The Age of Black Magic: Step Fourteen

The Invocation of the Abomination in Crimson:

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This project of mine was © January 5th 2010, along with several “lighter” versions. It’s a malefic petition invoking the stellar hierarchy of Algol, with a viable talisman of Algol used as an initiatory token to call upon forces of wrath and punishment upon an enemy.

I wrote this a long time ago, and while my current relationship with the hierarchy of Algol is focused upon healing (and its virtues as a healing star co-ruled by Jupiter are wildly underestimated), I certainly think it is one of the most potent weapons in the SIM practitioner’s arsenal.

When it’s time to show no mercy, it’s time for The Abomination In Crimson.

“O mighty star Algol, I call to you by all your names: flickering Beta Persei, bloody Ras Al Ghul, blinking Rosh ha’Sautaun, terrible Gorgoneion, grisly Fifth Star of the Mausoleum, feared Tseih She: attune this talisman unto me and me unto it, so that I shall plumb all its mysteries, secrets, and wisdom, and master its full and perfect powers, wonders, and miracles, now and forever, whether I wear it or not, from now until the end of time.

“May your light and spirit dwell within it and dwell within me, for me to instantly command.

“Great and powerful star, make your angels, dæmons, and spirits of every kind subject unto me, obedient unto my every will, command and desire. You obediently and piously serve the One Most High, and by His command is your service invoked at this hour.

“So hear my words:

“I kneel before you and seek your favor and patronage; for the few in whom you find favor are saved, uplifted, preserved, and avenged; and all those in whom you find disfavor are swiftly devastated and punished.

“It is said that he who carries your talisman, your emblem of favor, vessel of your spirit and radiant light, is given the supreme power of protection and retaliation, so that all those who seek to harm him are thwarted perfectly; and their machinations, treachery, calumnies, theft, torments, incantations, sendings, witchcraft, bindings, curses, flame, poisons, blades, darts, stones, bludgeons or bullets will all alike turn back upon them and destroy them as they sought to destroy him. Savage star, grant unto me your succor and liberation.

“May their malice reflect upon them as excellently as the perfect mirror reflects light. ‘Their sword shall enter into their own heart, and their bows shall be broken.’ I now ask that you magnify this power so that they are swiftly obliterated by their arrogant devices, and examples be made of them for all time. Seize them with your sharp teeth, and never let them go. Heap multitudes of tortures upon them, and smite them cruelly with a fatal stroke.

“Dismember and mutilate their corpses, and cause their remains to be polluted, desecrated, and shamed. Their dust and ash shall be blown to the four corners of the earth, until nothing of my foes remain but gruesome tales of warning.

“Multiply their spirits’ torments in the lands beneath, too. The wicked cannot escape your gaze; not even in death shall they be spared.

“You pitiless eye of revenge– stare ever deeply upon them.

“Mirror of enmity, I humbly beg that you grant me this power so that I shall be like the beautiful diamond; indestructible, reflective, luminous, and with edges ever sharp. Make me like the poisonous black hellebore; bringer of agony and death to those who would mistake it harmless. May I be more durable than mountain stone, yet supple as the deadly serpent.

“Leering visage, also grant me the virtues of invigorating mugwort; guarded against peril, secure in travel, vigilant, passionate, bold and quick.

“It is said that he who carries your talisman fears no injury to his members, for you keep them whole and safe from harm.

“Your talisman bestows success in petitions and requests made to princes, bosses, leaders, patrons, and any who have power over him; so that they shall quickly grant whatever it is that he asks.

“It bestows the wearer courage, vitality, and magnanimity.

“It grants victory in whatever contests or struggles to which he attempts, through war, gaming, sorcery, or any other thing. For with you, invincible star of destruction, your favored one is bold and mighty, and (subject to the will of the One Most High) nothing whatsoever beneath you can long obstruct his path.

“I beg that you also grant me all of these powers to their fullest perfection, and the wisdom to know how and when to use them.

“O slaughter star, eidolon of horror, eater of the dead, slayer of men, blinking eye of terror and blight, decapitator star, render of flesh, beacon of the tombs, depopulator of civilizations, ever-hungry star, savage patron of monsters, terrible light of doom, implacable bringer of ruin, father of devastation, flame of oblivion, lord of direst woe, luminous face of hate, gore-drinker, you whose gaze upon the waters turns it to poison, strangler star, mighty head of the adversary, hear my prayer and rend my enemies apart, moisten the earth with rivers of their spilt blood. Rejoice in the deaths of men.

