’s speech
  25. Smite my enemy’s left ear
  26. Smite my enemy’s right ear
  27. Smite my enemy’s left eye
  28. Smite my enemy’s right eye
  29. Smite my enemy’s teeth
  30. Smite my enemy’s face
  31. Smite my enemy’s skull
  32. Smite my enemy’s brain
  33. Smite my enemy’s warm blood
  34. Smite my enemy’s strength
  35. Smite my enemy’s youth
  36. Smite my enemy’s hope

My enemy cannot escape me. My enemy cannot escape. My enemy cannot.

Dig a hole in an accessible cemetery (even a pet cemetery, or where you’ve buried pets in the past) and spit in it. Put the liver in the hole and seal it up. Walk away and don’t look back.

 

Fearless Magical Protection @ ConVocation 2017

 

Clifford Hartleigh Low’s lecture on “Fearless Magical Protection” at ConVocation 2017. This class covers a broad array of spells and magical practices which protect the practitioner from mystical and mundane dangers; including powerful techniques of shielding and defense which do not appear elsewhere.

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February 2017 Convention Schedule

I will be lecturing at both PantheaCon in California and ConVocation in Michigan this February, along with many other esteemed colleagues and friends. Please consider attending either or both.


PantheaCon 2017

On Saturday, February 18th at 1:30pm–

Eat Me: Magical Recipes in Medieval Astrological Magic

Though better known for the creation of talismans, medieval and Renaissance astrological magic texts contain further recipes and instructions. Many are intended to be consumed, buried, or burned, with numerous purposes and means of creation. Yet they all point towards a forgotten view of the universe and magic. From counting olive pips to cure illnesses to the creation of wax talismans or incense pills for evocation and influence, such mysteries depend on the philosophies of Al Kindi and his contemporaries. Explore how the outlook of the ancients can enhance our spiritual practices.


ConVocation 2017

On Thursday, February 23rd at 8:30pm–

DIY Talismans

Astrological talismans from the Scholastic Image Magic tradition often seem as challenging to make as they are powerful. After electing the window of time in which a talisman can be created, one must confect incenses, select appropriate sigils, and obtain tools and materials for the talismans. We will discuss how to create a talismanic laboratory, the process of practical considerations including choosing the best combinations, knowing which substitutions do and don’t work, and time and money saving strategies. Take the theory of talismans into real life creations and applications.

On Friday, February 24th at 4:00pm–

About Time: Basic Chart Calculation

Invaluable to numerous systems of magic, the astrological horoscope is a Swiss army knife for divination, classical medicine, and much else. One of the most advanced achievements of the ancient world, the horoscope can often be perplexing for beginners. This class will focus on the basics of erecting a horoscope chart. We will attempt to demystify the process and render the math easy, while also explaining the essentials of its parts, some of history of its development, and the rationale of the chart from the traditional (pre-1750 AD) perspective.

On Saturday February 25th at 4:00pm–

Fearless Magical Protection

It’s a jungle out there. In most magical systems one of the first things you are taught is basic protection against spiritual attacks, and for good reason. A magical life is a perilous one at times. As you become more proficient, the need for protection grows and takes new forms. This class will survey practical methods of protection from a variety of spiritual systems and methodologies. Some of these techniques are unpublished anywhere and likely to be unfamiliar, but have proven very effective. Magical protection will help secure your success.