Talisman of Safe Driving

TALISMAN OF SAFE DRIVING: Moon culminating triumphed and fast in the 7th Lunar Mansion, Ascendant Ruler fast and dignified.2017-05-25-seventh

This is a 7th Mansion talismanic election for safe travel, particularly by car.

Picatrix gives the name of the Mansion’s ruler as Siely and alternately as Sehele in the Plinian Mansion section, derived from Ibn Hatim:

The seventh Mansion is Aldira and is for the acquisition of all good things. When the Moon is passing through this Mansion, fashion a seal of silver, and sculpt the image of a man clothed in robes and with his hands extended to heaven in the manner of a man who is praying and supplicating; in the breast of the image write the name of the lord of this Mansion. Suffumigate it with sweet smelling things, and say: “You, Siely, cause such and such to happen, and grant my petition.” Ask for whatever you wish that pertains to good things. Carry the image with you and it will be as you wish. Know that Selehe is the name of the lord of this Mansion.

Picatrix, however, gives more options for the 7th Mansion in the “foundational” Mansion section much earlier in the book.

The seventh mansion is called Aldirah. 25 It begins at 17 degrees 8 minutes and 36 seconds of Gemini and its boundary is the end of that sign. In this Mansion make images to increase merchandise and profit and to travel safely, and to increases crops, and to sail beneficially on the water, and to cause friendship between friends and allies, and to expel flies so that they will not enter where you wish, and to destroy officials, and it is good to go into the presence of the king or other high nobles, and to cause the king and other lords to be benevolent.

So, let’s analyse the election and then go onto the implementation.

This election is mixed. It has great strengths and some weaknesses. I made a judgement call that the former were much greater than the latter, but informed opinions may vary. I did not wish to wait any longer for a good talisman for this purpose.

The Moon is the principal significator in this election, and culminates. The Moon is very fast– which I believes rapidly promotes sensible manifestation and strengthens the effects overall.

The Moon is triumphed; a term I’ve coined for inverse besiegement. Instead of the planet separating from an aspect with a Malefic and applying to the other, this does the same with the Benefics. In besiegement the significator is caught between a rock and a hard place; in a triumphal position, the Benefics behave like strong bodyguards which flank the traveler. The Benefics in this instance are both afflicted– yet their nature does not change and they ensure success. Beseigement remains a dire affliction even when the Malefics are weakened or fortified, and so triumphing is always among the strongest of accidental fortitudes.

Another positive factor is the Ascendant; the lord is Mercury, who recieves a +2 dignification by term or bound, is fast, but is unaspected. The electional window is narrow (about six minutes) because the Ruler of the Sign the Moon is within must never be cadent and I had to wait until Mercury was eight degrees past the cusp of the 8th House boundary for this to take place. According to Picatrix, when the Moon’s Sign Ruler is cadent, the election begins well but ends in failure.

The weaknesses of the election are the the Moon is applying to a conjunction with Mars and an opposition with Saturn after the triumphing ends, and that the Moon is in the same Sign as a Malefic (Mars.) Mars is also on an Angle; the Midheaven. These are normally very serious concerns, but I believe the role of triumphing is to shield the significator (the Moon) from afflictions. If it were the other way around and the Moon were besieged, nobody would put much weight on application to aspects of Benefics after the configuration would end.

As Picatrix says, there are certain configurations which can neutralize the afflictions of the Malefics, such as making them cadent and placing a Benefic on the Ascendant. I believe triumphing is another such.

Is this a perfect election? No. I’ll replace it when I find a better one, but in the meanwhile I think the two talismans I made are safe and strong.

Two large quartz crystal cabochons were selected. They are inexpensive and easy to replace when a better election comes along. Both will be carried in a velvet bag to reduce scratching and impacts.