“Grant me a portion of all your powers for I seek to be your [vassal, student, son/beloved/bridegroom, and] priest, and may I be a refraction of your invincible, terrible, and eternal light.

“Most supreme executioner in the celestial realms, you neck severer, invincible head taker, great hacker of limbs and seizer of life, man flayer, bone breaker, marrow sucker, gorger on entrails, corpse candle, heart gnawer, ruddy lamp of banes, you whose dripping blood sows vipers, blazing star of murder, torch of the piled up bodies, thirsty blade of vengeance, glint of annihilation, abomination in crimson, watchful dæmon of the void, ancient monster of monsters, you fierce exterminating angel, defender and avenger most puissant to your favored few, please find favor in me and accept my prayer, and go now and send forth your grisly throng and fatal glare to seek out my enemies wherever they may be found, and pierce their hearts with your terrible red rays and make them quake and fall, kill them wherever they may hide, set your gaze upon them in harsh judgement and spare them no pity whatsoever.

“May plagues like the ten of Egypt be at my ten fingertips to command and to curse them with every form of suffering and death, and may my hands throttle the throats of my enemies, and may I tear their heads off with these hands to demonstrate your power and fury, and cast their broken bodies down into cold and leaden death, and may I place their bloody heads on pikes at the gates of the cities in sacrifice and tribute to you, so that all may know of your power, and the consequences of incurring your terrible wrath.

“Burn thy seal upon my heart, upon my breast, upon my body, upon my soul, upon my spirit, upon my deeds, upon my destiny, upon my wrath, upon my fame, and upon my power.

“Grant unto to me the greatest secrets of lethal magics, the sorceries of the greatest and most terrible kind, irresistible and frightful, so I too shall be known as a light of annihilation, forevermore.

“Crown and adorn me with your majesty and gird me with your protection and arm me with your many instruments of obliteration, and all shall say throughout the ages that those who were set against me were destroyed by tortures most vile, and that I strode forth to victory upon their tattered corpses, and that I rejoiced amongst their bones. For you have made me so, potent and fearsome star Algol.

“Star of supreme misfortune, greatest malefic––

“Go forth as a fiend, but to me be an angel.”

The bracketed text regarding initiatory adoption, betrothal, or espousal by Algol and its hierarchy of spirits is only for persons compatible with this concept, and have been given permission by Algol through divination, dream or vision.

Though gender terminology throughout is male, it can be adjusted as appropriate.

Algol’s appetites are beyond all limitations.

The Age of Black Magic: Step Thirteen

Summoning Uncle Joe

In addition to the inclusion of blood relatives on a dedicated altar for ancestors, one may also provide offerings to the spirits of those who you admire or seek to call upon for aid. Saints are only one example of the Mighty Dead who one can call upon for help; calling upon the spirits of mighty magicians like Agrippa, Merlin, King Solomon, and Moses for wisdom and assistance is an ancient tradition.

Settings for Presidents such as George Washington and Abraham Lincoln are also well-established and useful. Roman emperors and Egyptian pharaohs were deified and venerated. Images of Martin Luther King, Jr. and John F. Kennedy hang in many homes for reasons far beyond the sentimental. They are appeals for aid—usually for help in matters related to their authority, fame, tutelage, and skills.

But you can go further than this. And a lot darker.

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Buy a Soviet-era memento of Josef Stalin from eBay, or a similar source. The older, the better; the more closely associated with Stalin or the Communist Party, the better. You want the strongest possible tether to him. A printout will just not cut it.

Place the personal concern in a shot glass on your ancestral altar and feed it curse materials like goofer dust, dead black widows, and other things of death and destruction. The rarer and the more dangerous, the better.

Make a spirit cocktail: any grain alcohol in which has been steeped thirteen cayenne peppers, thirteen guinea peppers and thirteen black peppers. Offer this every week until you are ready to make requests. Feed a dedicated shot glass with this to nourish and compel the spirit into fury and action.

I devised the following incantation for this purpose. You can alter it and improvise, but recite it at least once a week when you make offerings to the spirit of Josef Stalin.

Attend me at this hour of night! I [name] call into the open grave, into that silence profound, and draw forth the terrible and mighty spirit wherever he may be so that he may answer my prayer:

I call upon you, shade of Josef Stalin, by all the rights and privileges I possess. I speak for the humble and the broken that seek your intercession. The world above is in turmoil and only you can set things right. Not even death can temper your vast power. We all conjure you.

Awake in Spring! Awake in Summer! Awake in Fall! Awake in Winter! Awake by day! Awake by night! Rouse yourself from slumber, mighty Stalin, and forge the world anew by your power and your eternal name. The revolution is at hand! Awake, and slumber no more! Sentinel of dread, bringer of cold, hunter of men, seize every enemy of the cause and drag them down to deepest Hell in your iron teeth.

Mighty Stalin, supreme in wrath, arm yourself for war and cloak yourself in judgement; you slew the Nazis, and crushed the exploiters and the wealthy, and punished the many traitors. You tore out the tongues of those who spoke against you, and you made the greedy sup on ashes. Now is your time again.

In life you were an Angel of Death; in death may you live again. May all the lives you took give you power. Rise up from your grave and stretch the shadow of your mighty fist across the world; crush my enemies with your hammer, dismember them with your sickle, and fertilize the soil of the hopeless with red red blood!

I bind you to my command, hurting not me nor mine but diligently those whom we hate and will destroy! (Repeat the concluding binding thirteen times.)

It would be particularly appropriate to direct the wrath of the spirit of Josef Stalin at the Trump Administration and its supporters and enablers. That’s what I’ve been doing, in part.

If this is your goal, you may wish to be more specific about your desires in your incantation. I do advise that you not pull your punches. You don’t call up Uncle Joe for anything but the coldest, most brutal, most heartless of sorceries. Let his worldly acts inspire you. Impress him.

Nevertheless, regardless of your objectives or your personal political beliefs, having a working relationship with the spirit of the man who likely killed more people than any other in human history is highly beneficial to the work of a black magician and necromancer.

Gemstones and Metals in Picatrix and SIM

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An array of cut and polished gemstones.

Scholastic Image Magic, or SIM for short, focuses somewhat upon the creation of talismans; that is, material objects in which a spirit of the heavens is ritually embedded in order to perform works of wonder. Picatrix, also known as Ghayat El-Hakim in its original Arabic title, is the largest and most detailed example of this tradition of magical texts. While Picatrix is a miscellany of magical and esoteric lore, the majority of it can be said to either provide recipes for the creation of astrological talismans or reference materials and theory which support this endeavor.

Picatrix was never intended to contain all the knowledge necessary for the reader to create talismans, evoke spirits, or the many other secrets it offers. The student of the work was expected to be educated in the system of advanced astrology prominent at that time, with a priority towards electional astrology, the choosing of fortunate or unfortunate times to commence an activity or construct or alter an object. Talismans were simply one way to use an astrological election; by embedding the spirit of a fortunate moment of a particular flavor in matter, the luck or power would emit from the talisman even during times which were mediocre or quite adverse.

The student was also expected to be quite versed in the sciences of the era, which depended heavily upon the works of Aristotle and Pliny and the studies of the alchemists. While astrological associations of metals and gemstones and other materials often differ from those the alchemists used, they overlapped sufficiently that in the absence of guidance from canonical texts of astrology and magic, the student would refer to alchemical teachings as a supplement.

Many of these supplemental texts have been lost or are not available in translation. What modern practitioners do is refer to texts which are compatible but later in history and thus more accessible. Cornelius Agrippa’s Three Books of Occult Philosophy is a great source for such information, and when herb lore becomes relevant so is Nicholas Culpeper’s Herbal.

Picatrix is often evasive about the diversity of talismanic implementations. There are hints that wooden talismans are possible, but it gives no details regarding their manufacture. Pigments are often associated with stellar configurations, but again there is little information on how they were to be used, since paper and parchment were not thought to be able to absorb power very well.

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Talismanic Image of Venus based on recipes in Picatrix.

What is provided are instructions on how to cast talismans out of metals and colored waxes, and to engrave gemstones. When the proper picture or sigil was inscribed or cast on such an object at the elected time, a spirit of one of the seven planetary hierarchies or one of the many more exotic stellar hierarchies would empower the talisman and give it amazing powers. Incantations and burned incense would facilitate the process and strengthen the creation of the talisman, and compatible herbs would either be placed with it or glued to in some manner to magnify or focus the power towards a particular objective.