The main feature of the ymage is what the talisman is supposed to fortunate; a car. Before the headlights is the sigil of Venus and behind it is the sigil of Jupiter. Moon, the cosignificator, is tightly applying to a benevolent aspect of Venus and separating from a benevolent aspect Jupiter. Above the car is the sigil of the Moon and below it is the number 7, signifying the Lunar Mansion. Across the body of the car is the name of the Ruler of the 7th Mansion, SIELY. On the back is an X, which Picatrix advises using when one is uncertain about the ymage of a particular spirit for a talisman. The suffumigation was aloeswood, in very small amounts.

The image below is in different colors for clarity; they were all actually engraved with a diamond tipped stylus and not colorized. I use that here only for readability.

Siely

I am mostly including this election here, beyond as a record of my work, but as an excample of how to implement the “foundational” Mansion elections with components of the Plinian/Ibn Hatim material to fill in the gaps.

The Age of Black Magic: Step Ten

Vicious Liver Spell

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Introduction

In my last post on Reversal Magic, I wrote that it was good strategy to send a magical attack back in many different ways. Use a plethora of surprising curses so that your antagonist won’t be able to defend against everything.

In magical combat, my own experience has shown that it is helpful to do things in rapid, forceful sequence. Reversal, cleansing and protection are essential— but sometimes it’s good to supplement it with a nasty attack. The best defense is a good offense.

An enemy will be chastened if while they’re fighting off their own toxic garbage rebounding upon them, an entirely different attack is sneaking up behind them and giving them a whallop. A two-front war. They usually leave you alone after that.

The following is certainly adaptable to a conventional enemy, but I advise that you use it on someone who has targeted you magically in an unfair way. It is designed to be cruel, not so much as to punish as to be a strong deterrent — paired with other spellwork.

The Spell

pins01

Obtain a pork or beef liver from your local supermarket or butcher.

Cut open the liver with a very sharp knife, and insert a circular petition paper with “thesoulofmyenemy” or “thetrumpadministration” or whatever you choose in unbroken script around the rim in mirror script, if possible. In a similar manner make a grid eight times of “deathdestructioninsanitysickness”, “thegravedevoursyou” or whatever you choose across in unbroken script, and likewise an intersecting eight times “mywillbedone” in unbroken script down. Or mix it up a little. Write the Doorway To Hell sigil on the reverse. (I used different color inks here for additional clarity, but black is fine.)

IMG_0584

A rough petition paper for the Vicious Liver Spell.

Sprinkle sulfur powder and valerian powder on the petition paper and wrap it in snake sheds before inserting it into the liver and closing it up. (Or use goofer dust if you’re in a hurry.)

Take 36 long pins and anoint the tips with your favorite cursing oil or substance.

Spit on the liver as a baptism and declare it to be the soul of your antagonist. Then, put on some disposable gloves and very thoroughly slather the liver in a mix of blackstrap molasses and your urine. Carefully push your pins through the liver with the following incantation as you go:

In the name of [spirit beings you invoke] I [list your qualifications and initiations] and all those who serve me and help me:

  1. Smite my enemy’s left foot
  2. Smite my enemy’s right foot
  3. Smite my enemy’s left shin
  4. Smite my enemy’s right shin
  5. Smite my enemy’s left thigh
  6. Smite my enemy’s right thigh
  7. Smite my enemy’s genitals
  8. Smite my enemy’s hips
  9. Smite my enemy’s bladder
  10. Smite my enemy’s intestines
  11. Smite my enemy’s pancreas
  12. Smite my enemy’s stomach
  13. Smite my enemy’s liver
  14. Smite my enemy’s heart
  15. Smite my enemy’s left lung
  16. Smite my enemy’s right lung
  17. Smite my enemy’s left hand
  18. Smite my enemy’s right hand
  19. Smite my enemy’s left arm
  20. Smite my enemy’s right arm
  21. Smite my enemy’s neck
  22. Smite my enemy’s tongue
  23. Smite my enemy’s lips
  24. Smite my enemy’s speech
  25. Smite my enemy’s left ear
  26. Smite my enemy’s right ear
  27. Smite my enemy’s left eye
  28. Smite my enemy’s right eye
  29. Smite my enemy’s teeth
  30. Smite my enemy’s face
  31. Smite my enemy’s skull
  32. Smite my enemy’s brain
  33. Smite my enemy’s warm blood
  34. Smite my enemy’s strength
  35. Smite my enemy’s youth
  36. Smite my enemy’s hope

My enemy cannot escape me. My enemy cannot escape. My enemy cannot.