In recent centuries the concept of correspondence has eclipsed that of affinity, and to modern practitioners the return to the old way of thinking may be jarring. The alchemists had a one to one correspondence between the seven traditional planets and metals, with lead corresponding to Saturn, tin to Jupiter, iron to Mars, gold to Sun, copper to Venus, quicksilver to Mercury, and silver to the Moon. Even later in history, singular colors corresponded to the planets as well; black for Saturn, blue for Jupiter and so on. This is alien to the older and more complex astrological tradition.

In SIM, there are long lists of metals and minerals (not to mention herbs and animal ingredients) associated with each planetary hierarchy. Furthermore, many materials appear on two or more lists for different reasons. Each planetary hierarchy has multiple colors. Lastly, there is no singular material on each list which most associated with the planet any more than there is one which is the least. Each material has qualities which in some way resemble the function of one or more planetary hierarchy, which can include color, weight, attractiveness, medicinal usage, flavor, folkloric associations, hardness, translucency and much more. This complexity is often jarring to newcomers in this system.

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Metallic gold (and minerals like iron pyrite which resemble it) are prized in SIM.

An example of these complex associations is the metal gold. The yellowish hue and, when polished, its shininess associate it with the Sun. Its inability to tarnish is associated with the Sun’s regularity and mathematical associations with the four seasons. Gold is an excellent material for Sun talismans. However, gold is a very heavy material—almost as heavy as lead—and this is why it is associated with Saturn, the planetary hierarchy associated with weight, gravity and things drawn down into the earth. Saturn talismans can be made perfectly well in gold; in some ways it is superior to lead because it is more rigid and less likely to distort when worn or carried. Gold is highly attractive and desired, and so it gains associations with Venus and also is appropriate for her talismans. Gold is also expensive and thereby gains associations with Jupiter, the governor of riches. Gold is also suitable for Jupiter talismans. The only planets which can’t work with gold are Mars, Mercury and perhaps the Moon.

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Lapis lazuli with iron pyrite inclusions is particularly versatile and inexpensive for making talismans.

More overlap appears in one of the most commonly used gemstones, lapis lazuli. A soft, vividly blue gemstone that is frequently flecked with golden iron pyrite inclusions, it is relatively inexpensive and thus is quite popular among contemporary practitioners of SIM. Of greater importance, Marsilio Ficino (a Renaissance genius who practiced SIM among many other things) observed that softer materials produced talismans which had shorter lifespans but produced magical effects especially rapidly. Picatrix uses a slightly different rationale with the same conclusion. Nevertheless, lapis lazuli with pyrite inclusions gains association with Saturn by two routes; the golden appearance of the pyrite hearkens back to metallic gold and its own associations with Saturn, and because of a historical confusion between lapis lazuli and sapphire– both mean “blue stone” in different languages (Latin and Sanskrit) and the latter is more directly associated with Saturn due to its dark color and extreme hardness. (Saturn governs darkly pigmented things and durability.) Lapis lazuli with pyrite inclusions also has affinity with the Sun because of the golden appearance of the flecks of pyrite. Lapis gains association with Venus because of its oceanic blue color, and the Greek myth of Aphrodite emerging from the sea foam. The Moon arguably has the strongest associations with lapis lazuli because of this oceanic connection, and the dependency of the tides upon the Lunar cycles. Additionally, by way of lapidary lore, lapis lazuli has the property of diminishing melancholy and grief, and this quality is added to and magnified by the transformation of a lapis lazuli gemstone into a Saturn, Sun, Venus or Lunar talisman, regardless of its other powers.

These are two, slightly extreme examples of how the 1:1 system of correspondence fails in Scholastic Image Magic. In many instances a gemstone or other material will only have associations with one or two celestial hierarchies. But I illustrate this to make a point; materials such as gemstones, metals and herbs are not singular representatives of a celestial hierarchy in each kingdom of matter, but one of a host of materials which a particular astrological spirit hierarchy finds beautiful, interesting, useful, or more real. Everything in the world is ruled over by one or more planetary hierarchies; there’s a lot of redundancy down here. And an alternate way to express this if the notion of spirits is undesirable, is that just like different forms of electromagnetic radiation can penetrate metals and flesh and stone to varying degrees based on type, the rays of astral light (which are the spirits themselves) can irradiate all substances to differing degrees. Only those materials which can be fully irradiated by astral power of any particular variety are capable of becoming the vessels of power that are talismans.