Dig a hole in an accessible cemetery (even a pet cemetery, or where you’ve buried pets in the past) and spit in it. Put the liver in the hole and seal it up. Walk away and don’t look back.

 

The Age of Black Magic: Step Nine

Reversal Magic

reversal2

Are your anti-Trumpian magical activities going as you had hoped? If yes, you can ignore the rest of this post.

If not, you may wish to stop whatever it is that you’re doing and do the most aggressive reversal magic that you have in your arsenal.

Pro-Trump magicians have been targeting their counterparts individually and collectively, or so I was told a few weeks ago. Attempts to coordinate magic against the administration have mysteriously gone up in smoke, simply failed, or resulted in the Anti-Trump practitioners becoming distracted by personal troubles of all sorts.

In some instances, the former and latter may be linked by causality. If that’s the case, it’s probably a good idea for you to drop everything and bounce that shit right back where it came from.

I am not going to immediately advise a particular method of reversal; use what works best for you. You might want to hit back with something strong and unexpected. Several flavors of reversal at once are going to be harder to shield against.

Practitioners shouldn’t attack each other, but giving an enemy a taste of their own medicine (and then some) is often a teachable experience.

 

 

Gemstones and Metals in Picatrix and SIM

gemstones4

An array of cut and polished gemstones.

Scholastic Image Magic, or SIM for short, focuses somewhat upon the creation of talismans; that is, material objects in which a spirit of the heavens is ritually embedded in order to perform works of wonder. Picatrix, also known as Ghayat El-Hakim in its original Arabic title, is the largest and most detailed example of this tradition of magical texts. While Picatrix is a miscellany of magical and esoteric lore, the majority of it can be said to either provide recipes for the creation of astrological talismans or reference materials and theory which support this endeavor.

Picatrix was never intended to contain all the knowledge necessary for the reader to create talismans, evoke spirits, or the many other secrets it offers. The student of the work was expected to be educated in the system of advanced astrology prominent at that time, with a priority towards electional astrology, the choosing of fortunate or unfortunate times to commence an activity or construct or alter an object. Talismans were simply one way to use an astrological election; by embedding the spirit of a fortunate moment of a particular flavor in matter, the luck or power would emit from the talisman even during times which were mediocre or quite adverse.

The student was also expected to be quite versed in the sciences of the era, which depended heavily upon the works of Aristotle and Pliny and the studies of the alchemists. While astrological associations of metals and gemstones and other materials often differ from those the alchemists used, they overlapped sufficiently that in the absence of guidance from canonical texts of astrology and magic, the student would refer to alchemical teachings as a supplement.

Many of these supplemental texts have been lost or are not available in translation. What modern practitioners do is refer to texts which are compatible but later in history and thus more accessible. Cornelius Agrippa’s Three Books of Occult Philosophy is a great source for such information, and when herb lore becomes relevant so is Nicholas Culpeper’s Herbal.

Picatrix is often evasive about the diversity of talismanic implementations. There are hints that wooden talismans are possible, but it gives no details regarding their manufacture. Pigments are often associated with stellar configurations, but again there is little information on how they were to be used, since paper and parchment were not thought to be able to absorb power very well.

Venus

Talismanic Image of Venus based on recipes in Picatrix.

What is provided are instructions on how to cast talismans out of metals and colored waxes, and to engrave gemstones. When the proper picture or sigil was inscribed or cast on such an object at the elected time, a spirit of one of the seven planetary hierarchies or one of the many more exotic stellar hierarchies would empower the talisman and give it amazing powers. Incantations and burned incense would facilitate the process and strengthen the creation of the talisman, and compatible herbs would either be placed with it or glued to in some manner to magnify or focus the power towards a particular objective.

In recent centuries the concept of correspondence has eclipsed that of affinity, and to modern practitioners the return to the old way of thinking may be jarring. The alchemists had a one to one correspondence between the seven traditional planets and metals, with lead corresponding to Saturn, tin to Jupiter, iron to Mars, gold to Sun, copper to Venus, quicksilver to Mercury, and silver to the Moon. Even later in history, singular colors corresponded to the planets as well; black for Saturn, blue for Jupiter and so on. This is alien to the older and more complex astrological tradition.

In SIM, there are long lists of metals and minerals (not to mention herbs and animal ingredients) associated with each planetary hierarchy. Furthermore, many materials appear on two or more lists for different reasons. Each planetary hierarchy has multiple colors. Lastly, there is no singular material on each list which most associated with the planet any more than there is one which is the least. Each material has qualities which in some way resemble the function of one or more planetary hierarchy, which can include color, weight, attractiveness, medicinal usage, flavor, folkloric associations, hardness, translucency and much more. This complexity is often jarring to newcomers in this system.

gold

Metallic gold (and minerals like iron pyrite which resemble it) are prized in SIM.

An example of these complex associations is the metal gold. The yellowish hue and, when polished, its shininess associate it with the Sun. Its inability to tarnish is associated with the Sun’s regularity and mathematical associations with the four seasons. Gold is an excellent material for Sun talismans. However, gold is a very heavy material—almost as heavy as lead—and this is why it is associated with Saturn, the planetary hierarchy associated with weight, gravity and things drawn down into the earth. Saturn talismans can be made perfectly well in gold; in some ways it is superior to lead because it is more rigid and less likely to distort when worn or carried. Gold is highly attractive and desired, and so it gains associations with Venus and also is appropriate for her talismans. Gold is also expensive and thereby gains associations with Jupiter, the governor of riches. Gold is also suitable for Jupiter talismans. The only planets which can’t work with gold are Mars, Mercury and perhaps the Moon.

lapis2

Lapis lazuli with iron pyrite inclusions is particularly versatile and inexpensive for making talismans.

More overlap appears in one of the most commonly used gemstones, lapis lazuli. A soft, vividly blue gemstone that is frequently flecked with golden iron pyrite inclusions, it is relatively inexpensive and thus is quite popular among contemporary practitioners of SIM. Of greater importance, Marsilio Ficino (a Renaissance genius who practiced SIM among many other things) observed that softer materials produced talismans which had shorter lifespans but produced magical effects especially rapidly. Picatrix uses a slightly different rationale with the same conclusion. Nevertheless, lapis lazuli with pyrite inclusions gains association with Saturn by two routes; the golden appearance of the pyrite hearkens back to metallic gold and its own associations with Saturn, and because of a historical confusion between lapis lazuli and sapphire– both mean “blue stone” in different languages (Latin and Sanskrit) and the latter is more directly associated with Saturn due to its dark color and extreme hardness. (Saturn governs darkly pigmented things and durability.) Lapis lazuli with pyrite inclusions also has affinity with the Sun because of the golden appearance of the flecks of pyrite. Lapis gains association with Venus because of its oceanic blue color, and the Greek myth of Aphrodite emerging from the sea foam. The Moon arguably has the strongest associations with lapis lazuli because of this oceanic connection, and the dependency of the tides upon the Lunar cycles. Additionally, by way of lapidary lore, lapis lazuli has the property of diminishing melancholy and grief, and this quality is added to and magnified by the transformation of a lapis lazuli gemstone into a Saturn, Sun, Venus or Lunar talisman, regardless of its other powers.

These are two, slightly extreme examples of how the 1:1 system of correspondence fails in Scholastic Image Magic. In many instances a gemstone or other material will only have associations with one or two celestial hierarchies. But I illustrate this to make a point; materials such as gemstones, metals and herbs are not singular representatives of a celestial hierarchy in each kingdom of matter, but one of a host of materials which a particular astrological spirit hierarchy finds beautiful, interesting, useful, or more real. Everything in the world is ruled over by one or more planetary hierarchies; there’s a lot of redundancy down here. And an alternate way to express this if the notion of spirits is undesirable, is that just like different forms of electromagnetic radiation can penetrate metals and flesh and stone to varying degrees based on type, the rays of astral light (which are the spirits themselves) can irradiate all substances to differing degrees. Only those materials which can be fully irradiated by astral power of any particular variety are capable of becoming the vessels of power that are talismans.