There are an abundance of additional factors to consider when selecting gemstones for the purpose of making a particular sort of talisman. Some are metaphysical and some are practical.

Picatrix advises that one may use the system of humours or temperament to attract and repel animals and people of particular constitutions whose images have been engraved on gemstones. A gemstone which is believed to be hot and dry with the talismanic image of a fierce animal like a lion will attract and tame the animal. A gemstone whose constitution is believed to be cold and wet with the same image and stellar configuration would instead repel lions. The same might be applicable to types of people who might appear on a talisman, such as a king or a warrior. Sadly, lists of the elemental associations of gemstones from the era of Picatrix do not appear to be available in translation, and some guesswork is necessary.

Gemstones are believed to be the fruits of the Earth, and are natural phenomena. In the outlook of the scientists of the era, plants were a midpoint between the attributes of animals (both grow) and minerals (neither move about). One of the implications of the continuum between animal and mineral is that to an extent, minerals are parts of the living Earth and closer in nature to a living oak tree than a carcass. This explains why gemstones which are in various ways not natural do not make good talismans. Artificial diamonds and rubies, irradiated gems, dyed gems, and sometimes even heated minerals do not absorb the essence of the spirit beings adequately in order to turn them into talismans. Sometimes when they do work, they produce unpleasant side effects. Synthetic gemstones are akin to silk flowers and wax fruit; they may look like the real thing but often are inadequate replacements.

The color of gemstones is a complicated issue. Gemstones of particular colors are indeed associated with particular planetary hierarchies; pretty much any white stone can be used for Jupiter, for example. Nevertheless, this is an instance where an association is very superficial and often will produce an inferior talisman. Gems which have very particular associations with planets because of unique properties take precedence over something like color alone, which is far more general. Many gemstones which are powerfully associated with a particular planet are of extremely counterintuitive colors.

Another issue with color is that on a mineralogical level, several named gemstones are basically the same mineral and differ only by color. In this instance, the differences of color are the source of the identity rather than chemical composition or crystalline structure. One example is onyx, traditionally a black or brown stone with white banding. Onyx can be used for Saturn talismans, Moon talismans, and the fixed star Corvus. Sardonyx is a stone which is red or orange with white or yellow banding. Other than color, there is no difference between the two. However, sardonyx is used for the talismans of the fixed star Antares, and neither the Moon nor Saturn. Antares is a reddish star, whose appearance resembles that of the stone. It is an exception to the rule. A more well known pairing like this is that of sapphire and ruby; both are the mineral corundum, but the former is black or dark blue and the latter red. Their metaphysical associations are completely different. Seeming paradoxes sometimes occur. The emerald is suitable for Jupiter and Mercury talismans; planets which are otherwise completely opposite to each other in every way. It is not enough to understand which materials are associated with one or more planets. Whenever possible, one must understand why.

The last consideration for gemstone talismans I wish to make in this article is that of shape. The most important consideration is practical; you need a gemstone with a large flat surface—large enough to engrave a sigil or, far better, a pictorial image using a diamond stylus. Emerald cut and marquis cut gemstones can provide enough surface for a small sigil but little more. Cabochons, whether hemispherical or ovoid, are the better option. They provide maximal surface area and are portable. They work in ring settings and can even be secreted in a pocket or wallet.

They also have a harmonious shape. Aristotle believed that the cosmos was spherical as the macrocosm, and this was mirrored in all spiritual beings as a microcosm; the shape of all spirits (in spite of appearances) are spheres. Anything which approaches the shape of the sphere, including ovoid shapes, circles and hemispheres, are particularly suitable vessels for a spirit being such as a talismanic entity. So, though it is seldom practical, the optimal talisman is a mineral sphere of the largest manageable size.

The factors which must be taken into account in the selection and preparation of gemstones and other material objects for transformation into talismans in Scholastic Image Magic can be daunting at first. It requires a great deal of specialty knowledge, but the authors of the Picatrix, Agrippa and other masters of SIM tended to describe talismans made in an optimal way in order to minimize side effects and maximize their power—and massive power it can be indeed. However, the average experimenter (or master of this system in a bit of a hurry) can use inexpensive or even slightly inappropriate timing and materials to create talismans which provide sufficient and immediate results. This is an elite system of magic, but the basics are accessible to all with the drive and determination to ascend.