There are an abundance of additional factors to consider when selecting gemstones for the purpose of making a particular sort of talisman. Some are metaphysical and some are practical.

Picatrix advises that one may use the system of humours or temperament to attract and repel animals and people of particular constitutions whose images have been engraved on gemstones. A gemstone which is believed to be hot and dry with the talismanic image of a fierce animal like a lion will attract and tame the animal. A gemstone whose constitution is believed to be cold and wet with the same image and stellar configuration would instead repel lions. The same might be applicable to types of people who might appear on a talisman, such as a king or a warrior. Sadly, lists of the elemental associations of gemstones from the era of Picatrix do not appear to be available in translation, and some guesswork is necessary.

Gemstones are believed to be the fruits of the Earth, and are natural phenomena. In the outlook of the scientists of the era, plants were a midpoint between the attributes of animals (both grow) and minerals (neither move about). One of the implications of the continuum between animal and mineral is that to an extent, minerals are parts of the living Earth and closer in nature to a living oak tree than a carcass. This explains why gemstones which are in various ways not natural do not make good talismans. Artificial diamonds and rubies, irradiated gems, dyed gems, and sometimes even heated minerals do not absorb the essence of the spirit beings adequately in order to turn them into talismans. Sometimes when they do work, they produce unpleasant side effects. Synthetic gemstones are akin to silk flowers and wax fruit; they may look like the real thing but often are inadequate replacements.

The color of gemstones is a complicated issue. Gemstones of particular colors are indeed associated with particular planetary hierarchies; pretty much any white stone can be used for Jupiter, for example. Nevertheless, this is an instance where an association is very superficial and often will produce an inferior talisman. Gems which have very particular associations with planets because of unique properties take precedence over something like color alone, which is far more general. Many gemstones which are powerfully associated with a particular planet are of extremely counterintuitive colors.

Another issue with color is that on a mineralogical level, several named gemstones are basically the same mineral and differ only by color. In this instance, the differences of color are the source of the identity rather than chemical composition or crystalline structure. One example is onyx, traditionally a black or brown stone with white banding. Onyx can be used for Saturn talismans, Moon talismans, and the fixed star Corvus. Sardonyx is a stone which is red or orange with white or yellow banding. Other than color, there is no difference between the two. However, sardonyx is used for the talismans of the fixed star Antares, and neither the Moon nor Saturn. Antares is a reddish star, whose appearance resembles that of the stone. It is an exception to the rule. A more well known pairing like this is that of sapphire and ruby; both are the mineral corundum, but the former is black or dark blue and the latter red. Their metaphysical associations are completely different. Seeming paradoxes sometimes occur. The emerald is suitable for Jupiter and Mercury talismans; planets which are otherwise completely opposite to each other in every way. It is not enough to understand which materials are associated with one or more planets. Whenever possible, one must understand why.

The last consideration for gemstone talismans I wish to make in this article is that of shape. The most important consideration is practical; you need a gemstone with a large flat surface—large enough to engrave a sigil or, far better, a pictorial image using a diamond stylus. Emerald cut and marquis cut gemstones can provide enough surface for a small sigil but little more. Cabochons, whether hemispherical or ovoid, are the better option. They provide maximal surface area and are portable. They work in ring settings and can even be secreted in a pocket or wallet.

They also have a harmonious shape. Aristotle believed that the cosmos was spherical as the macrocosm, and this was mirrored in all spiritual beings as a microcosm; the shape of all spirits (in spite of appearances) are spheres. Anything which approaches the shape of the sphere, including ovoid shapes, circles and hemispheres, are particularly suitable vessels for a spirit being such as a talismanic entity. So, though it is seldom practical, the optimal talisman is a mineral sphere of the largest manageable size.

The factors which must be taken into account in the selection and preparation of gemstones and other material objects for transformation into talismans in Scholastic Image Magic can be daunting at first. It requires a great deal of specialty knowledge, but the authors of the Picatrix, Agrippa and other masters of SIM tended to describe talismans made in an optimal way in order to minimize side effects and maximize their power—and massive power it can be indeed. However, the average experimenter (or master of this system in a bit of a hurry) can use inexpensive or even slightly inappropriate timing and materials to create talismans which provide sufficient and immediate results. This is an elite system of magic, but the basics are accessible to all with the drive and determination to ascend.

Massive Talismans and Chimerical Spirits

I say to you further that, if the quantity of stone of which an image is composed is large (that is, between an ounce and a pound), the virtue and power of it will be able to reach from the place where it is for a hundred leagues.

If it contains a combination of things in its figure, however, its nature will have no motion or effect except that which terminates in its own place, though its motion or effect will not be limited to those of its substance or the nature of the bodies that compose it, for spirits have a wider range than those bodies that contain little spirit.

–Picatrix IV:4, Greer-Warnock translation

Picatrix Analysis:

Talismans made from mineral spheres of even medium sizes will project power for 300 miles in all directions.

Talismans which attempt to draw upon the power of more than one celestial hierarchy will be crippled, like a chariot whose horses are running in different directions.

They will have some influence in their immediate environment because they are inhabited by a chimerical spirit, but less than a pure spirit and more than the natural virtues of whatever material the talisman is composed of.

On that note, I hereby coin the term chimerical spirit; a temporary union of astral spirits from dissimilar celestial hierarchies in a talisman, which being neither fish nor fowl operates with the virtues of neither.

This notion seemingly creates an inherent limitation upon House-based talismans. Which may explain why I have found them ineffective and frustrating.

Fearless Magical Protection @ ConVocation 2017

 

Clifford Hartleigh Low’s lecture on “Fearless Magical Protection” at ConVocation 2017. This class covers a broad array of spells and magical practices which protect the practitioner from mystical and mundane dangers; including powerful techniques of shielding and defense which do not appear elsewhere.

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Fundamental SIM Texts

It occurs to me that it’s very hard to take the first steps in orienting yourself around SIM because outside of Chris Warnock’s courses there is nothing really like a 101 book. I’ve attempted to do some of that with my lectures, but there’s only so much you can do in a narrow window of time.

Even more important is orienting oneself towards the worldview of pracitioners of the system. Thinking like someone in the 21st Century rather than someone in the 17th is a major stumbling block, because so many assumptions about the self, the universe, and metaphysics overall have changed that really do matter. There is much to un-learn before you learn.

Chris requires one of two books early on in his Astrological Magic Course. The first is The Elizabethan World Picture by E.M.W.Tillyard. It’s a very useful book, but one of the most boring I’ve ever read.

The better option is The Discarded Image by C.S.Lewis. This book I can wholeheartedly recommend, and convinced me that the pious Lewis almost certaintly practiced some form of Christian Neoplatonic magic in secret.

I’d like to go a bit further and add two more books to your reading list, one of which is much easier to obtain than the other.

The first is the Timaeus of Plato and the many, many commentaries upon it. A great deal of the justification and rationale for (Traditional) astrology in Western Culture originates in this text, and it is profound elegant reading if sometimes a bit dry. You should read it fully at least once, but it certainly grows in value upon subsequent reads.

The second is De Radiis Stellarum of Al-Kindi in French and a harder to obtain version in English. Though this text was certainly respected in the Muslim world, it was widely disseminated throughout the Christian medieval world as an explanation for magic which did not recourse to the evocation of demons and only mysterious natural forces. More relevantly, it’s a logical philosophical and integrated view of how magic works and much more sophisticated than anything which has emerged since. Without understanding De Radiis Stellarum, it’s actually very hard to understand Picatrix; and it happens to be one of the biggest skeleton keys to understanding the text for my own researches.