Massive Talismans and Chimerical Spirits

I say to you further that, if the quantity of stone of which an image is composed is large (that is, between an ounce and a pound), the virtue and power of it will be able to reach from the place where it is for a hundred leagues.

If it contains a combination of things in its figure, however, its nature will have no motion or effect except that which terminates in its own place, though its motion or effect will not be limited to those of its substance or the nature of the bodies that compose it, for spirits have a wider range than those bodies that contain little spirit.

–Picatrix IV:4, Greer-Warnock translation

Picatrix Analysis:

Talismans made from mineral spheres of even medium sizes will project power for 300 miles in all directions.

Talismans which attempt to draw upon the power of more than one celestial hierarchy will be crippled, like a chariot whose horses are running in different directions.

They will have some influence in their immediate environment because they are inhabited by a chimerical spirit, but less than a pure spirit and more than the natural virtues of whatever material the talisman is composed of.

On that note, I hereby coin the term chimerical spirit; a temporary union of astral spirits from dissimilar celestial hierarchies in a talisman, which being neither fish nor fowl operates with the virtues of neither.

This notion seemingly creates an inherent limitation upon House-based talismans. Which may explain why I have found them ineffective and frustrating.

The Talismans of the Inescapable Prison

THE TALISMANS OF THE INESCAPABLE PRISON: Fast Moon culminating in the 25th Mansion perfecting a trine with the Greater Benefic, with a dignified and unafflicted Ascendant Ruler.

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The 25th Mansion generally is for the protection of orchards and crops as per the Plinian Mansion section of Picatrix, but the “Foundational Mansions” early section in the same gives a number of other options for people with brown thumbs like myself.

In this Mansion make images to besiege cities and villages, to take enemies captive and do as much evil to them as you please, to make messengers convey their messages and quickly return, to separate wives from their husbands, to destroy harvests, to bind a man and wife or a woman and her husband so that they cannot copulate, to bind whichever part of the human body you wish so that it is not able to function, to strengthen the prison of captives; and it is good to secure buildings.

Of course, the majority of these options are for curse talismans and would require a completely different sort of election.

But this raises a different question: clearly the hastening of messengers and the securing of buildings are benevolent and require benefic electional configurations, but what about the strengthening the prison of captives? And what is it with so many of the listings in this section either for the securing of captives or the liberation of prisoners? It’s really conspicuous when you look at them as a whole.

The most obvious possibility is that magicians were often in danger of imprisonment in antiquity and having a memorized list of potential talismans for escape was a priority. Another is that magicians were often in the employ of nobles who had a strong interest in securing enemies and rivals in their personal dungeons to fortify their positions. However, I don’t think this explains it all.

Usually SIM texts are painfully literal at times regarding the function of talismanic recipes, but I suspect this may be an exception; I think it is also for strengthening the binding of spirits. The reason I believe this is that Picatrix does make references to spirit binding throughout the text suggesting that the method is quite important but is curiously evasive about specifics. To me that suggests the methods appear in coded language elsewhere in the text, and this is one of my favorite speculations– that the references to prisons and prisoners are applicable equally to human beings, spirits, and even perhaps animals.

In any case, that’s all speculation for now.

The next quandary is whether strengthening a prison is benevolent or malevolent?

My take is that it is benevolent, considering that the alternative is a jailbreak. Breaking out of a prison is a form of destruction, albeit a desirable one from the subjective viewpoint of the prisoner. This is especially clear in this case when Jupiter is prominent in the electional configuration, whose attributes prioritize the augmentation and strengthening of things. Strengthening a prison is similar to the securing of buildings which is another electional option, which is unambiguously benevolent.

This election was specifically for the strengthening the prison of captives, which is especially suitable considering that the 25th Mansion’s name translates (according to some) as “the star of the dungeons.”

I should note that this election does not bind or imprison; it only fortifies bindings and imprisonments which already are in place.

The Moon was quite fast, applying a perfected trine to Jupiter. However, it was also applying a sextile to Mercury which is the dignified and unafflicted Ascendant Ruler, therefore reinforcing the significators. The Moon is also applying a somewhat loose sextile to Saturn which is the ruler of the Moon’s Sign and a very strong consideration for success according to Picatrix electional rules — even though it is a Malefic.

There are possible negatives. The Ascendant Ruler is applying a trine to Saturn, which by Picatrix rules would weaken it. However, Mercury and Saturn have a natural amity and the trine should soften any weakening. Saturn is in a malefic Face and is in the 7th House but not on the Descendant, so I think that’s acceptable. The malevolence of Saturn might make the imprisonment particularly harsh, or it may not factor in in any way. A counterindication is the role of Jupiter, which may make the imprisonment pleasant. And while Jupiter is retrograde, I do not believe this has any pertinence to the election since the planet is in a supportive role rather than being a principal player.

Six quartz crystal cabochons were made into talismans. The suffumigation was gum mastic.

The top of the cabochon was inscribed with a crescent Moon, and below it a chain with five or seven links depending upon the size of the gem. Below it were three words: STRENGTHEN, CAPTIVES, PRISONS; each below the last. On the back was inscribed an X for ease of the Mansion spirit’s entry.

Normally I would have inscribed the name of the Mansion Ruler, but tarot advised against it. Perhaps the Ruler uses a different name for orchards and imprisonments.

The Age of Black Magic: Step Eight

The Doorway To Hell Sigil

 

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This is an important sigil to memorize and use for curses, and virtually any other attempt to access the netherworld of the dead and uncanny spirits.

It, and variations of it, appear on an extremely large number of katadesmoi and defixios. I’ve concluded that contextually it is the symbol of the “Terrestrial” Hermes of the Orphic Hymns, and more pertinently helps open a gateway into the realms of the dead.

It may also permit access to celestial realms as well, as variations of it appear on a sizable quantity of pentacles from the Greater Key of Solomon and other ritual objects in the Solomonic tradition. Many people believe the number 8 is associated with planetary Mercury, though this is debatable and not necessarily compatible with the pentacles. I speculate that it is a more general symbol for Divine Hermes, and assists in other forms of Divine communication. This is less well established, however.

In our context, it can be used to gain the attention of netherworld entities and a channel through which communication or miasma can flow. It is a wound you open into the darkest realms below.

So, let’s call it the Doorway To Hell Sigil.

It should be inscribed on all applicable objects used when attempting to constrain, harm and destroy the Trump Administration.

The Rings of The Fortunate Mystic

THE RINGS OF THE FORTUNATE MYSTIC: Fortunated Moon applying to conjoin Alcyone culminating with the North Node Ascending in Perfection.

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I’d long ago nearly given up on finding a good Pleiades talismanic election, but stumbled across this one so close to the date that I’m glad that I’d ordered a few quartz crystal rings for another project recently or I’d have missed a treasure!

This one was quite worth waiting for.

Alcyone culminates, the Moon is very fast and she applies to a fortunate aspect of a benefic, albeit out-of-Sign. The Ascendant Ruler is fast and likewise applying to a benefic. The aspect is sextile which is closely connected to Venus, the benefic in question. The Moon is separating from a conjunction with Algol, but I think that’s safe.

Finally, and most excellently, the North Node is exactly on the Ascendant. Ka-pow!

The petition was similar to what I posted recently for fortunate travel by air, with only a few lines yanked.

Now, the most extensive instructions on how to create a Pleiades talisman comes from the Quindecim Stellis, but there are similar details in Agrippa and in the Confessio Amantis.

“Fennel seed with frankincense and quicksilver placed under a crystal with the appropriate character [engraved on it], with the Moon conjunct the Pleiades rising or at midheaven, preserves the eyesight, summons demons and the spirits of the dead, calls the winds, and reveals secrets and things that are lost. “

The left sigil is from the Quindecim Stellis text and the right is from Agrippa. I tend to use the more complex Quindecim Stellis versions unless pressed for time. Most people seem to think the Agrippa sigils are degenerate and certainly date more recently.

Above the sigil I engraved the name of the angel of the Pleiades from the Greek Magical Papyri, ZIZAUBIO, and below it I engraved the common sigil of the North Node of the Moon.

Now, the big problem with Pleiades talismans is that quicksilver is a deadly poison. Tarot divination has led me to believe that a passable substitute for this talisman are poppy seeds, perhaps because of the fever dreams opium can produce. It works well enough as far as I can tell.

Four snow quartz cabochon gemstones set in sterling silver wire rings were used.  I mixed the poppy seeds with glue along with fennel seeds and frankincense grains below the gemstones towards the end of the electional window. The suffumigation was predominately frankincense but fennel and poppy were included as well.

No scented oils were used this time.